To go back to the very root of Metallica's musical deterioration, we should really be looking at the Black album. I guess in most Metallica fan circles, however, the Black album was the last great album. I disagree. I have always thought that And Justice For All was their last great album. Justice was a metal masterwork, with epic songs and brilliant lyrics. It was a fitting tribute to their dead bassist and friend, Cliff. It was their goodbye to Cliff as well as their goodbye to great music.

The Black album was more mainstream, the songs were compromised, the riffs sloppy, the lyrics silly, but it was still recognizable as Metallica

Fast foward four years. Load is released to perplexed fans. "Cut hair, pimp suits, goth makeup in their music videos? What? This is not Metallica!" And in a way, it wasn't. The Metallica the thrash metal fans knew died with the four year hiatus. They had finished grieving Cliff, and the spirit was gone. Cliff would never have allowed this Glam Rock/alt rock/blues/goth rock hybrid. It would have shamed him.

Metallica has become everything that they once claimed to have hated, and it really makes me sad. The music they made in years past was so EXCELLENT. Each one of their first four albums was a metal masterpiece, brilliant and well thought out. Now their music is a parody of what it once was. Until it Sleeps, the House That Jack Built...blech. Give me Harvester, Blackened, Master, Four Horsemen, anything but this drivel.


4.5 Stars: Metallica's litmus test; Great 1990s Metallica album (despite the naysayers)   October 2, 2007
 73 out of 77 found this review helpful

LOAD, it appears, is the true litmus test of Metallica's career. This is the album where it was tremendously popular with a lot of the grunge listeners, dominated the charts in 1996, and had heavy radio rotation. LOAD brought in a lot of new fans for Metallica (this reviewer included), but is still highly controversial as it abandoned much of Metallica's earlier trademark sound from the 1980s, and a lot of people stopped caring about the boys after this one. But this album is not without precedent in the Metallica canon.

The BLACK ALBUM, LOAD's predecessor from 1991, is often seen as the true turning point in Metallica's career. Taking their progressive metal and incredibly complex songwriting (to the point it was difficult to replicate the music on stage) to its breaking point or zenith on the masterpiece ... AND JUSTICE FOR ALL, Metallica pared back their sound, and ultimately became more commercial sounding. MTV picked up on the BLACK ALBUM's songs, and featured them in heavy rotation. While the BLACK ALBUM disappointed some of the band's fan base, without a doubt the album helped move the band into the mainstream of rock, and ultimately greatly added to Metallica's fanbase.

While some of Metallica's long time fans were somewhat uneasy with this subtle change in the band's musical direction, by the time 1996 came around the unease metamorphosed into full-blown hostility. And it's all due to this album.

LOAD completely changed Metallica's sound, and, for a lot of long time fans, for the worst. Gone are the pyrotechnic solos, complex songwriting, and thrash metal mentality that carried their first four albums into the annals of rock and roll legend. The band cut their hair, started writing songs more like alternative rock, and reached out to a new fan base. LOAD's songs got heavy radio rotation (something that did not happen with their earlier albums), and they had several singles that charted quite high. Still, a lot of Metallica's fans were not only disappointed but just flat-out angry with the band and quit following them after this record.

And why? That's a good question. I grew up with grunge, and love the early 1990s sound. When LOAD came out in 1996, I knew I had to get that. It was the first Metallica album I ever bought (though my brother had the BLACK ALBUM which I listened too frequently). Those two were the first Metallica records I ever listened too

Listening to it, and without knowledge of their earlier albums, I never could understand why people hated it as much as they did. The songs are great, and while the album is a little on the long side (79 minutes). [ In fact, for the longest time whenever anyone asked me to name a Metallica song the first one I would name "Until It Sleeps"]. In fact, "Until It Sleeps" was for a long time the one song I always thought of when I thought of Metallica. For me, it was their definitive song (though this has changed since then). Without the context of their career, and responding to the music itself, I loved the music and thought it had a lot of their best material. I still think so.

Having since gone thru the rest of their albums, I now understand why people have such a hard time with this record. While it's a great mid 1990s record, sounding very much of the grunge era, I understand now how much of a departure from their previous work it really is. Their tempos have always been fast and furious, thrash all the way. And now they release LOAD, and it's all this bluesy alternative metal sounding crap, and they cut their hair, and oh my God aren't they the sellouts?

