In Requiem - Dark Publications

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Editorial Reviews:

Product Description
No Description Available
No Track Information Available
Media Type: CD
Artist: PARADISE LOST
Title: REQUIEM
Street Release Date: 06/05/2007
Domestic
Genre: HEAVY METAL

Customer Reviews:

4 out of 5 stars

You know, they didn't actually go away July 6, 2007
6 out of 6 found this review helpful

I've noticed in various metal publications (as well as the reviews here) that Paradise Lost's 2007 album In Requiem is being hailed as a "return to form" and the band's best album since 1995's Draconian Times. What exactly did the band have to "return" from? I suppose Host and Believe in Nothing could be considered below Paradise Lost's usual high standards, but One Second, Symbol of Life and Paradise Lost were all fantastic albums. In Requiem is simply the logical extension of those recent works.

I will grant that In Requiem seems like a tighter, more focused album than its predecessors. The band seems far more interested in writing good metal songs than in coming up with dance beats, which is fine by me. Once again, Paradise Lost demonstrates why no one can touch them when it comes to balancing a dark atmosphere and subject matter with completely irresistible melodies (see for example, songs like Enemy and Beneath Black Skies). There isn't a lot of experimentation, nor are there any Dead Can Dance or Smiths covers this time around. Of course, I tend to think that Paradise Lost can do whatever they want at this point, considering the fact that they pretty much invented the whole gothic metal genre.

So yeah, it's a really solid album. I just think that most of the praise it is receiving could just as easily have been heaped upon either of the band's previous albums. I do think that the cover artwork for In Requiem is one of the best, if not the best, of the band's album covers to date.

5 out of 5 stars

Very heavy & melodic June 19, 2007
1 out of 2 found this review helpful

I've been a Paradise Lost fan since Draconian Times. I think this is their best effort in years and might even be my favorite album from them. It's on constant rotation on my MP3 player. Notable tracks are "Never for the Damned", "The Enemy" and "Praise Lamented Shade" which is a very dark and churning song. Very passionate vocals and melodies. This is a great release from a great band.

4 out of 5 stars

Paradise Lost has been rediscovered! June 25, 2007
0 out of 1 found this review helpful

I agree with the comments from the previous review. This CD is really good. Paradise Lost is back in top form with this release and it's about time; the last album that I really liked was Draconian Times, and that was over 10 years ago! I had bought a few other post Draconian Times albums and was sorely disappointed. I had just about forgotten about Paradise Lost when I decided to risk buying this and I am not disappointed. This is what they should have done years ago, but better late then never!

4 out of 5 stars

Paradise Lost - In Requiem May 12, 2008
Paradise Lost has been my proverbial "white whale" over the years. I was an adoring fan of the slow, doom/death grind of their first release Lost Paradise and soon became a rabid fan after their slow, yet much catchier second release Gothic. It wasn't until Shades of God though that we first started hearing significant changes in sound and technique. Still creating an ambient sense of doom with simplistic, yet beautiful guitar riffs and percussion, we started hearing chorus' and tighter song structure. Nick Holmes' voice changed to reveal a vocalist who could not only growl with the best of them, but could also give any metal vocalist of the era a run for their money. Icon and Draconian Times would follow which converted me into an adoring, rabid, fanatical fan of Paradise Lost. Draconian Times had it all. Catchy riffs, Hetfieldesque type vocals, memorable chorus', yet still, STILL the music retained the doom-laden feel of their previous recordings. Paradise Lost was my absolute favorite band of the 1990s hands down. I can say that without hesitation.

Then the dark times came... The release following Draconian Times didn't even sound like Paradise Lost. Gone were the rough-edged vocals and heavy, doom-laden riffs. The vox were clean and wimpy, the guitars were pushed into the back as electronic drums and tones entered the mix. Yes, those were very dark times. Times when I wrote Paradise Lost off much like I did with Metallica. They had lost their way and become some Sisters of Mercy cover band.

But unlike Metallica, Paradise Lost is back...almost! Suddenly we have guitars back in the mix AND they're chunky and thick, creating a wall of sound. They've reached back in time and pulled from their first couple of releases and built upon it. No, In Requiem is NOT Draconian Times, but what it is, is a step back in the right direction. Elements of their "dark times" releases still hover around, but luckily are integrated well. In Requiem is the album that should have followed Draconian Times. It is an evolution of the Paradise Lost sound that feels natural and progressive. The "dark times" releases felt like a totally different band. It seemed like they fell into this gothic new wave well and were being sodomized by kids in top hats and fake fangs.

In some ways In Requiem is more reminiscent of Lost Paradise as the tunes aren't as catchy as say, Icon or Draconian Times and have this morose pall of doom that falls over them. Songs like "Never for the Damned" and "The Enemy" definitely have this intense mood about them. The tune "Requiem" is probably the highlight of the album and falls smack in the middle. Kind of like this climax mid-album instead of at the end. Unfortunately, since the climax is in the middle, the rest of the tunes are good, but not great. In fact, on the last song "Your Own Reality" it feels like the guys have just run out of steam and is definitely my least favorite.

Despite some of the weaknesses I pointed out, In Requiem is still a pretty strong album and is a nice nostalgic reminder that Paradise Lost is one of the most underrated bands in heavy metal.

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