1. "Helter Skelter" [Live]. OK, the ego does get a bit out of hand here, but this is one of the standout cover tunes.

2. "Van Diemen's Land". The Edge takes vocals on this nice ode to the working man which is abruptly cut off in mid-verse.

3. "Desire". The first single, an obvious musical tribute to blues legend Bo Diddley, continues to be one of their most popular and infectious songs.

4. "Hawkmoon 269". Although there is some lyrical help from Bob Dylan, this is one of the studio tracks that really does not work.

5. "All Along the Watchtower" [Live]. An uninspired cover which is memorable only if you saw the movie.

6. "I Still Haven't Found What I'm Looking For" [Live]. With embellishments by a real gospel choir, the song is performed the way it was meant to be.

7. "Freedom for My People". This is just a snippet of a street performer.

8. "Silver and Gold" [Live]. A great live version of a non-LP track, seethingly delivered by Bono toward an apathetic American audience.

9. "Pride (in the Name of Love)" [Live]. What live record would be complete without the consumate U2 anthem.

10. "Angel of Harlem". As one of the songs recorded at the historic Sun Studios, complete with a horn section, this lyrical ode to Billie Holiday is a U2 classic.

11. "Love Rescue Me". With the accompanyment of Bob Dylan, this one never really picks up.

12. "When Love Comes to Town". Although many U2 fans did not appreciate the prominent vocals and guitar of B.B. King, the lyrics are "fantastic" (as the King puts it in the movie), and if you love the blues . . .

13. "Heartland". You can almost see the Mississippi going by on this song, a mood piece which works much better than "Love Rescue Me".

14. "God Part II". A great rocker about contradiction and a lyrical and musical prequel to U2's "reinvention" in the 1990s.

15. "Bullet the Blue Sky" [Live]. With a recorded intro of Jimi Hendrix doing "Star Spangled Banner", this is the consumate version of this song.

16. "All I Want Is You". Although it seems a bit out of place on this record, this is simply one of the best U2 ballads ever.


U2 in America   December 11, 2000
 28 out of 37 found this review helpful

Rattle & Hum is the soundtrack to the band's documentary on their 1987 tour through America. The album is a mix of live tracks and studio recordings. The album takes on an American sound to it as the band traveled through the States visiting such places as Harlem, Graceland & Sun Studios. "Angel Of Harlem" is a tribute to Billie Holliday and the band shows they've got some soul with the song's stirring horn section. "When Love Comes To Town" is a duet with blues legend B.B. King and he lets loose with some terrific guitar playing. "God Part II" is the band's sequel to John Lennon's "God" from his Plastic Ono Band album. Much like the original, U2 question their own beliefs and the beliefs about them. "Desire" is a blistering song and Bono's harmonica work is impressive. "Van Dieman's Land", "Hawkmoon 269" and the appropriately titled "Heartland" find the band playing sounds with a folky, Midwestern vibe. "All I Want Is You" closes the album with a powerful beauty. The live tracks include a gospelized version of "I Still Haven't Found What I'm Looking For", a take on the Beatles "Helter Skelter" in which Bono adds one of his more famous lines "three chords and a dream", a simmering take of their anti-apartheid song "Silver & Gold". "Bullet The Blue Sky" shows all the power and force of the band on stage. It opens with a snippet of Jimi Hendrix's take of "The Star Spangled Banner" and then merges into a booming Larry Mullin drum beat. Adam Clayton plays an extremely heavy bass while Bono expands on his sermon in the middle of the song and The Edge's guitar soars up and down. The critics dismissed this album when it first came out as bombastic and egotistical, but that probably had a lot to do with the film. U2 had been untouchable up to that and the project gave them a chance to jump on them. The album is uneven in places and the film is precocious at times, but their overall passion and feeling override any flaws and ten years later those feelings are still strong.


Forget watching the film, just listen to the music   April 3, 2001
 16 out of 28 found this review helpful

I never get tired of listening to this album, although I am considerably less enthralled about actually watching the documentary. "Rattle and Hum" offers a perfect mix of new songs, inspired live versions of old songs and a couple of nice covers. Of the new songs the four best are clearly "Desire," "Hawkmoon 269" (with Bob Dylan on Hammond Organ), "Angel of Harlem" and the fabulous duet with B. B. King "When Love Comes to Town." "I Still Haven't Found What I'm Looking For" is enhanced by the presence of the New Voices of Freedom choir and soloists George Pendergrass and Dorothy Terrell, while "Pride (In the Name of Love)" has the crowd helping out with the chorus. Finally, U2 covers the Beatles' "Helter Skelter" and Bob Dylan's "All Along the Watchtower," the latter being the better of the pair. "Rattle and Hum" does not have the polish of most of the other U2 albums, but I can make an argument for it being their best effort.


U2 - 'Rattle And Hum' (Island) 4 1/2 stars   February 28, 2006
 14 out of 14 found this review helpful

Review number 101.Superb follow-up to their 1987 masterpiece 'Joshua Tree' album.Liked both the movie as well as the awesome soundtrack here.As huge a fan of live releases that I am,I simply could not get enough of this CD's live tunes,"Helter Skelter","All Along The Watchtower",the(sometimes)tear-jerker "I Still Haven't Found What I'm Looking For" and "Bullet The Blue Sky".The studio tracks are equally as good.Even after umteen years of it's original release,'Rattle And Hum' is MORE than able to stand the harsh test of time.An absolute must-have.


The Great Rock n' Roll Swindle   April 15, 2002
 13 out of 38 found this review helpful

A very overrated album by a very overrated band. U2, with its incantatory vocals, its asthmatic guitar riffs and its sententious messages, has always been closer to church music than to rock n'roll. If you think this is rock, you must be either 15 or 85.