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| With Teeth | 
 enlarge | Artist: Nine Inch Nails
Label: Interscope Records
Category: Music
List Price: $13.98
Buy Used: $5.48
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Avg. Customer Rating:  713 reviews
Sales Rank: 3090
Format: Explicit Lyrics
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 000455302
UPC: 602498813546
EAN: 0602498813546
ASIN: B000929AJQ
Release Date: May 3, 2005
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | All The Love In The World | | • | You Know What You Are? | | • | The Collector | | • | The Hand That Feeds | | • | Love Is Not Enough | | • | Every Day Is Exactly The Same | | • | With Teeth | | • | Only | | • | Getting Smaller | | • | Sunspots | | • | The Line Begins To Blur | | • | Beside You In Time | | • | Right Where It Belongs |
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| Editorial Reviews:
Amazon.com
Trent Reznor has always been a one-trick-pony, but it's a damn good trick: sunny melodies filtered through ferocious electronics. Unfortunately, the trick's impact was often watered down by a tendency toward petulance and self-absorption. Still, almost six years after NIN's last release, The Fragile, the trick itself has lost none of its Teen-Beat-from-hell appeal. With Teeth blisters from the start with "All the Love in the World," and tracks like "The Collector" take full advantage of Dave Grohl's sledgehammer drumming. Reznor stretches occasionally, trying out different tactics, from crunchy, overtly commercial rave-ups ("The Hand That Feeds") to borderline New Wave ("Only"). But Teeth isn't about stretching. It's about doing the same trick, only better, with less clutter and more bite. By neatly distilling the sparseness of Pretty Hate Machine with Downward Sprial-style density, it ends up being the most focused record in the NIN catalog. -Matthew Cooke
Album Description
International pressing of their 2005 album features one bonus track, 'Home'. Five years is a long time by most people's standards, but when such a period passes between albums by Nine Inch Nails, the turbulent electro-noir behemoth conducted by Trent Reznor, it's par for an increasingly elaborate course. With Teeth follows a period of intense self-investigation, a psychological shelf-clearing. It's an album that startles with its clarity, with its renewed vigour. A catalogue of grievances perhaps, like all his records, but possessed with more of a will to fight back than any other Nine Inch Nails release to date. Interscope. 2005.
Album Details
Trent Reznor and Company Return in 2005 with the Follow Up to 1999's "The Fragile". Fans Will Not Be Disappointed with the Sound of the Album that Has all the Hallmarks of their Previous Work, Just Back with a Renewed Fury. This Version Includes the Bonus Track "Home" which is Not Available on the USA Edition.
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| Customer Reviews: Read 708 more reviews...
If you live for NIN, you'll say its a masterpiece but... May 3, 2005
204 out of 257 found this review helpful
Sadly, its not. The new Nine Inch Nails is definitley more organic, which is what Reznor promised. The drums, the keys, vocals, everything sounds more live. NIN in 2005 is actually more of a "Band" than an expanded one-man project that it used to be. Dave Grohl's drumming is pretty good I guess, it's solid anyway. I'll tell you right off the bat, if you loved Nine Inch Nails mostly for the heavy, loud, grating aspect they once had, then you will be disappointed with this release a little...you just will. If you, like me, like NIN for the lush melodies, cool drums patterns and an overall dark ambient/heavy feel then you will probably like this album. I will admit it is most definitley not Trent's best offering...fans will attest. There is a prominent 80's funky feel throughout the album. However, this is NOT in anyway the same style as Pretty Hate Machine, With Teeth actually expands on that style. I'm not doing a stupid track by track review b/c everyone's opinions are different anyway, but the best songs that exemplify the new Nine Inch Nails sound is Only, Every Day Is Exactly The Same, and Getting Smaller. Definitley a retro feel going on here. The whole album is mostly bass-driven which is totally new for NIN. The guitar is there but its not as prominent as the bass. This combined with some warm, mellow keys thoughout makes this album very low and thunderous, while still being very melodic. Even though its not as dark as all the other albums, it sure as hell isnt all kisses in the sunset. This is just me, but I did notice some songs just seemed to meld together towards the end of the album...I couldnt tell where one song ended and another began unless I was looking at the track number on the cd player. The album is less-varied towards the end but still an entertaining listen, especially for Sunspots. That song is awesome. Sunspots sounds like old school NIN, with the throbbing low bass and the anthem-like guitar chord changes. Think Reptile, but updated. Take note when you listen to With Teeth that even the heaviest tracks on the album(You Know What You Are & Getting Smaller) arent even that heavy! There is little to no screaming on this release. But it's still good. The only thing this album lacks compared to past releases is the anger. The dark, anger-induced lyrics that made past songs like Big Man With A Gun and Wish so heavy and gritty are not on this album. Nine Inch Nails intensity hasn't backed down, but Trent isn't angry anymore. I would most definitley recommend With Teeth to any Nine Inch Nails fans b/c without it, your collection is incomplete. I do recommend it to fans of rock music and industrial heads as well. It is definitley worth listening to repeatedly just like the other records. Just remember: This is far from a "masterpiece". Trent has had several of those already and has chose to release a more straight-forward album. Why not? This is the best way I can sum up the new NIN album. You decide. Nuff said.
