This album is very intense, much more so than other Bauhaus efforts. The stark instrumentation and Peter Murphy's beautiful, wavering bass voice are really what defines Bauhaus' sound. Think along the lines of a much happier and more humorous Joy Division. Most of the time the lyrics are very dark and poetic, but Bauhaus isn't afraid to use humor in their work. "Small Talk Stinks", "Scopes", and "Telegram Sam" are laugh-out-loud hilarious. All of the songs on this record are keepers, there's no filler.

If you're into goth music, you already know about Bauhaus, but if you're new to the scene, In the Flat Field is a great place to start. It takes quite a few listens to get used to it, but once you do, you'll love it. Standout tracks include: "Dark Entries", "God in an alcove", "Terror Couple Kill Colonel", and "Double Dare."


Strong Bauhaus' Studio Effort   February 14, 2004
 9 out of 9 found this review helpful

This was the band's 1st and arguably best studio album depending which kind of Bauhaus songs you prefer. However it was so hard to find back in the 80's that most people collected Bauhaus songs via compilations. ITFF has so many songs it looks like a comp too. Collectors and fans today are lucky that this once rare album is now so easy to find, and cheap also.

Several of their signature dark, mysterious gems are present: "Double Dare", "Dark Entries" and the intrigue-laden "Spy in the Cab". But this album is heavier with their faster, more punk songs like "St. Vitus Dance", "God in an Alcove", "Telegram Sam" and the title track "In the Flat Field" (Peter Murphy would remake "ITFF" under the title "The Line Between the Devil's Teeth" later in his solo career). My favorite on this album is the brilliant "Crowds", the ultimate ode to the relationship that ends bitterly.

It's a great album and a must for fans. ITFF is a solid place for newcomers to start though a true comp like "Volume I" or "Volume II" may be better.


The Essential Document of the Gothic Movement   July 22, 2004
 5 out of 5 found this review helpful

Although being the band that basically created a musical genre and subcultural lifestyle, Bauhaus first and foremost are collective creative genius. You can argue all you want that bands like "Sisters of Mercy" and "Alien Sex Fiend" and "Specimen" (...and on into infinity) were superior to Bauhaus when it came to goth rock, but the truth is that none of the aforementioned bands touched on any of the styles that Bauhaus were able to dabble in with effortless perfection.

In The Flat Field being the first studio album from Bauhaus, the album showcases an array of goth rock cornerstones while also offering a handful of tracks showing that Bauhaus were definitely willing and able to take risks. Dirge-y anthems such as "Double Dare", and "Stigmata Martyr", basically set the template for what gothic music was supposed to sound like. However, with tracks such as "God In An Alcove", and "Dark Entries" the band seem to be saying to the intended audience "Who says we can't dance AND be mopey bastards?". Taking time away from crunchy death-rock and post-punk goth musings, the real artistry that would later be found on Bauhaus waxwork's "Swing the Heartache BBC Recordings" and "Sky's Gone Out" is shown briefly in such experimental pieces as "Nerves", "Rosegarden Funeral of Sores", and "Crowds". The only downfall? The just barely forgiveable cover of "Telegram Sam" that seems to have been put on every recording they ever did just to spite me.

So let's take in everything we've learned. Bauhaus created a genre, birthed a subculture of death-obsessed rock n' roll that could be spooky, dancey, and experimental all at once without losing site of a unique vision. This is the album where it started and if you're interested in learning about the Gothic subculture, or just curious to find a band that may very well expand your musical horizens, this is the album to start with.

Key Tracks: "Stigmata Martyr", "God In An Alcove", "Nerves"