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| The Cool | 
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| Artist: Lupe Fiasco
Label: Atlantic / Wea
Category: Music
List Price: $18.98
Buy New: $7.25
You Save: $11.73 (62%)
New (59) Used (21) Collectible (1) from $6.76
Avg. Customer Rating:  94 reviews
Sales Rank: 3508
Format: Enhanced, Explicit Lyrics
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 368316
UPC: 075678995996
EAN: 0075678995996
ASIN: B000WPNL8Q
Release Date: December 18, 2007
Availability: Usually ships in 1-2 business days
Condition: Ships Within 24 Hours - Satisfaction Guaranteed!
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| Tracks:
| • | Baba Says Cool For Thought | | • | Free Chilly | | • | Go Go Gadget Flow | | • | The Coolest | | • | Superstar | | • | Paris, Tokyo | | • | Hi-Definition | | • | Gold Watch | | • | Hip-Hop Saved My Life | | • | Intruder Alert | | • | Streets On Fire | | • | Little Weapon | | • | Gotta Eat | | • | Dumb It Down | | • | Hello/Goodbye (Uncool) | | • | The Die | | • | Put You On Game | | • | Fighters | | • | Go Baby |
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| Editorial Reviews:
Amazon.com
The name of Lupe Fiasco's sophomore set sounds like a Kanye-ism, and that's fitting: The Cool spills over with Mr. West-style urgency, and it's just about as smart as anything Fiasco's more flamboyant mentor has issued. It could even land Lupe a little too close to the top of the hip-hop heap for Kanye's comfort. The Cool is cool not only for its sober, clear-headed vibe -- Fiasco ponders everything from the apocalypse to poverty to the weight of worldly possessions in these songs, some of them produced with a level of sensitivity uncommon among studio tracks by Soundtrakk -- but also for its potential. Songs like "Dumb It Down," about the music industry's insistence on the same old sorry themes, burn with relatability and realness. But others go deeper. "Little Weapon," produced by Fall Out Boy's Patrick Stump, and "Intruder Alert" shape-shift customary hip-hop dialogue to let the issues of the day come sharply into focus. They make you think. Overall, The Cool is fevered, fierce, and at times furious, but so is Lupe Fiasco, and the album easily earns its spot as one of the top 10 CDs of 2007. --Tammy La Gorce
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| Customer Reviews: Read 89 more reviews...
 The Coolest December 18, 2007
40 out of 42 found this review helpful
If You like Hip Hop about cars and money look elsewhere but if you like intelligent Hip Hop with a thought behind look no further. Lupe Fiasco is not trying to prove any street credability, infact he grow up middle class and he's not doing anything to prove the opposite. Instead he let his lyrics do the talking. Lupe belongs to that exclusive group of rappers that don't sell records because of image but cause of what they talk about. Lupe Fiasco's debut album "Food & Liquour" that came out last year had everything you could ask for. Good lyrics that dealt with everthing from social problems to his passion for skateboards and samples from the most obscure sources that made it an amazing listening experience aswell. That is what Hip Hop is all about. On his sophmore album we find less big producers like Kanye, Neptunes and Needlz but Soundtrack who produced some songs on his debut got a big role here and is featured on 2/3 of the songs while producers Chris & Drop also made a few beats. The album is simular to his debut in sound but is a concept album partly based on the song "The Cool" from "Food & Liquour" that told the story about a gangsta that was killed and buried but got a second chance to come back to life but instead of changing his life he goes back to his old neighbourhood and makes the same mistakes again. This man called "The Cool" becomes a character here and the story is expanded with the introduction of three others. The Streets, a female and the Game both persons that steretypically represent exactly that and then the fictional up and coming rapper "Michael History". Apart from all of these fascinating conceptual stories, Lupe deals with a vast number of issues like society problems, decline of Hip Hop but also alot of positive stuff. Well, It's for you do find out!.