Well, Jason Newsted said it best when he did admit Metallica did sell out. They sell out every seat for every concert on their tours. They rock the house. And that's what counts.

While LOAD may not appeal to a lot of Metallica's fanbase, for this listener it's got some of my favorite songs from the 1990s. The album plays like a greatest hits list of 1996, the songs were that big and that popular. And fortunately, this is the "popular=bad" equation most people think of. It has the epics ("Bleeding Me," "Outlaw Torn"), the radio staples ("Until It Sleeps," "King Nothing," "Hero of the Day"), an almost country sounding (!!) song ("Mama Said), and just some flat out great rock songs (though not necessarily great metal).

Being part of the new fan base the album helped bring it, I shook my head at the Metallica purists who hated it. Now, going thru the other records, now I understand the purists' frustration at Metallica for such a radical departure that this record represents. It really is Metallica doing alternative. And for those who love thrash and speed metal, to have one of the best metal bands ever turning away from that avenue can be discouraging.

Metallica has such a successfully realised metal sound, and their four 1980s albums are all fantastic. Those records are masterpieces. LOAD, and its sequel, are not the masterpieces the early albums are. But that doesn't mean they bad. Far from it. To be fair, it's hard to do a follow up to an album like MASTER OF PUPPETS, one of the definitive metal records of the 1980s. Though LOAD and RELOAD are not as good as the four, there's not very many records that are that good, they set such high standards.

In the ensuing years since its release, my esteem for the album has very slightly lessened, but this has more to do with their success on their earlier records than anything critical about this one. While their earlier work are unequivocal masterpieces, the LOAD era is a different animal altogether, and Metallica were trying to find a new sonic identity. They still feeling their way into the new artistic direciton.

While the purists may be right their earlier work is better, it does not change the fact LOAD is one of the best hard-rock albums of the 1990s, and is still probably my sentimental favorite, if not my critically favorite anymore, of all of Metallica's albums.

Chart Positions
Album: #1
Ain't My Bitch: #15
Hero of the Day: #1
Until It Sleeps: #1
Mama Said: #24
Bleeding Me: #6
King Nothing: #6


A "sell-out?" What a "Load" of crap!   October 2, 2005
 47 out of 81 found this review helpful

I firmly believe this album was not a sell-out. Granted, "Load" does have an alternative sound, so it appeals to more of the general population (people who didn't like Metallica's earlier, heavy, thrash-y albums), but I think Metallica entered the mainstream years before this C.D.'s release. Many fans think 1991's self-titled album ("The Black Album") was their first mainstream move, but I disagree; I think 1988's "...And Justice For All" was their first attempt at becoming more popular. After all, following the release of that album, Metallica recorded their first music video (for the song "One"). Plus, look at "Master of Puppets"-that album almost single-handedly bridged the metal-mainstream gap.

Instead of selling out, I think Metallica experimented. This new, experimental sound alienated a number of their fans, but I think Metallica were forced to make an album like "Load," because they had to evolve and change their sound. It's what bands do; it's how the listener is able to discern between albums! And even though they lost some fans, "Load" also helped the band tell who their true, faithful fans were.

Now, don't get me wrong; this album isn't perfect. At 78 plus minutes, it's kind of long and drags on a bit. Plus, some of the songs (i.e. the album's first ballad, "The House That Jack Built" and the album closer, "The Outlaw Torn") are boring and rather forgettable.

Overall, though, this is NOT a bad album. The wisely chosen, up-tempo single "Ain't My B -tch," the bluesy "2 X 4," "Until It Sleeps," and "King Nothing"are all quite catchy. Plus, "Until It Sleeps" kind of sounds like a "Black Album" b-side and "King Nothing" has a nice Hammett solo. Other standout tracks are "Bleeding Me" (which, even though is an overly long song, gradually gains momentum and has another cool guitar solo), "Mama Said" (which is a ballad with soft, acoustic strumming), "Wasting My Hate" and "Thorn Within" are like the first track because they have semi-heavy riffs, and the opening part of "Ronnie" is a worthy of a toe-tapping.

