Editorial Reviews:
Amazon.com
Three decades after Dire Straits broke onto the scene with their remarkable debut, Mark Knopfler remains an iconic figure in popular music, his graceful guitar playing equaled only by his genial baritone and a novelist's ability to create distinct characters and themes in his songs. His fifth solo album since he pulled the plug on the band in 1995, Crimson reflects on a torrent of narratives, from the gracefully aging spouse in the flute-powered ballad "The Scaffolder's Wife" to the valiant down-and-outer in the Scottish folk song "Heart Full of Holes." Employing accordions, fiddles, and horns as majestic accompaniment, Knopfler drifts into the Celtic-tinged melodies of his past, explicitly in the whiskey-soaked singalong "Secondary Waltz," the busker's saga "Madame Geneva's," and "The Fish and the Bird," with its vagabond pensiveness. Clocking in at just under an hour, the album--without any page-turning epic--plays instead like an anthology of written works, every personification crisp in definition, every story exquisitely told. --Scott Holter
Amazon.com
Building on last year's Grammy-nominated All The Roadrunning collaboration with Emmylou Harris, his highest charting non Dire Straits album to date Top 20 Pop, scanning 400,000 copies in the U.S. acclaimed singer-songwriter guitarist Mark Knopfler unveils his fifth solo album, Kill To Get Crimson. While certain to appeal to his loyal fan base, the album's artful guitar rock will also entice new fans to Knopfler's signature sound (he's #27 on Rolling Stone's 100 Greatest Guitarists Of All Time), instantly recognizable vocals and smart lyrics. A multiple-Grammy winner who has sold more than 110 million albums worldwide, Knopfler remains one of rock's most admired artists. Mark Knopfler Photos More from Mark Knopfler 
All the Roadrunning | 
Shangri-La | 
The Ragpicker's Dream | 
Sailing to Philadelphia | 
Neck and Neck | 
One Take Radio Sessions [EP] [LIVE] | 
Real Live Roadrunning (with DVD) [LIVE] | 
Golden Heart | 
Screenplaying [SOUNDTRACK] | 
Private Investigations: The Best of Dire Straits & Mark Knopfler | 
Night in London (1996) | 
Ragpicker's Dream [LIMITED EDITION] [ENHANCED] [EXTRA TRACKS] [IMPORT] |
Album Description
Building on last year's Grammy-nominated All The Roadrunning collaboration with Emmylou Harris, his highest charting non Dire Straits album to date Top 20 Pop, scanning 400,000 copies in the U.S. acclaimed singer-songwriterguitarist Mark Knopfler unveils his fifth solo album, Kill To Get Crimson. While certain to appeal to his loyal fan base, the album's artful guitar rock will also entice new fans to Knopfler's signature sound (he's #27 on Rolling Stone's 100 Greatest Guitarists Of All Time), instantly recognizable vocals and smart lyrics. A multiple- Grammy winner who has sold more than 110 million albums worldwide, Knopfler remains one of rock's most admired artists.
| Customer Reviews: Read 111 more reviews...
 FASCINATING LYRICS, SUBLIME GUITAR, LOW-KEY DELIVERY AND PERFECT SOUND. September 18, 2007
109 out of 118 found this review helpful
I enjoy some of MK's music a lot. When listening to his albums, I just get the feeling that his music has 'quality written all over it' - fine songwriting (especially the lyrics), immaculate guitar playing and superior production. Yet, despite this, I often find each album contains only 3 or 4 songs that I really enjoy, a couple which bore me to tears, and the rest are just OK (but to be fair, enjoyment of his music does benefit from several listenings). There will be some people for whom MK 'can do no wrong' and I also feel that way about a few artists - but MK is not (yet) one of these. So, I was a little cautious about buying this album, but I thought I'd take a chance because some of the pre-release editorial reviews suggested that I might like it. As it turns out, I was not too disappointed.
THE SONGS - MK's lyrics are always fascinating but he seems to have surpassed himself on this album - in many songs, capturing the quintessence of post-WW2 life for ordinary English people. Although, for the most part, the melodies are good (a few having a distinct Gaelic flavour), I wouldn't describe them as 'infectious'; and I thought 2 or 3 were, by comparison, rather bland. There are no up-tempo songs to speak of (a couple come close) and there are certainly no 'full-tilt rockers'. Few of the songs have that 'americana' influence to be found on previous albums (the 'Springsteen-esque' 'True Love Will Never Fade' being the main exception) - MK has moved eastwards across the Atlantic for much of his inspiration on 'Kill to Get Crimson'. It is the songs that define the mood of the album and I would describe this as 'nostalgic-reflective' (in a very English sort of way).