The album starts with a short intro called "Baba Says it's Cool Thought" where Iesha Jaco (his siter?) talk about current issues like Hurricane Katrina, Virgina Tech and gentrification of the projects. That intro is followed by another one called "Free Chilly" with Sarah Green and GemStones that kind of seques into the following song "Go Go Gadget low", finally the album starts!. Lupe raps so fast he almost sounds like Chamillionaire on this song that feature strings and a popular sample. Good start. On the somber piano sounding title track "The Coolest" the concept comes into play and Lupe's storytelling is absolutely perfect. "Superstar" is perhaps the best song and feature Matthew Santos, a budget Chris Martin singing the hook. A rather slow song where Lupe deals with his recent fame and how tough it is to be the superstar people want him to be. The Jazzy and mellow "Paris/Tokyo" is basically about travel and exploring diffrent cultures, pretty good song that alot of people will enjoy. "Hi-Defination" with guests Snoop Dogg and Pooh Bear (singer) got a nice sample and Lupe dealing with contemporary issues. Snoop raps over Pooh Bears hook but I don't understand the point with his guest verse with doesn't say much. "Gold Watch" is about fame and what happens to you when you get too much of it. The sample here can be seen as artistic cause there's a group of people talking as the source of sample but it also gets tiresome to listen to it, taking away to focus from the lyrics. The song about Michael History who dreams about becoming a rapper is called "Hip Hop Saved Mt Life" and feature Nikke Jean a Fergie clone and a slow piano melody. It's a poignant story that is simular to the story from "Hustle and Flow".
A simular sounding song is "Intruder Alert" with a welcome comeback from Sarah Green. A true highlight where Lupe deals with three outkasts of the society, a raped woman, a drug addict and a poor immigrant that hope he won't get deported. One of the best Hip Hop songs of the year. Matthew Santos is back on "Streets Of Fire" with a really good beat. Lupe talks about a desease with no cure but I'm not sure exactly what he's talking about. "Little Weapon" withh Nikki Jean again was produced by the singer from Fall Out Boy and is more rock oriented but surprisingly good. The lyrics deal with kids using weapons and he makes all kind of examples, once again Lupe shows he's both knowledgable and a great storyteller. More about the album concept on "Gotta Eat" which is very artistic with diffrent arrangements. "Dumb It Down" pokes fun of contemporary Hip Hop and is quite funny with word playing and metaphors. "Hello/Goodbye (Uncool) is Rap-Rock with hard hitting drums and Unkle (the producer) singing backround vocals. "The Die" continues the concept, and is much darker song then most others. Lupe rap fast like Chamillionaire again, More with "Put You On The Game" that sounds like 90's gangsta rap with a really tough context. "Fighters" with Santos is about archiving your dreams and Lupe sends a greeting to all his fans for the support he got and also a salute to his father that died earlier this year. "Go Baby" the closer is the song for his girl? It got a great sound to it but feel kinda un-serious though but the wordplay is funny and it further show the diversity of this album.
Overall, there is alot of complexity is this concept cause it takes several listens before you truly get the point and can put together the pieces. I still haven't been able to analyze all of the songs at this point. There's also plenty of songs that aren't incorperated into the concept which makes it all even harder to grasp. On the other hand, Lupe offers a wide variation of sounds, flows and themes and the lyrics here are some of the smartest I've heard this year. With this sophmore effort Lupe Fiasco maintain himself more then ever as one of the finest lyricists and most versatile emcee's around and the enormous multitude of sounds here make "The Cool" end up on par with Talin Kweli's "Ear Drum" and Common's "Finding Forever" as the best alternative Hip Hop albums this year. Unfortunately, Lupe Fiasco has stated that that in 2008 he will close the trilogy with an album called "LupeEnd" and then he will retire as a performer. Will see about that, but enjoy this man as long as he is around and make sure to check this one out cause it's too good to be missed.
A Instant Classic.......... December 18, 2007
27 out of 31 found this review helpful
For better or worse, there aren't too many emcees that are remotely close in skill level to that of Lupe Fiasco. For better because of his incomparable lyricism that could draw comparisons to what Jay-Z may have been if it weren't for the drug game. The double entendres, the knack to flip his style at the drop of the dime and unique capability to tell stories all could make Lupe the "Nerd Hova". But for worse because when someone is that far ahead of the game, it is relatively difficult for the average person to catch up.
Food & Liquor was the brilliant debut that showcased the better and the worse of Lupe Fiasco. Critically acclaimed yet couldn't put a significant dent in soundscan (and wouldn't have sold what it had if it wasn't for the Kanye West and Jay-Z cosigns), it was apparent that Lupe was a tough pill to swallow. Add that to the fact that he is nothing like one would have thought him to be and you have what is called an enigma.
As complex as the makeup of Lupe Fiasco is, one must be curious if he unloaded all of his best on his debut album. A year later, a "GQ Man of the Year" nod, a Grammy nomination and a title of "the next big thing" all morph into The Cool - the 2nd of Lupe's trilogy. Is the hunger still there? Can he duplicate or exceed his debut? Or was F&L simply a fluke that can't be done again?