If you think "Load" marked the end of Metallica, then you're not a true fan. This isn't Metallica's best work, but it's really not half bad. It's a must own for all of Metallica's real fans (it's not for you if you're just a fan of `80's thrash), and if you give it a fair shot, you should like this album quite a bit.


Profound, diverse and different   March 11, 2000
 22 out of 25 found this review helpful

This is the album Metallica would have made in 1993 if Cliff was still alive. Sacrilege comes the cry from the bemulleted crowd at the back, but did all you so-called Metallica fans know that Cliff was as much into blues and Mozart as Black Sabbath and Slayer? The prog rock in Metallica is now gone, in the respect that 3 minute, 30 scale solos are now gone. The blues and Black Sabbath are surfacing. How many of you complained about War Pigs having a harmonica? How many of you complained when the boys in Sepultura and Pantera cut their hair? You all just wanted an excuse to hate Metallica. And yet they still swept the rug away from under your feet by releasing this, their most profound and diverse work yet. Hetfield has never sounded better, and the lyrics to Outlaw Torn and Bleeding Me are the finest he has ever written. Yes, they aren't as heavy, nor angry as they were. Maybe when you get older you too will recognise the balls it took to release this. They knew they were going to lose a lot of fans with this. What is all this talk of selling out? They knew that if they released an album like before, it would sell well. They took a huge risk in releasing this, as it could have ended up that they would be too light for the elitists, and too heavy for the mainstream. Why all the criticism of Mama Said? No-one so much as blinked when Pantera did Suicide Note part 1, or when Sepultura did Jasco or Kaiowas. Metallica are starting to explore the areas that they couldn't go before, and in so doing they have made some great music which deserves to be listened to and judged, rather than hated just because everyone else does. Fair enough, why they wanted to put a song like `Poor Twisted Me' on the album totally escapes me, but when you have songs like `Thorn Within' and `Until It Sleeps' to compensate, it matters little. It may not be as heavy as the bone-heads wanted, but if a song does not have distortion on it, does that make it a bad song? No. This is an album for every mood, and it is a rock album. They never said it was going to be as heavy as Master of Puppets, and if you bought it expecting that, then die. I personally would have preferred `Justice For All' part II, but this does the job just fine. And it's better than the indulgent toss on Reload. And don't give me that guff about 'sell-out'. They were taking a risk with this, because they knew the mainstream were already scared of big, ugly Metallica, and that the old 'Metallibangers' (sorry to use that word, but you get the idea who I'm Talking about) would destroy them for going 'light'. If they had have done Master of Puppets part 2 then that would have been selling out, as it would have sold by the bucket-load, and htey knew it.

Did you know that out there in the world somewhere, there is someone who hates Metallica solely because James stopped drinking? And for that, they have succeeded in ensuring themselves a place in history...as a total f**king moron...


The Bottom Line   December 23, 1999
 15 out of 17 found this review helpful

Let us start from the beginning. The question is not whether or not Metallica "sold out" because they changed their music style. The issue in a review like this is if the album was good or if it , instead, sucked royally.

To give an album one star means it sucked royally. While "Load" may not have met the expectations of some, it was at least a decent album. No, it was not thrash or speed metal. Like its previous effort, "Metallica" (commonly known as the "Black" album) "Load" had a more rock oriented sound to it. (No, it was not an alternative album, if anything "Load" at least represents a good hard rock album.)

Load did not suck royally. So, in my opinion, it deserves three stars. It did not meet the same level as an album like "Black," which would be a four or five.

As for earlier albums, this album is different. Understandably people buying this album expecting to see Metallica's thrash-metal roots (see "Master or Puppets" or "Ride the Lightning") clearly are disappointed. The reason for such disappointed is well founded.... "Load" is not a thrash metal album. It is, instead, a clear progression from earlier albums. Go ahead, listen to them in order and see if you can't expect an album like "Black" or later "Load."

Face it. James Hetfield and company aren't angry 18 year olds. If they were, they would be pumping out more albums like "Kill `Em All." And, no doubt, we'd be sick of them and complaining that all they can do is create copies of the same thing. Let Metallica evolve. Give them a bit of slack, and see where things take them. If you don't like where things are when, god forbid, Metallica is no more, then you can complain about where they ended up. But right now, they are still a work-in-progress (like any band still playing), so let's just see where evolution takes them.