The songs on this album are fantastic, and Dusty Springfield had one of the greatest voices to ever grace American pop music. Her voice is so soft and mellow, yet can grab and just galvanize you. She knows exactly when and how to emote, something today's pop singers seem completely clueless about. So warm and loving--wow. When she sings "I've got so much love", well, heck, you can feel it.

But I don't want to overemphasize Dusty, though. The arrangements and song selection on this record are as important as Dusty's gorgeous voice. It's really amazing that this stuff passed as mainstream pop music; it beats the pants off of anything ever put out by Celine, Whitney, etc. etc. etc. This is the kind of record they DREAM of having their names on (and always miss it by a huge longshot). Did we really have to drop horns and real instruments in order to make songs consumable to the general public nowadays??? It's so sad! But I digress...

Don't even think of buying anything less than the "Deluxe Edition" of this album!! A lot of re-releases these days include bonus tracks, but the bonus tracks here are not to be taken lightly. It must have been a tough job to select the tracks for the original release (imagine having to throw away incredible tracks like "Wille & Laura Mae Jones" and the original recording of Carole King's "You've Got a Friend"!! OMG). If I had to pick a few weak tracks to throw out, though, I could have only really picked "Cherished" and "All The King's Horses". These are certainly not bad songs, they just don't stack up to the other 23 (!) songs.

If I could only say one great thing about this record (I can say a lot), it would be that this album showcases "Son-of-a-Preacher Man"--which is undoubtedly one of the greatest songs ever recorded. The buildup to this song is so tremendous, and the controlled release is just glorious. But that's really how this whole album works.

For once--BELIEVE THE HYPE!!!


Dusty Springfield's masterpiece.   July 26, 2001
 27 out of 30 found this review helpful

I was 11 years old when the British Invasion brought Dusty Springfield a string of pop hits, and I thought she was just about the coolest thing on earth. I bought every one of her singles. But by the time this album came out in 1969, I was a teenager and thought I'd outgrown her music along with go-go boots and white lipstick. I wasn't even listening to Top 40 radio anymore by that time (preferring "underground" stations that played Joplin and Hendrix), so I didn't hear "Son of a Preacher Man" until it turned up on the oldies stations a couple of decades later.

But this album hung on. I kept hearing musicians I had a lot of respect for cite it as one of the masterpieces of the 60s, and thought I must be hearing wrong. Dusty Springfield? The girl with the big hair and inch-thick eyeliner?

Yeah. Dusty Springfield. I don't know if there's anybody left who still thinks of her as a lightweight pop singer, but if there is, give them this album. Among the 11 tracks that make up the original album are songs with some of the deepest, most soulful singing you've ever heard this side of Aretha Franklin. (Dusty's version of "Son of a Preacher Man" is even BETTER than Aretha's!) Not just "Preacher Man," but "So Much Love," "Don't Forget About Me," "No Easy Way Down" and "I Can't Make It Alone" are just pure, classic Memphis soul. And even when she takes on a song that couldn't really be described as "soul" like Randy Newman's moving ballad, "I Don't Want To Hear It Anymore," or the sly and sexy "Breakfast In Bed" she brings a soulfulness to them that they wouldn't have if anyone else did them. Even "Windmills of Your Mind" y a song that every other singer I've ever heard has managed to make both bland and pretentious y is lovely when Dusty sings it.

And that's just the original album. The Deluxe edition added 13 bonus tracks. Most bonus tracks are just some junk tacked on to make you believe you're getting more for your money. These are every bit as good as the original album. I would have cut "Cherished" y not really a terrible song, but not quite up to Springfield standards. But everything else is fabulous. "That Old Sweet Roll" (yes, the Blood, Sweat and Tears song) and "Goodbye" are especially good. And "Natchez Trace" was a revelation. Who knew Dusty Springfield could rock?

I'm just sorry it took me so long to find this album.