 The NIN Sound Comes Full Circle (with DualDisc DVD Review) May 3, 2005
177 out of 191 found this review helpful
Since this review is attached to the DualDisc edition, I'll begin there. The 5.1 surround mix is worth the additional price for the DD; it brings the sound alive just as the 5.1 reworking of "The Downward Spiral" anniversary edition did. However, the additional content is pretty lackluster. The video for "The Hand That Feeds" is the one being played on MTV, not the fabled alternate clip. The discography contains short audio/video samples of NIN's entire career, but they're nothing new to any fan. It's also important to note that the DualDisc format isn't as universally compatible as the standard CD and can even get stuck and/or scratched in certain laptop and car CD drives. So, unless you plan on listening regularly to the 5.1 mix, I'd save the couple of dollars and stick with the regular CD edition. Now on to the album itself. . .
It's been over six years since the last full-length studio release from Trent Reznor, and a difficult six years at that. Reznor has since come clean about his battles with substance addiction and crises in confidence about his musical abilities. After hearing the pre-release single "The Hand That Feeds", the Internet buzzed with hot-and-cold reactions to its more accessible sound. Had Reznor actually lost the edge that had produced so much crucial music over the last decade and a half?
A single listen to "With Teeth" is enough put such concerns to rest. It's a return to the "Pretty Hate Machine" idea of creating an album of songs, not a synth symphony with returning motifs such as "The Fragile" or an industrial-rock opera like "The Downward Spiral". Each song displays a lot of maturity in the writing and recording - plenty of raw emotion gets across with less aggro-angst overkill (let's face it - too much more of that and Reznor would have been on the way toward becoming a real self-parody). Some songs are upbeat, some are heavier than anything that he's done before, some are delicate ballads that will have crowds waving lighters in the air. But the tracks still maintain enough continuity that no tracks are stranded - although diverse from song to song, the album is without a doubt a comprehensive work.
As for the performance, each song on the record is geared toward being played as-is by the current tour lineup - not that it's stripped-down, but you should be able to count on live performances sounding like the album without overreliance on pre-recorded tracks. Dave Grohl, this millennium's hardest working man in show biz, laid down a lot of the drum tracks on the studio recording and the entire album has a very man-made, organic rock sound. The result is a very satisfying record, not just compared to other acts' current releases, but also to NIN's earlier works.
Here are some notes on the tracks and how the compare to other NIN tracks:
1. "All The Love in the World": Begins with a complex almost drum-and-bass rhythm over quiet vocals and ends with a major-key piano chord progression over a multi-layered chorus of Reznor vocals. Progressive in the Radiohead vein but unmistakably NIN.
2. "You Know What You Are?": When nin.com promised that the upcoming tour would "destroy" audiences, this was the track that Reznor had in mind. A thrashy, incredibly fast beat immediately kicks off the track's verse, sounding a lot like Ministry; this is broken up by a slower but incredibly heavy chorus.
3. "Collector": This is the first of several tracks that express the defining sound of this album: live, organic drums and heavy bass guitar building a rhythm that's a mile-high and two tons of heavy. It's reminiscent of "The Big Come Down" without so much electronic production. Keeping with the in-person feel, it also features a surprising but well-placed piano solo with discordant jazzy chords and scales - think Bowie's "Heart's Filthy Lesson" or "Just Like You Imagined" from "The Fragile".
