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| Mask | 
enlarge | Artist: Bauhaus Label: Beggars UK - Ada Category: Music
List Price: $11.98 Buy New: $7.67 You Save: $4.31 (36%)
New (43) Used (13) Collectible (1) from $7.25
Avg. Customer Rating: 14 reviews Sales Rank: 46786
Format: Original Recording Reissued, Original Recording Remastered Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
MPN: 80029 UPC: 607618002923 EAN: 0607618002923 ASIN: B0000018AL
Release Date: October 1, 1988 Availability: Usually ships in 1-2 business days Condition: Brand New and Factory Sealed Item Fast Shipping
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| Tracks:
| • | Hair Of The Dog | | • | Passion Of Lovers | | • | Of Lillies And Remains | | • | Dancing | | • | Hollow Hills | | • | Kick In The Eye 2 | | • | In Fear Of Fear | | • | Muscle In Plastic | | • | The Man With The X-Ray Eyes | | • | Mask | | • | In Fear Of Dub | | • | Ear Wax | | • | Harry | | • | 1. David Jay/2. Peter Murphy/3. Kevin Haskins/4. Daniel Ash | | • | Satori |
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| Customer Reviews: Read 9 more reviews...
A monolith of creative darkness... July 1, 2004 10 out of 14 found this review helpful
Bauhaus (and their lack of mainstream acceptance) is proof perfect that people prefer their music bland, mindless, and about ten years behind the times. Basically formed by art students who loved punk and Bowie in equal measure, Bauhaus was a ship with the perfect crew: the innovative Daniel Ash screaming guitar licks over the tribal rumble of the Haskins brothers, David J. and Kevin. And then there was Peter Murphy: an emaciated cross-dressing ghoul who twisted and writhed across the stage. His angular good looks and lunatic mannerisms swept those who saw them into the Love 'Em and Hate 'Em camps. I plant my flag in the former, and this album contains every reason why. While their first album is a ravaging classic that defined their unique sound and B&W 1920's aesthetic, "Mask" boasts some of their best tunes. "Hollow Hills", inspired by an Arthur Machen story that cautions those who would tamper with prehistoric sites and their invisible occupants, is Bauhaus at their most atmospheric and poetic. "Dancing" and "Of Lillies and Remains" (the first dealing with all the places one can dance, the second some kind of surreal snippet about ghosts, weird fluids leaking out of orifices, and someone named Clancy) show that the boys had an incredible sense of the absurd, "Muscle In Plastic" is a primal workout, "Hair of the Dog" is a grinding opener with a fantastically creative guitar line, and "The Passion of Lovers" is a Spanish-ish ode to lovers and their pursuit- death in each others arms. "In Fear of Fear" (like "Dancing") actually features Daniel Ash on saxophone, "Man with the X-Ray Eyes" slams forward like a rugby team of Neanderthals, and the title track is eerie and glorious (check out the video for it, if you can find "Shadow of Light"- nowhere is the band's horror movie sensibility more evident). The bonus tracks are interesting, especially the one in which Peter relates an unusual way of making fish cakes- stuffing the creatures with potatoes before smashing them up! Basically, this album shows that Bauhaus was a group of talented, creative guys that all shared a morbid sense of humor, a passion for the bizarre, but were in no way a contrived bunch of goth types. Those came later.
The Passion of Bauhaus October 30, 2000 8 out of 8 found this review helpful
"Mask" is probably the quintessential Bauhaus studio (non-compilation) album, though "Burning From the Inside" is pure genius as well. "Mask" features many of their best known songs, including "The Passion of Lovers," "Kick In The Eye," "In Fear of Fear," and "Hollow Hills." Equally enjoyable are some of the lesser known tracks, such as the spoken word "Of Lillies and Remains" and the Cure-like "Man With The X-Ray Eyes." What raises "Mask" -- as well as the entire Bauhaus oeuvre -- so far above current Goth-type music is the variety. Whereas most post-Sisters of Mercy groups tend to be sonically monolithic, Bauhaus, inspired by Bowie, knows the value of shifting moods. There's darkness and gloom, for sure, but there's also dance grooves, dubby reggae, and yes, even some humor. Nowhere is the range of Bauhaus better demonstrated than on the bonus track "1. David Jay 2. Peter Murphy 3. Kevin Haskins 4. Daniel Ash", on which each member takes a lead turn. "Mask" isn't really the place to start -- get the sterling compilation "Crackle" as your first purchase -- but get this one next.