Dusty's Memphis Pyramid   July 7, 2006
 17 out of 21 found this review helpful

In and near the ancient city of Memphis, capital of the ancient kingdom of Egypt, the great pyramids of Egypt may be found. These pyramids were built as monuments to the various pharaohs who ruled over Egypt. If I had to pick one album that would serve as a fitting monument to Dusty Springfield's it would have to be her classic "Dusty in Memphis". It was a tremendous, if sadly overlooked, album when it was first released in 1969 (it managed to hit only #99 on the pop charts). It is even better now that a deluxe edition has been issued that contains 14 `bonus tracks' that had not previously been released.

Produced by Atlantic Records' Jerry Wexler and Arif Mardin (who produced a number of Aretha Franklin's early albums), Dusty in Memphis cemented Dusty's reputation as having one of the most powerful, soulful voices of the 60s. Just about every song on this deluxe edition helps cement that reputation.

"Son of a Preacher Man" is probably the best known song on the original album. It is a tremendous performance that highlights Dusty's wonderfully smoky, bluesy voice and her ability to interpret a song. The song starts low and wistful and build to a very powerful conclusion. Dusty covers a number of songs written by the team of Gerry Coffin and Carole King. Carole King has said (according to the liner notes) that Dusty was the definitive performer of her songs. After listening to Dusty's covers of King's songs, included spectacular version of "You've Got a Friend" it is hard to find fault with that assessment. The bonus tracks are as compelling as the original album tracks. "Willie & Laura Mae Jones" makes for a perfect follow up to "Son of a Preacher Man" both as to style and substance. Dusty even turns in an excellent performance of "Make it With You", originally performed by Bread. Springfield extracts all the extra sugar from the original and replaces it with a version in which you can hear the yearning in Dusty's voice.

Dusty in Memphis is a wonderful monument to a wonderful performer.



Stone Sexy   July 1, 1999
 16 out of 18 found this review helpful

I cannot praise either this album or Dusty Springfield enough. Listening to the first track alone, "Just A Little Lovin'" is enough to tell you that this woman knows and expresses everything there is to know about love. What's more, she does it with sublime subtlety: a wink and a sly smile as opposed to a modern so-called "Diva" like Whitney Houston, who'd bash you over the head. True style as opposed to gaudy excess. There's not a bad song on the album, and several true classics. But listen to it several times before you form a judgement: that subtlety needs time to work its magic and insinuate itself into your soul. I always thought "Windmills of Your Mind" was dreary 60's muzak until I heard her masterly epic version. And no matter how many times I hear it, chills go up my spine when she sings the words, "He don't really love her" in Randy Newman's "I Don't Want to Hear It Anymore". Hell, nobody can sing the word "baby" and express as many emotions through it as Dusty did. She is sorely missed!


Dusty In Memphis - Classic Listening   January 5, 2003
 13 out of 15 found this review helpful

If you buy one Dusty Springfield album, this would be the one to get. This is her critically acclaimed 1969 album DUSTY IN MEMPHIS, which was re-released with bonus tracks. They are nice to have but the real album is something to celebrate. This comes from one of the greatest voices of our generation, and it's really no wonder everyone is still praising this album. She sings with so much soul, this is truly a classic album. It has what albums today are simply lacking. The production is top notch, the band, the instrumentation, everything about it is amazing. This CD is a class in itself. The album opens with the song "Just A Little Love", a nice song with universal appeal, about just reaching out and loving one another. "Son of a Preacher Man" became a signature song for Dusty, her version is even better than Aretha Franklin who later recorded this gem. She sings beautifully on Randy Newman's "I Don't Want To Hear It Anymore". She even turns non soul songs such as "Breakfast In Bed" into soul classics. Her version of "The Windmills of Your Mind" is in a class of its own in my humble opinion, definately the best version I've ever heard. Dusty emotes so much feeling in these songs, you can hear the emotion in her voice, she expresses it so well. Other highlights include "No Way Down", "So Much Love", "I Can't Make It Alone" and "Just One Smile". The bonus tracks are fairly nice too, but don't really match the album, yet still nice to have. Highlights among the bonus tracks include "Goodbye", "What Do You Do When Love Dies", "Love Shien Down", "Willie & Luara Mae Jones" and more. This is a classic album that everyone should at least listen to. This is truly memphis soul at its finest, there will never be another album like this, it's timeless.