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| Lie Down in the Light | 
 enlarge | Artist: Bonnie "prince" Billy
Label: Drag City
Category: Music
List Price: $15.98
Buy New: $10.59
You Save: $5.39 (34%)
New (33) Used (9) from $9.95
Avg. Customer Rating:  7 reviews
Sales Rank: 4838
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.9
Dimensions (in): 5.6 x 4.7 x 0.5
MPN: 367
UPC: 781484036722
EAN: 0781484036722
ASIN: B0018OCJ4C
Release Date: May 20, 2008
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Easy Does It | | • | You Remind Me Of Something (The Glory Goes) | | • | So Everyone | | • | For Every Field There's A Mole | | • | (Keep Eye On) Other's Gain | | • | You Want That Picture | | • | Missing One | | • | What's Missing Is | | • | Where Is The Puzzle? | | • | Lie Down In The Light | | • | Willow Trees Bend | | • | I'll Be Glad |
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| Editorial Reviews:
Amazon.co.uk
Will Oldham has built a reputation as a singer-songwriter who taps into a bleak folk tradition as old as America, so the sound of Lie Down In The Light, his sixth studio album under the still confusing pseudonym Bonnie 'Prince' Billy comes as something of a surprise. Whichever way you look at it, this is an upbeat, uplifting record, almost sunny in outlook. Dedicated fans might not prefer him this way (many consider his first record under the name Palace Brothers, the timeless, stricken There Is No One What Will Take Care Of You to be definitive), Lie Down In The Light is undeniably charming and rather witty with it. Take the unexpected clarinet that turns the conclusion of the already rather daft "For Every Field There's A Mole" into something as light as a silent movie soundtrack, or the way that the otherwise saturnine "Where Is The Puzzle?" remains unresolved. Ashley Webber, once of Canadian new wavers The Organ, duets but even her mournful contributions can't deflect from Mark Nevers' skillful production. Only the title track, following an often used Oldham chord change, really sounds generic. Oldham obviously remains set on creating a determinedly solid body of work, but the odd souffle, such as Lie Down In The Light, doesn't come amiss.-- Steve Jelbert
Product Description
Bright with guitars and harmonies, Lie Down in the Light is a fresh new album from Bonnie 'Prince' Billy. His vocals are at their most expressive, a judiciously dynamic and tuneful performance. Behind and all around is a subtle backdrop of percussive slaps and shakes, touches of keys and steel, loving harmony-vocal arrangements and other sweet surprises that will send fans back to their auto-erotic dungeons, fresh toys in hand. Lie Down in the Light is the ever-searching soul of Bonnie 'Prince' Billy.
Album Description
2008 album, the follow up to The Letting Go, On Lie Down In The Light, Will Oldham decided to go back to where he recorded Master And Everyone and the results couldn't be better. The album arrives with a faster pace than usual Bonnie releases then settles into a low key groove. The song quality matches any of his releases and the recording is classic Mark Nevers. Since the release of The Letting Go, Oldham has been working heavily in the film and music industries. He's starred in two films, released a covers EP and worked on records by Holly Throsby and Sun Kil Moon. This record is not being released digitally to protect it from being leaked and help record store sales.
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| Customer Reviews: Read 2 more reviews...
 He Doesn't Have To Be Dark To Be Brilliant May 22, 2008
10 out of 12 found this review helpful
I'm just going to go ahead and say it: I think this is in the running for the best lp Will has ever recorded. Of the 20+ recordings of his that I own, I have found something quite so immediately and sustainably affecting as this album. He somehow manages to incorporate the best elements of everything he has ever recorded--from 'Get On Jolly' to 'Days In The Wake' to 'Ease On Down The Road' (a fairly representational spectrum of his sound)--and does so with a smirk and a handshake. Warm, intoxicating, and beautifully recorded, file this next to your other 49 favorite records of all time.
NB: Trk. 4--For Every Field There's a Mole, Trk. 6--You Want That Picture (Ashley Webber's vocals are really beautiful here) Trk. 9--Where Is The Puzzle... etc etc etc
Redemptive, moving, beautiful. One of Will Oldham's very best. Freak Folks move over. June 4, 2008
10 out of 11 found this review helpful
For those still under the spell of Will Oldham's majestic "The Letting Go" this latest Bonnie "Prince" Billy album may at first seem a disappointment. It enters with a warm, countrified splash of fiddles, banjo, piano and vocal harmonization, with an air of CSN or the Grateful Dead. An old fan may ask, where is the "darkness," the incest, murder, dissimulation? With repeated listenings the subtle enchantments of Oldham's lyrical song cycle grow, organically emerging from strange and beautiful, unfamiliar areas of the heart and mind.