Expanding on the concept of the song The Cool off of F&L, Lupe Fiasco's sophomore effort is nearly flawless as a follow up to his astounding debut. Opening with his sister, Iesha Jaco, giving a spoken word piece on what some have thought to be cool and an ode to his imprisoned confidant, Chilly, Lupe blows the doors open with the double-time cadence of Go Go Gadget Flow. The gloves are off and it's evident that Lupe is on a mission. Whether you "get it" or not is none of his concern. Either join the club or join the haters. Those who side with lyricism and creativity in favor of today's "club bangers" will opt for the former.
While many artists are known to tone down their intellect to sound more Mike Tyson than Michael Eric Dyson for mass consumption, Lupe embraces his gift of gab and releases a lyrical mind titled "Dumb It Down" - which serves as the perfect song to those who think he's too smart for his own good. Take this display for example:
"Pimps C/see the wings on the underground king
Who's also Klingon, to infinity and beyond
Something really stinks, but I Sphinx/Spinks like Leon
or lying/lion in the desert
I'm flying on Pegasus, you're flying on the pheasant
Writer of the white powder, picker of the fire flowers
Spit, "hot fyah" like Dylan on Chappelle's skit
Yeah, smell it on my unicorn
Snort the white horse, but toot my own horn - sleep"
It's definitely not something that can be digested in one sitting. Lupe shows off some wicked wordplay while eerily making a reference to the late Pimp C. Efforts like this are just cause to beat your rewind button into submission.
As far as narratives go, there aren't many who can claim the same space of storytelling superiority as Fiasco. The Cool plays out like a novel filled with short stories that relate to each other in some way, shape or form.
Continuing the praise of the late Underground King, Hip Hop Saved My Life is Basically a piece of work that combines Lu's affinity for Houston emcees with an amazingly sharp tale of one's attempt at breaking into the industry. Intruder Alert features three accounts dealing with the harsh realities of life, while the Patrick Stump (of Fall Out Boy) production titled Little Weapon glows with its reference to kids in other countries who take up arms. Longtime friend and hypeman, Bishop G, excels next to Lupe as he comes correct with a verse linking video games to violence. The show stealer lyrically is Put You On Game where Lu trumps his American Terrorist effort with something that simply has to be heard to believe.
But it's not all minds and narratives - Lu knows how to have fun too. Paris, Tokyo is ironically a very Jungle Brothers like track that finds Lu spending moments with a lady. But don't think that a relaxed track such as this means Lu is taking a break from the lyrics. Making a coded reference to Jay-Z and Damon Dash's split with "They want me to leave my Dame like a fella from Marcy," it has to be realized that Fiasco's gifts are almost supernatural - as well as second nature.
Elsewhere, Gold Watch is simply the make-up of Fiasco and what makes him tick. Everything from Street Fighter II to Mont Blanc pens get referenced here and does nothing but make it even more complicated to figure him out. And I have a feeling that Lupe likes it that way.
The production provided by Soundtrakk, Chris & Drop and Ashlux makes The Cool unique yet digestible. Whether it be the snapping drums that drive Matthew Santos' vocals on the Chris & Drop produced Streets On Fire, the Linkin Park-esque vibe of the Ashlux produced and Snoop Dogg assisted Hi-Definition, or the grooving keys of Soundtrakk's Superstar, The Cool definitely fits Lupe's persona to a tee.
The only conceivable reason that The Cool is an instant classic just with a snap of a finger. After being slammed with brilliant song after innovative concept, the latter part of the album is as good as it started - although still far superior than 90% of what other emcees have put out.
We all know Lu loves rock and he goes hard with Unkle on the dark Hello/Goodbye (Uncool). Although it is by no means a bad song, it's rock vibe provides an unnecessary speed bump that causes this high octane ride to slow down a bit. The Die suffers from an average beat and an equally average guest spot from Lu prodigy, Gemstones. And while Go Baby is a solid track, Fighters may have been better suited to close the album. But these issues are infinitesimal at best and nitpicking at worst.
With Food & Liquor as his Illmatic, The Cool follows up as his It Was Written - incredibly good to make the cool a classic. But for an artist who can only compare to himself, it's quite difficult to outdo your introduction to the world. The Cool proves that Food & Liquor was no accident and it's quite possible that the best has yet to come. If L-U-P-End - the final album of the trilogy - is as good as this and he does in fact bow out, be prepared for the name "Fiasco" to be etched in the G.O.A.T. tablets in Hip Hop history. He's just that damn good.
