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• Experimental Rock
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Deaf
Deaf

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Artist: You've Got Foetus On Your Breath
Label: Thirsty Ear
Category: Music

Buy New: $13.98



New (4) Used (4) from $7.99

Avg. Customer Rating: 4.0 out of 5 stars 4 reviews
Sales Rank: 214343

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5

MPN: 57034
UPC: 700435703421
EAN: 0700435703421
ASIN: B0000057OF

Release Date: August 12, 1997
Availability: Usually ships in 1 to 2 months

Tracks:

  • New York or Bust!
  • Is That a Line
  • Why Can't It Happen to Me
  • I Am Surrounded by Incompetence
  • What Have You Been Doing?
  • Today I Started Slogging Again
  • Harold McMillan
  • Thank Heaven for Push Button Phones
  • Flashback
  • Negative Energy

Similar Items:

  • Love
  • Blow
  • Nail
  • Vein
  • Hole

Customer Reviews:

4 out of 5 stars This is a line...   September 13, 2000
 6 out of 6 found this review helpful

I have a few of the later albums by JG Thirlwell, but this may be my favorite so far, it's a hybrid of experimental, industrial and new-wave music, even old-school rap. It's reminiscent of older, "hard core" Devo with its synthesized basslines, robotic beats and sarcastic lyrics (most of which are perhaps tame by today's standards, but I can't imagine any pop radio station or MTV would've wanted to play the funky and catchy "Today I Started Slogging Again," a rap about sadomasochism, back in 1982). Not necessarily a perfect album -- it's hard to be with its many samples and odd interludes -- but its weakness are as interesting and amusing as its strengths and particularly unique in context -- definitely worth checking out, whether or not you're familiar with Foetus.


5 out of 5 stars WHY CAN'T IT HAPPEN TO ME?   May 11, 2003
 5 out of 5 found this review helpful

I've heard all of Foetus' works, with this being the latest I've heard. I notice that when an artist does their earliest stuff, it often seems to not necessarily be their best, but more so their most raw and reckless stuff. Having heard all of his latter recklessness, I was still captivated by DEAF!. It is an absolutely eclectic album, full of the maniacal creativity of our favorite studio hermit who at this point, finally was able to gather enough money to do a full length album by himself. This is a perfect example of why categories are only used for treating music as a file cabinet. If this is industrial, then everything is industrial. This is has such a diverse source of interest that you can hear the spines of almost every structured style of music fused into madness. What's particularly interesting is the way such complex lyrics have been molded into such a challenging structure. Particularly withthe songs that have elements of disco, early hip hop, rock, and video game carnival music. These are strong melodies for people who don't like dance music, but know how to get down. Boogie on.


5 out of 5 stars ...full of negative energy   April 19, 2003
 4 out of 4 found this review helpful

Foetus is crazy. This music is sort of noisy & abrasive in a very unusual way -- not by being noisy so much as WEIRD. The electronic sounds are unique products of Jim Thirlwell's ever-avant-garde mind. You can also dance to them. You can definitely dance to this crazy cd. It's really fun, this debut album of Foetus when his art was as foetal as it is now, & sounded sooo different. With its samples & eccentricities, this was long before jazz had entered into his work, before the noisiness of Thaw, the darkness of Wiseblood, the strings of Nail, before he used anything like loud guitars. The cd ends with a very clearing thick drone-like thing that's a little painful sort of how Einstuerzende's Headcleaner from Tabula Rasa is. I hope this review has been helpful to you.


3 out of 5 stars Early Foetus still in a learning stage   May 28, 2007
To me this album doesn't quite compare to his mid eighties releases. It definitely is a nice addition to my collection and a few songs are brilliant, but over all I thought the album had an undeveloped sound. The last song on the album "negative energy" has about 5 minutes of intentional static noise at the end that I could do without. I am sure some other fans will find his sheer energy and the rawness of the sound to be very appealing. I prefer the more perfected sound that you start hearing in Hole and is complete by the time he released Nail. If you are more of a fan of his new stuff like Love, this album is probably not going to suit your fancy.

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