The chameleonic, Kentucky-native Oldham has always hidden his gnomic and gnostic creations within wizard's cloaks and veiled meanings. Performing under the names Palace, Palace Music, Palace Brothers, even his own name, he has adopted a moniker derived from the young Jacobite pretender, Bonnie Prince Charlie, and from William Bonney, a.k.a. Billy the Kid. Throughout he has been a consistently intriguing and strangely moving songwriter, capable of raw sincerity and piercing insight. But in recent years he has forgone the croaking wail and atonality he had used to hide his oddness and mysteries, dropping the off-key guitars and lo-fi sloppiness, favoring beautifully and subtly produced albums.
Never content to stay in one mode or style, the "Prince" shifts, changes and dodges with each record. This album is more straightforward than his Valgeir Sigurdsson-produced previous album. He has left the Icelandic mood behind for down-home Nashville, under Mark Nevers' production. Ashley Webber's lovely vocal duets and backgrounds, organ and pedal steel, Shahzad Ismaily's multi-instrumentalism, even a row of wrenches and clarinet give it rich, grounded space. And Oldham has never reached more deeply into the human universal lyrically or vocally. "Lie Down in the Light" dispels the "freak folk" label, and should drive the likes of Devendra Banhart back into their caves in shame.
On the cover a comic image--a muscle-bound manly man wrestling a green, Hulk-like angel with psychedelic wings--suggests (and lampoons) the serious depth of the album's themes. "I know my way around the world/It's a circle and it starts and it ends." This cycle, like the seasons and stages of life, begins with roots and ends in enchanted reconciliation. From "good earthly music," home and family, love and exultant public eroticism, through suspicion of human motivation, loss and death, it moves toward the spiritual with a playful sense of humor and grace. He regards the cosmos, which we can never fully understand: "For every king there's a crown, and every time I look around, I am the king of infinite space." Occult and full of potential, this line is actually from a song likening the human to a blind mole in the ground.
Hope and fond irony abound, despite tragedy and obstacles, rather than resignation. Through lists of loss and human incapacity in "What's Missing Is," to recognition of human folly and consequent transcendence in "Where's the Puzzle?" the realization is, "Why do you frown /Why do you try/Why don't you lie down in the light?" Then "Willow Trees Bend" suggests a new salvation: For every man alive there is a fire/And for every king a crown..../When faced with your fire/I will surrender to You." The near-Gospel "I'll Be Glad" offers hope and levity, with its choral backup and allusion to a child's rhyme and Christ as shepherd: "Lord, wherever you go you'll always have me around." This is the "song that does not end." It is life. And yet he holds to the earth and longing for "new harmony on an awesome scale": "The song is a man and a woman, and everything else." For those with ears to hear this album is a wonder not to be discounted. Hail Saint Billy! 4 June 2008, Willow Creek, CA.
bonnie brilliant June 1, 2008
5 out of 6 found this review helpful
If you want witty banter about how amazing this album is, go to pitchfork's review. I just had to add my 2 cents inorder to out weigh the jokers who gave it a 1-star.
One thing though, considering all the absolute horse s*** that is played on the radio, this music is of the gods. It represents all that is good about music and should be studied in elementary school music classes as well as college conservatories. Will Oldham is my personal lord and savior.
 i hate this record. May 31, 2008
4 out of 43 found this review helpful
i'll let you know if i change my mind.
in the meantime, buy 'arise, therefore' instead.
Will does it again May 30, 2008
1 out of 4 found this review helpful
Most of the other "indie rock" luminaries from the early to mid-1990s are these days nowhere to be found or are putting out forgettable product (heard any good Superchunk albums lately?). Unlike his contemporaries, Will continues to release unique American music. This record features duets, balladry, and, on several tracks, a very "live" feel. Tracks 3 and 6 are, for me, the early standouts though, as with most Palace/BPB/Will Oldham records, I'm sure others will emerge over the course of repeated listenings. Excellent overall.
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