 "The Cool" has pros and cons January 29, 2008
13 out of 26 found this review helpful
Lupe Fiasco is probably the only rapper since Tupac and Biggie, who has managed with relative ease to get me keen on hearing exactly what it is he's got to say. With his choice of subject matter, the complexity of his flow and his regular use of words with more than two syllables, Lupe seemed fully aware of the fact that his audience would limited but he didn't seem to care about that, which just made me respect him even more. He came across as different to all the others and while 2006's Lupe Fiasco's Food & Liquor was not my overall best buy of the year - that accolade belongs to Amy Winehouse and her Back to Black - it was definitely up there. I was really looking to this sophomore effort, especially after seeing the video to "Superstar".
So what's the good news? Well, right from the intro, "Baba Says Cool For Thought", Lupe throws down some very challenging and thought provoking statements. War, disease, celebrity, family and the dire state of 21st century hip-hop are all covered, among other subjects. Many of the tunes hit home; "Go Go Gadget Flow", "Superstar" featuring Matthew Santos, "Paris, Tokyo" (my overall favourite track), "Gold Watch", "Hip-Hop Saved My Life" featuring Nikki Jean, "Intruder Alert" featuring Sarah Green, "Streets On Fire", "Hello/Goodbye (Uncool)" featuring Unkle and "Fighters" featuring Matthew Santos, I think are all brilliant. "Hi-Definition" is interesting but it's Pooh Bear that makes it so for me. Just as with Jay-Z on "Pressure" (on "Food & Liquor"), Snoop Dogg brings nothing to the table and adds no value to the proceedings, which says a lot if you ask me.
I'm also hearing very impressive production, especially from Soundtrakk and Chris Paultrie & Derrick Braxton. There's some really good music on here and my four stars are more then deserved on that basis alone.
The bad news? For me it's Lupe's gratuitous use of the N-word (or maybe it just sounds gratuitous coming from him?): It comes up on "The Coolest" (and put me right off what would have otherwise been a really fun tune), "Gold Watch", "Gotta Eat", "Dumb It Down" featuring Gemstones & Graham Burris, "The Die" featuring Gemstones and "Put You On Game" - and were the gunshots at the beginning of and throughout that song REALLY necessary? I've heard and read many defences of his use of the word - context, irony and all that - and I respect all views but as far as I'm personally concerned, despite the love shown for it by many in hip-hop & other forms of popular African American culture (and by the many knuckleheads world-wide who seem live their lives imitating rather than innovating), the word has lost none of its ugliness and venom. I will always hate it.
In my view, Lupe might want to make up his mind whether he wants to maintain his reputation as an 'intelligent' rapper or if he just wants to be 'gangsta' like the rest of them. It has its (many) momnents but on the whole, I am not as excited or inspired by this album as I was by his debut. His next album will be called "L.U.P.End" and it will apparently be his last - though we've all heard that one before. All I can say in conclusion is that if I had heard this announcement before hearing this album, I would've been pretty dismayed. As it stands now, AFTER hearing this album, my overall attitude to his supposedly threatened retirement is like, yeah, whatever dude. Shame, really. I had such high hopes.
He said, "Hustler for death, no heaven for a gangsta, And...." March 26, 2008
13 out of 15 found this review helpful
Although I heard Lupe Fiasco on Kanye West's track "Touch The Sky", it wasn't until I heard his track "Kick, Push" that I actually started paying attention to Lupe. The track wasn't groundbreaking but it was nice to hear a refreshing sound from an up and coming artist that put you back to the days of real hip hop music. Other than Little Brother, there hasn't been too many acts in these days and times to make you feel inspired about real hip hop music. Most of the time you just see yourself going back to your favorite rap CDs of the 80s and 90s to get that feeling.
When I purchased Lupe Fiasco's Food & Liquor, I was impressed the by overall feel of the CD. The production wasn't complex and Lupe wasn't scared to dare to be different on certain tracks on his debut CD. For instance, on tracks like "The Instrumental" and "American Terrorist", you wouldn't have got a feeling after hearing "Kick Push" and "I Gotcha" that you would come across tracks that may not have been authentic hip hop. However, you stil enjoyed songs like these, as well as, traditional hip hop tracks such as "Hurt Me Soul", "Just Might Be Ok", "He Say, She Say" and the original introduction of Michael Young History on "The Cool", which was Kanye West's only production contribution to Lupe Fiasco's Food & Liquor.
