Amos Lee - Dark Publications

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Editorial Reviews:

Amazon.com
Though Amos Lee's music is frequently described as a fusion of folk and soul, such an equation fails to reflect the singular artistry of this impressive debut. Like labelmate Norah Jones (who guests on two cuts), the Philadelphia singer-songwriter recognizes the power of simplicity, distilling an emotional essence that cuts across categories. The opening of his "Seen It All Before" echoes Bob Dylan's "Knockin' on Heaven's Door"; the stunning "Arms of a Woman" channels Otis Redding's "I've Got Dreams to Remember"; "Give It Up" cuts a classic Bill Withers groove; "Black River" has the sound of an age-old spiritual; and the closing "All My Friends" follows Van Morrison into the mystic. Throughout the song cycle, the bare-bones arrangements behind Lee's vocal flutter reinforce an organic unity that transcends genre. For all of the debts he owes to the music of the 1960s and '70s, the results sound timeless rather than retro. In his cautionary "Soul Suckers," Lee sings that "nothing is more powerful than beauty in a wicked world"--and proceeds to prove it. --Don McLeese

Customer Reviews: Read 146 more reviews...

5 out of 5 stars

Wow...a brilliant debut! March 4, 2005
154 out of 160 found this review helpful

Most people can remember hearing Norah Jones' Come Away With Me for the first time. It was so fresh and so different from all the other noise filling the airways. Amos Lee's debut is like that. Upon listening to it straight through, you wonder why there is not more music like this and wonder what it will be like to hear him 25 years from now and remember your first listen.

I don't want to be overly reductionistic here, but the Norah Jones connection is certainly worth making, if only because all the NJ fans who read this review might snap up this record too. This cd does indeed have a certain "male Norah Jones" feel to it; and her distinctive up-octave piano playing can even be heard on two of the tracks. However, it should be made clear that Amos is talented enough in his own right to deserve a better classification than this. Nonetheless, if you don't get this impression I would be surprised.

There is not really a weak track on the cd; each is a distinct effort. But the overall work hangs together with a low-key excellence, which partnered with astute production and mixing generates that characteristic Blue Note sound that plays just as well in the background as it does for the savvy audiophile whose "tuned in" to every musical element. The instrumentation never overwhelms his vocals, and his vocals are never out in front so much that the cello, mandolin, and piano feel "filtered."

While I have certainly not exhausted the praise due to the musical crafstmanship of the album, I was also quite impressed with the lyrical depth of a songwriter so young. Each of the songs are penned by him, and while many are fun and peaceful, like the biblical prophet who shares his name, he is quite aware that there is something enormously wrong with this world we live in. Instead of offering trite solutions, he allows the listener to critically explore his perspective on this fallen world, without holding out a happy ending that is too easy to imagine or achieve. On one hand he cries out in biblical imagery for a savior, presumably a personal, knowable one, and then immediately asks for the sweet whiskey to take his cares away. This bit of irony points out that the apathetic certainly don't perceive any need for a savior, for they have no cares. But the one who sees something in himself in need of saving eventually realizes that whiskey only temporarily removes the pain from the brokenness that needs restoration. Perhaps I am reading my own experience into his writing, but hopefully this will demonstrate that there is enough depth in his writing to do what good art should do - invite the listener into a conversation.

5 out of 5 stars

Impressive artist, impressive debut March 11, 2005
52 out of 56 found this review helpful

I have not been this excited about a new artist in so long...maybe norah jones, but maybe not....Mr. Lee has released a wonderful debut cd. I read a review of the cd and thought I would give it a try...so glad I did. I cannot stop listening to it. I tried to explain his sound to someone, kind of Bob Dylan, kind of soul, a little country,a little folk, I'm not sure. He is very unique. And what a wonderful songwriter, I don't know his age, he looks young on the cd, which makes this all the more impressive. I expect to hear more great things from him, I look forward to it.
Buy this cd, you will not be disappointed.

5 out of 5 stars

Not faux hip; real quality. June 1, 2005
11 out of 11 found this review helpful

You really do sort of want to hate Amos Lee. First, his album peers up at you from under the register of nearly every Starbucks in America; that's him right next to Antigone Rising and the four dollar gum. Then there's the Norah Jones connection; he opened for her, and they're both on Blue Note (which should generally a plus). And she plays on two songs here. And also, he's wearing a hat on the cover, and he sports a healthy dose of stubble. So yeah, the record has that "faux hip" aura all around it that generally makes me want to run for cover.

But the kid has the songs, and that makes up for a lot. The sound byte is, part James Taylor, part Donnie Hathoway; a hybrid of the seventies genres of folk rock and soul. I'm hearing an organic music; his core touring band is a quartet, with himself on guitar and vocals, plus another guitar, bass, and drums. The instrumentation on the album is similarly sparse, although many songs feature a keyboard part prominently. The songs have an easy, first-take quality that probably took endless takes to get exactly right. This is gentle music, both soulful and economical-- which is to say, nothing extra, nothing wasted.

Several songs feature the propulsion of David Greenwood's Wurlitzer or Hammond B3 to good advantage, although sadly he isn't listed on Lee's website as part of the touring band. The songs have beginnings and endings (as opposed to fades), and the album clocks in at a proper 35 minutes. I'm a big fan of albums that know when they're done; many of the classic records of my formative years had 18-minute sides, and better a tight piece of work that leaves you longing for more than an hour-long debut that has you looking at your watch after the 14th song. I've been listening to it as I've been writing, and I can't believe it just flew by. I'm tempted to play it through again.

This record has an unmistakable charm in the simplicity and directness of the songs, that bears up to repeated play. There's a difference between music that is easy to listen to, and "easy listening;" this is the former, and that is a high compliment. For nine bucks, you can't go wrong.

3 out of 5 stars

Sweet voice, decent enough debut March 29, 2005
10 out of 20 found this review helpful

Make no doubt about it, Amos Lee is a wonderfully sweet crooner. The sparse instrumentation works to emphasize his voice. This is a simple and well produced album, quite in contrast to the emphasis on layer after layer of most CDs.

Ultimately, this is a perfectly decent debut album which shows that Amos Lee has promise. The songs, however, tend to blend together, and have a hotel cocktail lounge kind of feel to them. They are rather lightweight in terms of music and lyrics. Still this is a good start for Mr. Lee. If he can dig a little deeper next time, he will be up there with the big boys of thoughtful pop. Potentially, he can be someone with the writing skill of Phil Roy - someone he already borrows from - mixed with a sweet youthful voice.

That said, there are below a good number of reviews that are fakes and over the top. They are written by "people" who apparently have been so overwhelmed by this CD that this is the first and only time they've written a review. Don't be fooled. This is what is called generating fake buzz. It's a rather unethical attempt by Amos Lee's record company to cast an overwhelmingly positive glow on this CD.

The CD can stand on its own. It doesn't need Blue Note to manipulate Amazon's ratings and Amazon has persistent problems with manipulation of customer ratings by both publishers and record companies. This one, though, is particularly obvious.

The CD is decent enough. Hopefully, Amos Lee's next one will be even better.

2 out of 5 stars

Mediocre is the new great July 9, 2005
10 out of 22 found this review helpful

A one note, one groove, idling CD. Even more sonambulant than Snore-a-Jones herself. This is elevator muzak for the Starbucks' crowd. A whispering tranquilizer. For Zimmerman's sake, put on a Dylan album and stay forever young.

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