|
| Transcendental | 
 enlarge
| Artist: To Mera
Label: Candlelight
Category: Music
List Price: $15.98
Buy New: $7.99
You Save: $7.99 (50%)
New (25) Used (4) from $7.99
Avg. Customer Rating:  5 reviews
Sales Rank: 186433
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 169
UPC: 803341169623
EAN: 0803341169623
ASIN: B000HCPSY4
Release Date: October 17, 2006
Availability: Usually ships in 1-2 business days
Condition: Brand new, factory sealed. Fast shipping!
|
| Tracks:
| • | Traces | | • | Blood | | • | Dreadful Angel | | • | Phantoms | | • | Born of Ashes | | • | Parfum | | • | Obscure Oblivion | | • | Realm of Dreams |
|
| Similar Items:
|
| Customer Reviews:
 Spellbinding debut October 17, 2006
16 out of 19 found this review helpful
Few new bands can release killer debut albums like To-Mera. Formed only a year ago by Lee Barrett of Extreme Noise Terror and Julie Kiss of Without Face, To-Mera quickly grew into a full band with the addition of fantastic drummer Akos Pirisi, keyboardist Hugo Sheppard, and guitarist Tom Maclean, both of whom are schooled musicians. Sheppard's keyboard and piano playing lends the songs a very dynamic edge, often delving into classical and jazz territory, while Maclean's challenging fretwork is nothing short of mind-blowing. Not only is he technically superior to most prog bands' players, he also covers a wide spectrum of styles, fusing brutally heavy death metal-like riffs with intense, harmonically rich melodic signatures.
Most female-fronted metal bands write material that undeniable gives off a gothic air, relying heavily on orchestrated keyboard parts with the occasional crunch-filled guitar work. Some listeners will be quick to compare To-Mera with the likes of Lacuna Coil and Within Temptation, and perhaps even Nightwish and The Gathering. Not that anything is wrong with these bands, but To-Mera is a completely different beast musically. For starters, they are crushingly heavy progressive metal, serving all aspects of this much stagnated genre, but they do inject calmer acoustic passages along with jazzy interludes into their craft as well. Vocalist Julie Kiss whose Eastern European accent lends her already dark voice an extra layer of depth and character is a great fit for the band. Her soft, fragile soprano-like vocals in the intro "Traces" turn into expressive and melodic singing on the haunting "Blood", putting her semi-operatic delivery on display. The somewhat thrashy intro and cool percussion bring in extra dynamics colliding with monstrous riffage and beguiling piano melodies. In its second half, the song launches into an instrumental landscape, merging slightly electronic synth work with super technical guitars and explosive bass.
One of To-Mera's strongest aspects is their unbreakable rhythm battery. Drummer Ari Pirisi has officially become my new-found talent of the year. I don't know whether he played on other albums before, but his performance on Transcendental is awe-inspiring. He has the ability to inject ultra-complex Meshuggah-style polyrhthms into the dark "Obscure Oblivion", which starts out like a quasi-ballad decorated with killer jazz piano, but then morphs into a pulverizing number marked by weird stop-start sections and strong vocal harmonies. Then there is "Parfum", punctuated by tribal drumming a la Tool meets Dead Soul Tribe in a free-flowing avant-garde environment. Lee Barrett's bass solo is thick and chunky, underscoring Maclean's precise guitar work which alternates between complex, multi-segmented riffery and solemn acoustic moments. "Born of Ashes", arguably the song that highlights Julie Kiss' vocals the best, begins with a nice acoustic guitar that lends itself to vague folk references before Sheppard puts in a soaring synth patch that slowly blankets and surrounds the whole piece. The song is then carried into a maniacal instrumental frenzy with pounding drumming and rampaging bass, Maclean's lead guitar work at the end being the apex of everything.
"Dreadful Angel" and the H.P. Lovecraft-inspired "Phantoms" are heavily jazz-infused, particularly during select moments. The former is slightly more experimental; it blends stomping bass and bone-crushing rhythm guitars with enchanting symphonic elements. The sound is simply huge and arrangement absolutely intricate. The song features a sick guitar and keyboard solo respectively, marrying atonal notes with jazz breakdowns and even a brief Opethian acoustic interlude. As if that's not enough, they seal the piece with killer death metal riffery at the very end. On "Phantoms", they blend mathematical guitars with chord progressions that take a few listens to grasp. Pirisi proves he's also perfectly capable of playing death metal type of drums with Barreth's low-end bass growling beneath. Kiss' clean vocals are simply beautiful, especially during the slower mid-section.
Though new to me, Brett Caldas-Lima is a killer producer. The album sounds incredible. Thick guitars and chunky bass, perfectly mixed vocals, and a fabulous drum sound. Add to this Sheppard's invalubale keyboard and piano performance and the result is Transcendental, the best debut album of 2006.
 Original, but only partly successful March 16, 2007
3 out of 11 found this review helpful
This band is highly original, playing an unusual blend of metal, goth and jazz, with female vocals. But their broad range of stylistic influences is actually their main problem. The music comes across as fragmented and unfocused. The songs, most of which are fairly long, are collections of several themes that are often unrelated to each other. For instance, heavy metal riffs abruptly segue into jazz piano solos. The result is that this CD does not really sound like a coherent whole. This band needs to work on homogenizing their sound. Hopefully, they will achieve this on their second release, which is due out in mid-2007.
Beautifully Dynamic March 31, 2007
3 out of 4 found this review helpful
This CD contains nothing but solid musicmanship. I'm a huge fan of progressive metal, and what's great about this band is their ability to maintain heavy instrumentals while keeping the vocals sultry. The piano playing is great and gives To-Mera's overall sound a classical feel. It's really hard to classify this type album due to it's diversity; there are elements of speed metal, symphonic metal, prog metal, jazz, classical, etc... I would recommend this technical masterpiece to anyone who is a fan of progressive metal.
Very Original February 22, 2008
I was skeptical for a while on buying this album, but I heard good things so I decided to give them a try and it was worth it!
This album does have to grow on you. I loved the song "Blood" immediatly, but the other songs took some time. Once I gave it enough listens, I fell in love with the entire album. Julie's voice is simply beautiful and unique among the Femme Metal world. I think they're a breath of fresh air and great for fans of Nightwish, Within Temptation, After Forever or Therion.
A masterpiece August 21, 2008
This album is a masterpiece from beginning to end. Buy it! You won't be disappointed! At first it took me a while to warm up to this CD, but Blood really roped me in. The more I listened, the more each song became a jewel to me. I so wish they could tour America! Very prog/jazz/goth, Julie is amazing and the guitars are awesome. I love singing Born of Ashes, a great song. And the lyrics are up my alley, too, like a vivid nightmare.
|
|
|
Powered by Associate-O-Matic
| |