"we're dancing to the dark side of this tune..." July 1, 2002 6 out of 6 found this review helpful
The 1981 effort of Bauhaus is truely amazing. It is the most "mainstream" Bauhaus record to date, but that doesnt mean in the least that it doesnt have its dark moments. (of course! It's Bauhaus!)On this version of the LP you will find the 10 tracks that make up the original album "Mask". These are the first 10 tracks. These songs are all brilliant, but standouts (in my opinion) are Hair of the Dog, the Passion Of Lovers, the Man With the X-ray Eyes, the chilling Hollow Hills and title track Mask. There are 5 bonus tracks on this CD, however, these tracks are nothing compared to the first 10. These tracks come from various singles and EPs released around the same time (ish) as Mask. Track 14 is comical, and fun to listen to, and track 15 is alright, but i prefer to have the CD set so it only plays the first 10 and then repeats back to track 1. If you have just downloaded Bela Lugosi Is Dead and have decided it's time to buy your first Bauhaus CD, make Mask it. Buying the actual albums is a much better alternaltive than buying Crackle (the greatest hits CD) or the single collections. Collections like that may be of interest to you, but they do not provide the whallop that a full length Bauhaus CD will give you. And if you are prepared to buy a couple of albums, put "Pornography" by The Cure and "The Downward Spiral" by Nine Inch Nails into your shopping cart right now too.
Accessible is a relative term...thank goodness August 29, 2003 6 out of 7 found this review helpful
A lot of reviews refer to Mask as Bauhaus's most "accessible" or "mainstream" album. And if you're looking at Bauhaus for the first time, hoping to buy an album that will give you better old-school Goth creds, maybe that will turn you off. But you have to keep in mind that this is, in fact, Bauhaus we're talking about. Mask is their most accessible and mainstream album in kind of the same way that I might say that Duran Duran's original album is their most Goth. It's kinda true in its way...but not really.Try to imagine for just a fraction of a second a world in which you would hear the actual song "Mask" on the radio, and you'll see what I mean. Not gonna happen. It's much too full of eldritch noises and dark intellectual musing to get any airplay. "Mask" is a personal favorite of mine; but if you're looking for the names that get bandied around more, check out "Passion of Lovers" and that pleasantly hostile paean to spiritual growth, "Kick in the Eye." Important to song cross-referencing, a favored pastime for Bauhaus and for Peter Murphy solo, is "The Man with X-Ray Eyes," which is the lyrical basis for the later "Departure."
An Interesting Progression April 5, 2005 4 out of 7 found this review helpful
After making a cornerstone album in gothic music ("In The Flat Field") Bauhaus apparently decided that it would be a good idea to make a dance-friendly version of said record. Mask only really holds true to what you may consider true Bauhaus form in such tracks as "The Passion of Lovers" "Hollow Hills" and "Mask", the rest of this album is consistent (mostly) of spooky-pop tracks that may make you question your existence if you're of the mascara-wearing-all-black-dressing-death-rock-loving mold (and not in the usually sad bastard questioning of existence kind of way either). If you get the CD it has a bonus Ska song! Neat, huh? I almost like this album better than it's predecessor if only for the simple fact that it shows that Bauhaus were capable of changing style on the listener without straying too far from genre in aesthetic. This holds true my belief that there is a "Bauhaus for Every Situation"(TM) behold: You've got "In The Flat Field" if you're looking for some textbook goth/post punk fun. "Mask" is the album for when you're looking for fun, and, although you meant to pull out your Madness album and accidentally grabbed this instead, it can still serve the same purpose (uh..kind of..). In conclusion, "Mask" is good. It's different and that's what makes it great. Although "Mask" isn't going to make your average purist goth-wanker very happy, just remember that no one cares what purist goth-wankers think anyway.
Key Tracks: "Passion of Lovers", "Of Lillies and Remains"
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