The songs on WCD may tend to start out slow but the payoff is in the soaring choruses carried by Peter Steele's majestic voice. They bring you into their world of pain and loss with their hard edged monolithic ballads dealing with topics such as drug addiction (White Slavery), losing loved ones (Everyone I Love Is Dead, and Everything Dies) and necromancy (Creepy Green Light and All Hallows Eve) just to name a few.

The lineup includes the usual suspects found on their last album with Josh Silver adding that creepy green atmosphere (keyboard and sampling), Kenny Hickey crunching hard on guitar, Johnny Kelly pounding the hell out of the skins, and of course Peter Steele, singing lead and thumping that big thick bass of his.

Musically the album has a sublimely dark (favorite industry adjective) sound. For the usuall TON fan it's a welcome return after waiting for a new release from the band ever since 1997's "October Rust."

In conclusion: On this album sex takes a back seat, the lush romantic sound is less but the songwriting is tighter, the scary is scarier, and more people die. For all you visual learners out there, if "October Rust" was like being in a shadowy medieval forest set against a blood red autumn sunset, then "World Coming Down" is after the sun has faded from the sky and you are plunged into complete darkness.


Yet another great album...!   December 17, 1999
 5 out of 5 found this review helpful

"Slow, Deep, and Hard" possessed a thrash sound that Peter Steele had previously established with Carnivore. It was extreme to say the least, but his is an honest angst that tends to look at the big picture of things much more than most people would care to. "Bloody Kisses," for me, established what Type O's sound would become. Atmospheric, textured music with heavy guitars that made a fair share of noise, but it was a welcome noise. Lyrics so blatant and obvious that Black Sabbath would be proud (of course, they did covers of Sabbath songs on more than one occasion). "October Rust" finalized that sound, with nothing really new or radically different from "Bloody Kisses." Again, this is my opinion. The main difference between "Bloody Kisses" and "October Rust" would have to be the latter's greater attention to melody and sonic texture.

Now we hear "World Coming Down," an album that proves that Type O's formula is working. Songs too long and thematically disturbing to radio-friendly, yet they possess a great deal of honest emotions that poser goths can only hope to imitate. This album combines elements from the three previous albums, with "October Rust"'s melodic sound structures, "Bloody Kisses"'s atmospheric composition and blatant lyrics (i.e. "Everyone I Love is Dead," and "Creepy Green Light."), and "Slow, Deep, and Hard"'s thrashy angst. This album, to me, is the ultimate Type O album for this reason.

"World Coming Down" also seems to possess Peter Steele's most saddening lyrics. Even the titles say it all. "Everyone I Love is Dead" can't get more obviously yet appropriately bitter. My personal favorite is "Everything Dies." Having faced some sudden and unexpected tragedies in my personal life, I identified immediately with Steele's reminiscing on his family and friends and how the truth is that we are all going to die. This song had me in a trance for hours, it's that beautiful, sad, but honest.

Honesty goes a long way with Type O, and this has to be the best when it comes to the truth of things. It may not be their best on the whole, but this is one that I'm more likely to listen to before any of the previous albums.


Worthy to the name Type O Negative   April 24, 2003
 5 out of 6 found this review helpful

Here is another excellent Type O Negative release filled with more very good songs. As with all of the Type O Negative CDs, each song has it's own identity and is filled with depth. On this album the songs have become even more laid back and even more depressing than ever before with cheerful numbers like "Everyone I Love is Dead", and "World Coming Down". Even though, the world viewed through Type O Negative is definitely a dark, cold and bleak one, listening to this music gives the listener hope that things will eventually get better. Songs like "Everyone I Love is Dead", "World Coming Down", and "Pyretta Blaze" are songs any Type O fan should love.


Not enough Prozac in the world...   March 26, 2005
 5 out of 5 found this review helpful

This is TON's most depressing album, not to be confused with its most negative (Slow, Deep, and Hard). I rarely EVER listen to this album, but NOT because it's bad. I'm not THIS depressed anymore, that's all. I read that Peter Steele was having A LOT of difficulties during this period, and it obviously shows. Except for 'Skip It' and 'Pyretta Blaze', there is no humor or 'positivity' on this album, it's pure gloom and wallowing in self pity and (self) hatred. Gone are the tongue-in-cheek asides and dark sarcasm, 'White Slavery' not withstanding. In some ways TON never change. Negativity, frustration, and depression are looked at through different 'eyes' with each album. If Bloody Kisses was a big sigh and an acceptance of a fate unwanted, and October Rust was an attempt to 'make the best of things despite feeling that things won't work out anyway', WCD is a complete giving up and blaming oneself for everything. No punches are pulled. This is Peter Steele's "Mea Culpa". How ironic that he's apologized for WCD. For those who've said this album is too slow and/or too boring, that's what you get when you mainline pure depression/self pity--boredom, unless you're right there each step of the way. Whenever I fall into a black hole, this is my prozac. Be warned, this is TON without the added comfort of humor. Before I forget, the medley of Beatles' covers is the least interesting of all their cover tunes. 'Paranoid', 'Summer Breeze', and 'Black Sabbath' (from the Satanic perspective) make me unable to listen to the original versions anymore (yes, even Sabbath's version. Think about the lyrics for a moment. Which music best goes with the vibe of those lyrics? This is TON's absolute strongest attribute--taking songs that have been around a while and giving the song a power and a point of view that even the author didn't know existed.)


Good, But Not Type O Negative's best   April 17, 2000
 4 out of 5 found this review helpful

World Coming Down, Type O Negative's 4th studio album was hailed as one of the most anticipated albums of 1999 by Alternative Press. So does WCD live up to the hype? Well, Yes and No. The new album takes a sharp detour from the previous effort,October Rust, by abandoning the layered and textured soundscapes of its pedecessor. World Coming Down places greater emphasis on the guitar driven dirge of Kenny Hickey, and reduces Josh Silver's keyboards to a supportive role. The songs in general have a slow, dark, brooding sound, reminisent of the bands earlier works. Lyrically, vocalist and bassist Peter Steele leaves the pantheistic tales of October Rust behind and instead explores such familiar metal fare as: drug addiction (White Slavery), Loss of family (Everyone I love is Dead, Everything Dies), failed relationships and self pity (World Coming Down) and Halloween (All Hallows Eve, Creepy Green Light).

So does it work? well the biggest problem with WCD is that Type O Negative brings no new ideas to the table, and takes no chances in terms of production or song writing. While 1991's Slow Deep & Hard, 1993's Bloody Kisses and 1996's October Rust were highly original efforts, WCD simply rehashes earlier Type O songs and puts them in a new package. "Everything Dies" and "Everyone I Love is Dead" harken back to the lyrics of "Red Water", "White Slavery" is similar to their Black Sabbath Cover "Paranoid", "Creepy Green Light" and "Pyretta Blaze" sound like October Rust rejects and "World Coming Down" runs parallel with the slower parts off of Slow Deep & Hard. Even the production is in the same vein as Bloody Kisses. World Coming Down never really establishes an identity of its own or produces any truly melodic masterpieces that their fans have been accustomed to. This album does offer more than the typical mainstream experience, but it lacks the atmosphere and originality that were present in TON's previous outings.