THE PLAYING - You get little in the way of 'rock guitar' and most guitar solos are brief; but MK's playing permeates all tracks and the sound is absolutely sublime. In addition to percussion and bass, accompaniment is provided by accordion, violin, cittern, flute, saxophone, trumpet, clarinet and vibraphone; these are used judiciously (and very effectively) to enrich the overall sound - the phrase 'less means more' is very apt here.
THE VOCALS - MK has a rich baritone voice which is 'slightly frayed around the edges' - a voice which may be an acquired taste for some but one which I find very appealing; his singing is somewhat smoother than on past albums and he manages to inject a 'folksy' lilt from time to time. His limited vocal range has occasionally let him down in the past, but there is little evidence of this on 'Kill to Get Crimson'.
For a change, I enjoyed the majority of the songs on this album; for what it's worth, the following in particular : 'Heart Full of Holes', 'We Can Get Wild', 'Secondary Waltz', 'Punish the Monkey', 'Behind With The Rent', and 'Madame Geneva's'.
If I were rating this album purely on it's all-round musicality and 'technical' proficiency, then 5-stars would be amply justified (as another reviewer has summed it up, it is 'clean, clear and perfect'). However, 2 or 3 songs didn't do a lot for me and so, in terms of my subjective enjoyment, 3.5/4-stars are more appropriate. The extent to which you are likely to enjoy this album much depends on whether you prefer MK's music with a North American or an English/Gaelic influence. Also, if you liked All the Roadrunning, there's a good chance you will like 'Kill to Get Crimson'. When considering the album's mood and musical content, of his earlier albums, The Ragpicker's Dream probably comes closest - so this is something else to bear in mind (but don't sue me if I'm wrong!). It's a very mellow and relaxing album which, vocally and instrumentally, is almost devoid of any edginess.
I liked this album quite a lot, but if your initial reaction is 'more boring stuff from Mark Knopfler', I would ask you to sit down and LISTEN to the music, one or two tracks at a time spread over a few weeks, because 'coming to terms' with MK's music is a gradual process. I think this is a good way to start appreciating, more fully, MK's beguiling songs and accomplished playing.
If you are not too familiar with MK's solo work and would like to try a compilation of his music, I can recommend Private Investigations: The Best of Dire Straits & Mark Knopfler. Just over half the tracks are Dire Straits' best known songs and the others are MK solo performances. This album is available as a 'Standard' version (1 CD & 14 tracks) and a 'De-luxe' version (2 CDs & 21/22 tracks); the link here directs you to the 'De-luxe' version.
 True Love Will Never Fade-Knopfler's Palatte September 18, 2007
47 out of 62 found this review helpful
"I wonder if there's no forever
No walking hand in hand
Down a yellow brick road
To never never land
These days I get to where I'm going
Make it there eventually
Follow the trail of breadcrumbs
To where I'm meant to be "
Mark Knopfler
'True Love Will Never Fade' is a quintessential Mark Knopfler song. It has the wonderful tune and the lyrics that paint a picture. 'Kill To Get Crimson' is a CD that takes a painter's palatte and tries to get that certain color, Crimson. The album cover pictures a woman wanting to buy a red scooter. A very Enlish album is what we are told, much different than a CD made here in the US. To my ears this is a magical CD full of images and pictures reflections of various times in a life. The theme and the music are, however, tried and true Mark Knopfler.
The CD is soft country rock songs with the voice and guitar we have come to love. 12 songs written and sung by Mark Knopfler. Most of them tell a story, an autobiograhy maybe of the 60's?
The first single is ' True Love Will Never Fade' - my favorite,a love song.
'The Scaffolder's Wife' an aging spouse in ballad form.
Scottish folk song of a down and outer in 'Heart Full of Holes'.
'We Can get Wild'- 'listen now right here, it is gonna be a beautiful year'- we can get wild.
'Secondary Waltz'- dance lesson for the school Christmas party- don't we all remember those dance lessons?
'Punish The Monkey' sounds like an old Dire Straits song-it is a rollin', rockin' song--punish the monkey let the organ grinder go.
