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Similar Items:

•	The Ultimate Jesse Cook (2-CD Set)
•	Frontiers
•	Tempest
•	Nomad
•	Vertigo

Editorial Reviews:

Amazon.ca
Jesse Cook is a worldbeat musician in the truest sense of the word; he doesn't just pick a style and repackage it, he is respected both by listeners and players alike for constantly seeking inspiration and tutelage from all over the world. A longtime fan of music from Spain, Africa, Egypt, Brazil, France and Cuba, Jesse Cook's Montreal evokes each of those countries and then some on this, his sixth CD and first live disc.

Cook has a history of hooking up with talented players; previous contributors to his million-selling catalogue include cellist Ofra Harnoy, fellow Canuck Holly Cole, and Brazillian jazz phenom Flora Purim. His choice of players for Montreal are equally talented; that point is made clear right from the opening cut, "Beloved." Fellow Canadian, Maryem Tollar sets the stage with her incredible, ghostly Arabic vocals; from that romantic, moody brilliance right to the disc's undulating climax of "Baghdad," the perpetual motion of Gypsy Kings-meets-Cirque du Soleil sounds resonate throughout the disc. The audience's adoration of the performer and his wonderfully percussive live show (recorded at Le Festival International de Jazz de Montreal) allows the feverish applause to carry the enthusiasm over to the live disc itself.

There will always be a debate among purists as to whether accessible worldbeat or jazz is too easy-listening; ultimately, Cook is one part gifted guitar player, another part masterful showman. Even in the context of listening to a live CD, the energy that he gives to and subsequently receives from his fans on Montreal is contagious and musically rewarding.--Denise Sheppard

Customer Reviews: Read 10 more reviews...

4 out of 5 stars

A Decent Capture of a Live Performance January 8, 2005
15 out of 16 found this review helpful

If you like live recordings, this is a very good one for the most part. For me personally, I don't enjoy the sound of yelling and applause when I listen to music at home or in my car. It is just not the same as being there (DVDs do a much better job of preserving a live performance's excitement). I admire Jesse Cook's guitar work and writing ability very much, especially his first four CDs. He is my favorite guitar player, and I have nothing but respect and admiration for him.

I saw him perform live very shortly after this recording was made but with a much smaller and more modest version of the band (Art Avalos, Kevin LaLiberte , Chris Church, and a female vocalist who's name escapes me). It was one of the very best concert experiences I have had. This recording at times lacks that intimacy that I remember. But for the most part, it captures the feeling and beauty of the music as I recall it performed live. Of course Jesse's guitar work is exceptional and the band is always terrific.

I did not understand the necessity of adding Danny Wilde's vocals later for "Fall at Your Feet", and personally I found it distracting knowing it was done that way. When I saw them perform this song live, they performed it without any electronic amplification. Chris Church and the very talented female vocalist (not Maryem Tollar as on this recording) did an outstanding job of singing and the feeling was beautiful, intimate and real. Nevertheless, it sounds beautiful on this recording. I cannot say enough about Chris Church's beautiful violin playing, he truly is a wonderful and inspired musician.

The only other pet peeve I have about this recording is when Jesse gets going very fast in those blazing parts of the solos; the pickup on the guitar that he uses for live performance just does not handle it too well! The tonality becomes drowned out by the percussive sound of the striking of the strings. I noticed this when I saw him live and thought it was a shame. Does Jesse mean for this to be the case?? Otherwise, his playing is outstanding and full of emotion. At times I have to just stop what I am doing and listen.

All in all, I feel that if you are a Jesse Cook fan, this CD is a must for your collection. If you have never heard his music before, buy Tempest, Gravity, Vertigo, or Free Fall first.

4 out of 5 stars

It's close but not quite there January 30, 2005
12 out of 13 found this review helpful

In general I like live recordings and I certainly like Jesse Cook. Good performers and good audiences create great performances. For an example of this synergy, try the bonus video tracks of "Mario Takes A Walk" and "Rattle And Burn" on Jesse Cook's "Free Fall". The energy in these performances is, literally, hair-raising.

In "Montreal: Live" the audience is clearly ready to help the performers, much of the band's work is impressive, and Jesse Cook's playing is technically superlative but... The overall feel is Jesse Cook and the band are basically going through the numbers, albeit with some gusto. There are some flashes of fire in the violin and percussion on occasion but nothing that's sustained. It isn't until "Dance of Spring" (track 11 of 13 tracks) that the playing really catches fire despite the obvious energy from the crowd all through the show. "Baghdad" continues the feel started in "Dance of Spring" although the intro lets some of the steam out before it's restored. Then comes "Fall at Your Feet". Placed elsewhere into the performance it would have been acceptable. It's not an encore number and it's not a big closer - it's just plain in the wrong place in the set.

If you do not know Jesse Cook's work, try "Free Fall" or "Gravity" first. If you like his work, buy "Montreal: Live" but don't expect a stunning performance. It's close but not quite there.

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Technical asides: Live albums and crowd noise first. Drunks yelling "play bleepin' 'Freebird', man" in the middle of an inspired acapella rendition of "Seven Bridges Road" should be strung up by the neck and left dangling, as an example for other would-be fools. But an auduence that's into the performance and is with the performers becomes an integral part of the performance and not just a flaw to be ignored. I can think of live albums where audience sounds are all but lost and the result is more like an odd studio album without the immediacy of the audience keeping time or cheering brilliant playing.

Jesse Cook's runs in "Montreal: Live" are, as best I can tell, backed by the percussion section and not solely the result of pickup noise or overloading. Where he's playing on the fingerboard, the notes, on even the best of guitars, simply lack the ring of lower registers. In a lesser player, the runs might seem flawed but I'm confident that what's played is played by choice.

1 out of 5 stars

Jesse Lovers July 19, 2005
4 out of 4 found this review helpful

If you are a Jesse Cook fan, this is a fun cd - it makes you want to see the video. For strictly music, i'd choose another of his cd's without the "live" sound effects

5 out of 5 stars

spectacular live performance September 8, 2005
2 out of 2 found this review helpful

If Jesse Cook plays anywhere in the state of texas, I will go see him, especially after listening to this live cd, it tells me he is as good live as his studio cd s are. Find a comfortable chair and a good pair of headphones or sound system and enjoy, I'll be surprized if you're able to walk away before listening to this performance in it's entirety!!!! Hope you make many, many more musical offerings of this caliber, Jesse!!

5 out of 5 stars

A Whole New Look February 2, 2006
2 out of 2 found this review helpful

I have all Jesse's CDs and enjoy them all. this one is different. While I can still enjoy his phenominal guitar playing and varied source of songs, there is a ton of percussion in this piece and the live audience really enlivens his work. I listen to most of his music and enjoy it immensely,this one I crank up in the car!

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