Afterwords - Dark Publications

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Album Description
Import pressing of the 2007 studio album from the American Alternative rockers, released in the U.S. only through a major retail outlet (rhymes with Farget). Afterwords is the band's seventh studio effort and follow-up to 2005's acclaimed Youth album and is the first release on their own El Music Group label.

Album Details
Singer Kim Bingham Became Known in Quebec in the 90s with her First Band, Me Mom and Morgentaler, Then with her Project Mudgirl. In 2001, She Reinvented Herself with the Kim Band. Girlology. "Intermede" Will Be her First Completely French Project.

Customer Reviews: Read 16 more reviews...

4 out of 5 stars

I've got a memory of nothing new. September 14, 2007
14 out of 17 found this review helpful

Collective Soul are back with their 7th studio album in 13 years. In comparison to their previous work, "Afterwards" is better than "Blender" or "Youth". However, I won't give it five stars because there are a couple of songs that were just okay like "Never Here Alone" and "Bearing Witness". Also, "Afterwords" continues the Collective Soul formula of assembly line power pop power chords. They continue to remind me of The Cars on songs like the very catchy first single "Hollywood". Elsewhere, they have other potential Top 40 hits like "What I Can Give You", "All That I Know", "Good Morning After All", "Georgia Girl" plus "New Vibration", "Persuasion Of You" and "Adored". The most unusual track is the non-Ed Roland "I Don't Need Anymore Friends" which is written and sung by Joel Kosche.

I wish Ed Roland and company would experiment more. They've been around for 13 years, so what do they have to lose at this point? Shake things up a bit next time. I give "Afterwords" four stars because its better than their last two albums, but not quite as good as 1995's "Collective Soul" or 1999's "Dosage".

As a final note, I don't know whether the band's strategy of selling their album only through Target and iTunes is smart. Time will tell. However, I think many potential buyers and fans won't even know Collective Soul have a new cd out. I haven't heard "Hollywood" on the radio, nor have I seen the video on MTV or VH1. The only place I've seen the video is on the band's website, and the only place I've heard the song is on my stereo. It would make a great iPod commercial though!

So, if you are a Collective Soul fan like myself, you will probably like this, and should pick up a copy. They are the only Christian band masquerading as a rock band that I can stand! I'm hoping next time they will offer more surprises with their music. For now, "Afterwords" is enough to tide me over.

4 out of 5 stars

Collective Soul Rocks September 17, 2007
7 out of 8 found this review helpful

I've listened to this album. And If you like Collective Soul you'll like this album. Upbeat, new sounds and as good as any of their other albums. If you've never heard of Collective Soul this is a good album to start with.
-Marie C.-

4 out of 5 stars

AFTERwords We've Heard Before October 5, 2007
7 out of 8 found this review helpful

