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| Portishead | 
enlarge | Artist: Portishead Label: London / Umgd Category: Music
List Price: $12.98 Buy New: $8.62 You Save: $4.36 (34%)
New (15) Used (2) Collectible (1) from $8.62
Avg. Customer Rating: 146 reviews Sales Rank: 58228
Media: LP Record Discs: 1 Shipping Weight (lbs): 0.8 Dimensions (in): 11.8 x 11.7 x 0.2
UPC: 731453918917 EAN: 0731453918917 ASIN: B000003R7G
Publication Date: 1997 Availability: Usually ships in 1-2 business days Condition: Brand new item. Over 3.5 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: A20081113080558T
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| Tracks:
| • | Cowboys | | • | All Mine | | • | Undenied | | • | Half Day Closing | | • | Over | | • | Humming | | • | Mourning Air | | • | Seven Months | | • | Only You | | • | Elysium | | • | Western Eyes |
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| Editorial Reviews:
Amazon.com The bad news is that there is no "Sour Times" to equal the first album's greatness. Lead single "Cowboys" doesn't do the trick, not with its '50s sci-fi dub vibe and the Yma Sumac stylings of Beth Gibbons. The upside is that this bold sophomore release is, even at this late date in trip-hop's evolution, still startling, thanks to the mix of Geoff Barrow's soundscapes and Gibbons's haunting wail. --Jeff Bateman
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| Customer Reviews: Read 141 more reviews...
Trip-hop noir February 16, 2005 33 out of 33 found this review helpful
Portishead created a unique sound in their debut "Dummy," combining smoky jazz and trip-hop. So an equally good follow-up was a pretty tall order. Enter the self-titled "Portishead," which ups the eerie noir feel while not abandoning the cool electronic edge. In the months before their return, it seems appropriate to revisit their older material.
"Did you feed us tales of deceit,/Conceal the tongues who need to speak?/Subtle lies and a soiled coin,/The truth is sold, the deal is done," Beth Gibbons intones, sounding like a slightly gleeful robot. That sets the tone for "Portishead," giving it a darker tone than its predecessor -- darker songs, darker vocals, darker music.
The jazz overtones are still there, bubbling up in songs like the distant "Over" and "Seven Months," which sounds strangely like fellow trip-hop artist Emiliana Torrini. Only the downtempo "Over" and softly poppy "Western Eyes" break from this cooler sound, sounding warm and unaltered. The rest of the album is a different story.
Somehow it adds to the noir atmosphere to have darker, colder sounds woven in with the jazzy trip-hop. "Humming" includes a strange background beat that sounds exactly as you would imagine a UFO. This dark, experimental edge makes it a bit harder to get into than their debut album, but when you do get into it, it's almost frighteningly intense.
The jazzy percussion is one of the first things you notice about this, paired with horns and thick synth. It's surprisingly heady to listen to. Also cold and distant -- which seems appropriate, since the simple lyrics focus on loneliness, melancholy, sadness and loss ("Why should I forgive you,/After all that I've seen,/Quietly whisper,/When my heart wants to scream?").
Beth Gibbons plays around with her vocals this time around -- while Gibbons's voice is normally very pretty, in a few songs she twists it into creepy monotones. It's a bit jarring at first, compared to her usual melodic singing, but it suits the darker songs here. The filtered, eerie intonations in "Cowboys" are downright spine-chilling.
Portishead, presently working on their long-awaited third album, made a triumphant second album. While not as easily accessible as their debut, it's definitely an entrancing experience.
Secrets too Tortuous to Endure June 7, 2004 22 out of 41 found this review helpful
I turn on the CD player and I am wearing a slinky black dress, my mouth rouged with blood red lipstick, a trail of cigarette smoke wafts in the stale air, and I'm shadowed by a sinister figure down a seedy alleyway. I'm cornered in some dive but it's just some swaying, slobbering lush wanting to know where Albert is. As if I knew...as if I cared. My secrets are too tortuous to endure much longer.Beth Gibbons voice is creeping emotion sputtering out those secrets in the twisted cabaret in my head. The mood is dark, the atmosphere thick with betrayal and yearning, strangers with glassy eyes litter the joint while their own desperate desires join the din of bereavement. All flesh is cold to the touch and no one speaks above a raspy whisper. Whiskey is the drink of choice and everyone is melting into their chairs. While trying to escape the drunk, I stumble over someone who falls out of his chair. Another liquor-soaked refugee from planet Earth, I think, but no - it turns out to be a mannequin. Ahhh, that explains so much - those lifeless eyes, the cold skin, yet it still whispers, it whispers to me: "where is Albert?"
I actually give it four and a half... February 28, 1999 12 out of 14 found this review helpful
But I can't quite give it five becaue I know what this band is capable of. In my mind, perhaps the most original and influential band of the 90's, Portishead comes out with another great album. If it weren't for the absolute brilliance of their first album and the expectation that it caused for me, I would give this five stars. "Mourning Air" is a masterpiece, and "Western Eyes" is a beautiful touch. I still am absolutely in love with Beth Gibbons, even though there are a few points in this CD when her singing gets a bit loud and unbearable. Do not worry if you do not like other things you have heard labeled "trip hop", Portishead transcends this label, and most other categories. Dummy took a while to grow on me, and perhaps all this CD needs is a few more weeks of deep listening before it joins my list of all time classics, but for right now I have to keep it just slightly behind Dummy, if for nothing else because Dummy came Four years ago and truly revolutionized the music scene.
Not Essential December 17, 2005 12 out of 18 found this review helpful
This is a much more challenging listen that "Dummy" but ultimately nowhere near as satisfying. The main problem is the mix - the sound on this is bone dry and Beth sounds like she's singing in another room. It's a pretty unique sound but very alienating and it hurts the songs. The other problem is that you just can't listen to this after having heard the "Roseland NYC Live" CD. The versions on that CD of the songs from this album are so superior to the versions here that it's not even funny. I heard NYC Live before I heard this and I think that's a big reason why I have never been able to get into this album. All in all, I agree with the other reviewer who said that "Dummy" and "Roseland NYC Live" complete the Portishead picture and this is really unnecessary if you have those two albums. Actually, NYC Live is probably their best release. I would recommend that to newcomers as ALL of the performances on that are improvements on their studio counterparts and it contains all of their best songs with the exception of "Numb".
I feel so cold... April 12, 2006 10 out of 10 found this review helpful
There's nothing like Portishead and nothing like their 2nd album. Its darker, creepier, and more haunting than the first. The entire album has an overal similar sound which makes for a more themed and theatrical sonic experience. I like this better than the first album which had the obvious singles and dabblings in various spectrums of trip-hop which now resembles everyone from tricky to morcheeba. However on this 2nd release, Portishead holds their own, establishing their own trademarked sound: an eerie, slow-paced death-orchestra led by a sultry singer with a heart of black-gold. This music will get into your brain and eat away like bad acid. Exquisite production and smart use of turntables. From the intro of eerie high pitched twinklings over a heartbeat that lead into twangy strums of electric guitar and record scratching, to the last song which ends with the sampled vocals of an old bluesman pining about hookers and gin, this is a masterpiece recording. Goes well with a late-night martini and captures the dreary mood of a cool, misty morning in Autumn just after it has rained and the fog is still hanging in the air...
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