When I heard "Dumb It Down" on Lupe's myspace page, I knew that his sophomore CD was going to be just as nice as "Food & Liquor". Lupe talked about the theme of what most major labels want you to do nowadays. Instead of making tracks with substance, labels want you to talk about white tees, hustlin', 2 steps, silly dances, and party tracks. The 2nd single, "Superstar" features Matthew Santos, who was also featured on "American Terrorist" from "Food & Liquor". Behind this catchy track is a message to all of the up and coming and current rappers who claim that they are prepared for all of the pitfalls that come with being a rapper in the year 2008. I definitely wasn't prepared for "Go Go Gadget Flow". First of all, with the beat and the flow, I hear too much Marshall "Eminem" Mathers on the track. The more that I listened to the track, the more I liked it. It's a nice track, personally I just feel that it won't be in too many people's Top 5 tracks once they give "The Cool" a good 3 or 4 listens. "The Coolest" picks up from where the track "The Cool" left off. Lupe does a nice job of explaining things from Mike's point of view and it's a nice sequel to my favorite track from "Food & Liquor". I understand why some people would be turned off by this track because of Lupe's use of the "N" word, as reviewer "Shamontiel L. Vaughn" pointed out, but it doesn't take anything from the quality of the track, in my opinion. "Paris, Tokyo" will remind you of a track that the Native Tongues may have done back in the day. Everytime I hear this track I think of my favorite A Tribe Called Quest, De La Soul and Jungle Brothers tracks from back in the day. That's funny considering how Lupe claims to have never paid too much attention to "Midnight Marauders", one of Tribe's best CDs, when he was growing up. "Paris, Tokyo" talks about the good times of touring and all the nice experiences that come with it. "Gold Watch" just might be my favorite track on this CD as Lupe just uses this track to get his flow on. You'll be bobbing your head back and forth everytime this track comes on. "Hip Hop Saved My Life" is another nice track from Lupe. Basically, in my opinion, Lupe gives you his definition of what hip hop means to him. At the same time, it also seems that he is also talking about the tireless themes that some of the rappers use today, instead of just using real skills to make it. Nikki Jean adds a fresh hook to the track and this definitely will be one of your favorites. "Streets On Fire" reminded me of "The Instrumental". You even hear the beginning to beat to "Straight Outta Compton" at the beginning of the track. This track will have you energized out of your mind if you are not careful. Lupe uses this track to explore more into the aspects of The Streets, who is another character that is introduced on this CD. "Little Weapon" picks up from where "Streets On Fire" left off making it a 2 part track in my opinion. Some people may be turned off by the subject matter, but since I knew a little about Michael Young History, The Streets and The Game before I listened to the CD, I get a better understanding of the tracks' subjects while I am listening to everything.
The problem with "The Cool", in my opinion, are 1) Hi-Definition w/Snoop and Pooh Bear and "Go Baby" are tracks that should have been left off the CD. It seems that the parties involved were trying too hard to make a commercial track and 2) that the tracks towards the end of the CD don't measure up to the best tracks on the CD. Don't get me wrong, "The Die" w/Lupe and Gemstones, where they talk about the death of "The Cool" is nice and "Fighters" which also features Matthew Santos is a nice track as well, but when you compare the 1st half of the CD to the 2nd half of the CD, the 1st half wins easily. This is the reason why "The Cool" isn't a 5 star CD.
Overall, I feel that Lupe Fiasco released a nice sophomore CD. There is clearly no sophomore jinx going on here. The lyrics from "Food & Liquor" are still there and while the production style is slightly different in some cases, the music doesn't take too much away from the overall quality of "The Cool", in my opinion. While Lupe continues to say that his career is "over" after 2008's "LupEnd", hopefully he will change his mind and continue to provide us with the flavor that he has brought us on his 1st 2 discs. If you enjoyed "Food & Liquor", I feel that you will also enjoy "The Cool", you will just be "fighting" with yourself trying to figure out which CD is better.