'Madame Geneva'-writer of ballads, a basker's saga it is told.
'In The Sky'-home from the sea, far away from here, weathered a storm,part of the fray, crossed every ocean in the boat thatyou made.
"Three decades after Dire Straits broke onto the scene with their remarkable debut, Mark Knopfler remains an iconic figure in popular music, his graceful guitar playing equaled only by his genial baritone and a novelist's ability to create distinct characters and themes in his songs, with its vagabond pensiveness. If you like Marks husky voice accompanied by a soaring guitar then this album is for you. It is perfect listening for a cold winters night when the curtains are drawn and the log fire is burning". Scott Holter
Mark Knopfler has always brought the life of a balladeer to the fore. His guitar and husky voice have the trademark of a singer that yearns to be heard. This CD is soothing and rockin' and the rhythm, beat,gentle flow of Knopfler's guitar make a glorious CD.
Highly Recommended. prisrob 09-18-07
All the Roadrunning
British Folk Music September 21, 2007
22 out of 29 found this review helpful
Knopfler's previous solo albums featured a heavy dose of American folk and country. This one has hardly a trace of that. It seems to be an album of British folk music. There's no rock here either. Too bad. Come on Mark! Now and then, crank up that stratocaster and make it snarl and bite! If he gets any more understated, his next album will be a blank CD.
The album consists of Knopfler on guitars and old buddies on keyboards, bass, and drums and with horns, fiddle, and accordian backing them up on some pieces. Knopfler plays all the guitars and through the wonder of overdubbing -- if that's what it is called -- on some songs he plays acoustic rhythm and electric lead. Or maybe he's good enough to make one guitar sound like two. The songs are good; the words are good; but what makes the CD worth 5 stars are those beautiful snatches and swaths of Knopfler playing guitar. The sound he gets is different and unique on every song.
Smallchief
Solid, subtle Knopfler September 19, 2007
13 out of 13 found this review helpful
"Kill to Get Crimson" is another strong production from Mark Knopfler -- perhaps a bit slower and more meditative than his earlier solo albums, but recognizably Knopfler to the core. There is no single song here with the instantly infectuous nature of, say, "Postcards from Paraguay," but the new album is a compelling compilation of Knopfler compositions. There may be no dazzling intricate solo guitar interludes, but Knopfler's guitar work on this album is nonetheless crisply solid. As always, Mark Knopfler's lyrics are worth listening to again and again. And I agree with those other reviewers who emphasize that to really appreciate this album requires multiple listenings. I've been replaying it again and again since I bought it, and it seems each time through brings some new discovery.
Another album that is clean, clear, and perfect September 10, 2007
12 out of 14 found this review helpful
Mark Knopfler puts out another album that is clean, clear, and perfect. Perfect is not always a compliment in the world of pop music, but, in this case it is. Whenever I listen to a Mark Knopfler release I get all excited to hear some tasty rock guitar, after all he was a guitar god in 1977 after his first record. (Note: they were records and tapes then and not CD's) He is #27 on Rolling Stones top 100 guitar players of all time, for what that is worth.
I was a little disappointed, then embarrassed, when I didn't hear awesome electric guitar parts jumping out of the MP3 player. (Like anything really could jump out at you from an MP3 player) It is the writing and how the guitar fits into the song that is MK's artistry. I spent some time going back over my old Dire Straits CDs to revisit those great songs, and that was exactly the point, it has always been about great songs from the first Dire Straits album until the last, it is the writing that makes it all work. Unlike other guitar legends, like the Allman Brothers that lived by the guitar riff, MK survived by writing smart interesting songs. The new CD Kill To Get Crimson is no different, except the guitar playing is a little mote subtle, But, considering he Debuted with Dire Straits 30 years ago that is not surprising. Please don't miss understand me, there is some great guitar playing on this CD it just may take a couple of listens to fully appreciate it.
The deep resonant sound of Mr. Knopfler's voice combined with the country/ English folk feel that he honed on his last two albums with Emily Lou Harris, gives this release a warm mellow feel. His choice of words like Kipper and tinker adds an English ambiance.
This album is one I knew I would like even before I heard it. Mark Knopfler really shows off what a mature writer and player can do without having to show off. His Writing and playing have a maturity that is lacking in today's new artists. (I couldn't resist saying the last line.)-jeffscotti.com
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