I want to make one thing clear, right up front.....I dig Collective Soul! They're one of the few rock acts (along with Sheryl Crow and, to a lesser degree, The Wallflowers) to emerge over the last fifteen years who's entire catalog I've purchased, who's new releases I'll pick up on the day they come out, and who I continually try to turn others on to. Needless to say, after the exceptionally strong piece of work that was 2004's YOUTH, their latest offering was one of my most eagerly anticipated new releases for 2007. Sadly, AFTERWORDS ultimately falls short of my expectations. It's not that it's a bad album.....it's just that we've heard most of this disc before on previous CS albums. In fact, during my first listen, I kept picking out earlier songs and albums that each track reminded me of! Things kick off with the blistering "New Vibration", a powerhouse tour de force that is anchored by new drummer Ryan Hoyle. While Shane Evans was no slouch, Hoyle has a style that is equal parts power and finesse, and he puts the former to excellent use here. Next up is the brilliantly textured "What I Can Give You." Amid layers of shimmering guitars, a pounding backbeat, muted keyboards and whip-smart percussion, Ed Roland lays down a lead vocal that is both smooth and sincere. Even though the intro to "Never Here Alone" veers dangerously close to ripping off the opening chords of "Dandy Life" from 1999's amazing DOSAGE, it still manages to be another high point on AFTERWORDS. Armed with a tight arrangement and a killer lead vocal, the strong lyrics ("Had a thought but it hurt/So I let it go/I let it go/See I don't need these verses/Laying down their blues on me today") slyly roll off Roland's tongue, resulting in a track that is seductive and spirited. Brilliant! Ditto "Bearing Witness." This hypnotic ballad has the same sort of romantic, sweeping grandeur as INXS' "Never Tear Us Apart" or The Police's "Every Breath You Take." Everything is rather understated, but that's why it works so well; the song draws you in with it's magic, yet doesn't pummel you over the head with it. Aces! It's at this point that the disc hits a few rocky spots. "All That I Know" is nice enough, with some tasteful psuedo flamenco guitar riffs, but this is the sort of cut that's nothing new for Collective Soul. Ultimately a pleasant enough but rather forgettable track. "I Don't Need Anymore Friends" is a rarity....a lead vocal from someone other than Ed Roland. Lead guitarist Joel Kosche takes over on a track that just doesn't work for me....the vocal doesn't seem to fit and the song goes nowhere (I think it's a "to each their own" type of thing, though....this is one of my best friend's favorite cuts!).
"Good Morning After All" has a nice, classic Collective Soul vibe to it, what with it's layered guitars, steady rhythm section and thoughtful lyrics ("But you swear there's always hope/Always hope from above/Now everything starts to fall into place"). Once again, it's nothing we've never heard before, but sometimes the ratty, old bathrobe is the most comfortable one...! Not so comfy is "Hollywood." Ed Roland has been quoted as saying that the song is a tribute to The Cars, but a good tribute is fresh, fun and original...."Hollywood" is none of those. Instead, it's a piece of empty pop fluff that The Cars would have left on the studio floor 25 years ago. MAJOR misstep! Far better is the rumbling "Persuasion Of You." This track provided me with a new found appreciation of and for bassist Will Turpin. Like some of my other all-time favorite bassists (John McVie of Fleetwood Mac, Jean Millington of Fanny and INXS' Gary Garry Beers), Turpin anchors this cut - and pretty much every track on the disc - with chunky chords that are beefy and strong, yet never overpowering or obtrusive. Simply put, Will Turpin is the musical heart ~ and soul! ~ of Collective Soul. "Georgia Girl" has a cool, clean earthiness to it. Part ballad, part mid-tempo rocker, it's an easy, relaxed little number that just floats out of the speakers, settling comfortably in the listener's head. Sweet! The disc closes on a strong note with the sublime "Adored." Understated instrumentation + subtle lead vocals = perfection. Toss in some deep, but heartfelt, lyrics ("I can say this life is/Much better today/Everything turns right if/Wrong gets in the way") and you have a real winner. So....my final thoughts on AFTERWORDS? I don't love it, I don't hate it. I certainly still think that Collective Soul is one of the best bands to hit the scene in the last decade or so, and, hey, this just gives me something to look forward to.....seems I LOVE every other Collective Soul album! (As with all my reviews, I'm giving the disc an extra half a star for including the lyrics).

4 out of 5 stars

good album could have been better October 25, 2007
3 out of 4 found this review helpful

I was so excited for this album. I have the other six studio albums the greatest hits and the live album. CS have their own style because Ed Roland does 95% of the writing for the band. I loved the 1st track. The 2nd track, "What I can give you" reminded me of Energy from the GH album with Ed's singing and the melody of the song. the 3rd track "Never here alone" like another reviewer stated sounds a little like Dandy life.
overall a good album but after 2-3 listen straight through, no one track stands out and grabs my attention. I guess the first track "New vibration" and "persuasion of you" stand out.
I still like the self titled 2nd album best and Dosage after that. This album is as good as Blender and Youth.
So overall a good album, not great. Hopefully the band will be a little more adventurous musically and stylistically with the next one. Maybe more contributions from the other band members or even outside writers. I hope there will be a little more growth on the next album.
Until the next album this will tide me over as other reviewers have said.
*******************
I have updated my review a little after a few more listens. still not a great album but very good. I do enjoy other tracks though. "Good morning after all" is nice. "Adored" and "Georgia Girl" close the album well. I guess the "Hollywood" track "What I Can Give You" and "Never Here Alone" are my least favorites. mostly because they sound too familiar to other CS songs.

2 out of 5 stars

Below Average for C.Soul December 13, 2007
3 out of 3 found this review helpful

This is not their best. Like other reviewers have stated. We have all heard this on a Collective Soul record before.

I believe they have really suffered without Ross Childress, and now we see the departure of Shane Evans, whose next?

It is by far their most poppy cd and I think some of the songs to be honest are arranged in bubble gum pop formula. With Joel (Ross's guitar tech), have Collective Soul run out of creativity. On Dosage, we saw Ross take lead; he was good on that track "Dandy Life." On Aftwerwords, we get to unfortunately hear Joel slaughter a song with his untrained voice on "I don't need anymore friends."

However, the album is not all rubbish. Some of the better tracks on the album are:
-New Vibration
-What I Can Give You
-All That I Know
-Persuasion Of You (this does tend to sound like a left over or a rework from their Dosage days, its quite uninspired).

On "Never Here Alone," I think Joel was trying to replicate a guitar structure from Precious Declaration but he just failed and could not add that blues technical feel that Ross would have been able to do.

Above all, not their best and I think that they are getting stale now, either make something noteworthy or leave music if you are going to give us half attempted makes at what they think is music.

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