James' Top 5
1) Dumb It Down
2) Gold Watch
3) Hip Hop Saved My Life w/Nikki Jean
4) Superstar w/Matthew Santos
5) The Coolest
Honorable Mention:
Streets On Fire
The Die w/Gemstones
Fighters w/Matthew Santos
Go Go Gadget Flow
Intruder Alert (Don't be turned off by the serious nature of the track)
No sophomore slump, that's a sure... December 18, 2007
11 out of 11 found this review helpful
After the critical acclaim of Lupe Fiasco's Food & Liquor, everyone was waiting on a follow up. Lupe caught the mainstream's eye on Kanye West's Late Registration with a song called Touch The Sky, before that he was sparking up the underground mixtape scene with highly acclaim lyrical skills. And now we're here. A hip hop legend in the making? I think so, he's bringing a new breed of MCs to the mainstream. Let's begin this.
Starting off is "Baba Says Cool for Thought". This was a great spoken word. Didn't move me as much as the intro from "Food and Liquor" but it was definitely on point. Next is a little interlude, "Free Chilly". Lovely dedication snippet for Lupe's partner serving the long sentence. Sarah Green and Gemstones blend very well. "Go Go Gadget Flow" starts as the first real song here. Anybody still oblivious to the fact that Lupe is a sick lyricist and deliverer will be quiet when they hear this. This track has an "up" swagga on it and kind of reminds me of some of the energy tracks he's done on mixtapes, but never on an album. The lyricism is on point and the blend of bounce and pace makes this a simply off the chain punchline hype track. The production of the tracks is mad ill might I add. "The Coolest" is another highlight here. Classic Lupe Fiasco. This sets the tone and sums of the rest of the story, and for fans of "F&L" begin to understand more of the background info from the epic track "The Cool". Next is the mega single, "Superstar". The chorus is mad catchy and the epic feel to the track makes this song have a mass appeal to anyone. I like how it a double reference to Lupe himself and then to the story of Michael Young History. "Paris, Tokyo" is like some "A Tribe Called Quest" and "Common's "Resurrection" feel music. The lyricism definitely compliments the eclectic flow style nicely. All the heads should be on this, no doubt. No hate on this track. I'm definitely hoping to hear a remix of this track with maybe Mos Def and Q-Tip on it. "Hi-Definition" with Snoop shows that Snoop can still be a well above rapper. This song is has a funky retro feel. "Gold Watch" follows and kind of ruins the flow. No hate to the producer but the background sample makes it hard to focus on Lupe's rather awesome concept(about Asian clothing). "Hip Hop Saved My Life" gets the flow back on track with the production. Slowful and a perfectly matching flow from Lupe make this song great. Its funny how he's mocking rappers here(not on the Tracy Morgan tip tho).
I'm loving "Intruder Alert" a lot. The piano was highly melodic and gave a nice dramatic setting for a song with a serious topic like the lyrics Lupe is rapping. A great story telling type of joint, telling multiple stories verse by verse. The content is very serious, especially the first verse which clearly is about rape, but as a different kind, through deception, false comfort level and interior motives. Next is "Streets on Fire". The introduction to this definitely catches your attention and the whole tone is set for the track . I love it! The story telling scene is set. This is the track where I was reminded that Lupe said this album would have a dark feel. The tempo and pace of the flow is mesmerizing, as well as the chorus vocals. Leading into "Little Weapon" is yet another highlight. Explaining the wiles of a child solider from it's point of view. The percussion was very well put together here. "Gotta Eat" just when you thought concepts have been outdone, Lupe raps as a hamburger. Yup, a motherf***ing hamburger. WOW. Amazing tho haha. "Dumb It Down" could be the best lyricially song in years, or atleast this year. The backdrop blends perfectly with this mind state. "Hello/Goodbye" is on that alternative rock tip. Its a hit or miss here. "The Die" is a nice dark synth middle tempo track. You could definitely see this as a movie and everything. Great track to sum it all up as we come back to where we started, the death and post death times of Michael Young History. "Put You Up On Game" has that horror-core sound to it. The topic here is the travel to hell of the main character, basically summing up what society thinks is "Cool" leads to Satan, for it is evil. Fighters is a very smokey track. Also, it serves as a subliminal message to hip hop to speak about something more important than the superficial ignorance. "Go Baby" feels kind of out place here. It could've been left off and ended on a errie way with "Fighters". Actually looking back, the last two tracks should have been left off and "Put You On Game" would've ended this album/story in a great way. Oh well.
There is no sophomore jinx here and it might end up to be better than his classic debut. Am I saying this is a classic? Well, not really. That remains to be seen but this record will be remembered for some time. Pick this up if you like nice flowing lyrics, great production and don't like that real underground. If you're a real hip hop fan, you already know. Nuff said! 10/10!!!
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