4. "The Hand That Feeds": You've likely heard it either like it or hate it. Get over the keyboard solo and get on board.
5. "Love Is Not Enough": A quick rock number that features another huge rhythm foundation and a complex beat that is reminiscent of "I Do Not Want This".
6. "Every Day Is Exactly the Same": A mid-tempo electronic number that features many familiar NIN sounds. It includes a very memorable chorus that is anthemic without compromising its tone. It will get stuck in your head with no warning.
7. "With Teeth": Far and away the oddest track on the album. First off, it has a shuffling beat that will throw listeners off-kilter for the first several bars. Imagine an uber-muscular version of Siouxsie's "Peek-a-Boo". But the real kick is the incredibly quiet piano interlude in the middle of the song. This track manages to be possibly the noisiest on the album without resorting to the typical aggro conventions.
8. "Only": This, the second single from "With Teeth", begins with a very unorganic eighties-throwback drumloop backing Reznor freestyling spoken vocals - not a rap, but almost a beat poetry reading. The mood and instrumentation are vintage NIN like "Ringfinger" while the very danceable beat is reminiscent of "Into the Void".
9: "Getting Smaller": Another mosh-ready rock number similar to "You Know What You Are?". Probably the most disposable track on the album.
10: "Sunspots": A slinky, seductive number that builds to a catchy rock stomp during the chorus. Think "The Only Time" from "Pretty Hate Machine".
11. "The Line Begins to Blur": Trent's vocals are at their emotional peak on this one. Virtually atonal during the verses, with live drums that are distorted and electronically chopped up to great effect. The chorus is almost dreamy in comparison but anchored by a 4/4 war-drum tempo. By the time it hits the chorus, this track sounds very much like "The Day The Whole World Went Away" except fully realized this time around.
12. "Beside You In Time": This is the track that is played under the recent web ad on nin.com. It's not all instrumental, but it maintains it's 2/4 electronica feel throughout. It's a throwback to the Coil remixes on "Fixed".
13. "Right Where It Belongs": The album ends with its sole quiet track. A plainly pretty melody (reminded me of the verses on "Even Deeper") sung over top of keys and a detuned piano. Not quite "Hurt", but not bad, either.
"With Teeth" solidifies Reznor's place in musical history by displaying his capacity for growth within the sub-genre that he created for himself. It's undeniably Nine Inch Nails without being tired, repetitive or derivative of earlier works.
 Not much new here. May 4, 2005
118 out of 293 found this review helpful
Six years on since the release of "The Fragile", its followup, "With Teeth", finally arrived. After the experimental "The Fragile", Reznor took a few less chances this time around and produced an album that is song-oriented. The drawback to this is that the record is a lot less risk taking, and while some of the material is great, most of it lacks an edge to me. Now mind you, I approach this from a different context than most folks, my interest musically tends to be in change-- if an artist stands still and produces something very similar to a previous record, I rarely am interested in it (something about revisiting old ideas to me results in a lack of urgency and edge to the music). Truth to be told, if you though "The Fragile" was weak because it lacked many of the hooks of the earlier albums, you'll probably love this one.
Over the past sixteen years, Reznor has really created a vocabulary built of pop sensibilities meets industrial, and we see a bunch of songs that could have easily been lifted from earlier records-- the sort of merciless industrial of "Broken" ("You Know What You Are?", "Getting Smaller"), the thrashy synth pop sounds of "Pretty Hate Machine" ("Every Day Is Exactly the Same", "Love is Not Enough"), the sludgy industrial rhythms and dark pop of "The Downward Spiral" ("The Line Begins to Blur", "Right Where It Belongs"). Truth is, this album sounds more like a successor to those than it does to "The Fragile". There's also a couple downright irritating moments (the chorus to "With Teeth" and the endless panning to the otherwise decent "Beside You in Time").
But intermingled throughout this is hints at a new sound, a sort of funk sensibility that begins to creep into Reznor's music-- opener "All the Love In the World" illustrates this well, with its voice over bass and drum, but its really the incredible "Sunspots" that is totally unique and best illustrates this-- it has no precedent in Reznor's music and works well, musically and lyrically.
Overall, I found the album pretty much a disappointment because of its lack of freshness is direction. I've heard it before.
Another great album from Trent Reznor May 4, 2005
89 out of 105 found this review helpful
Nine Inch Nails are back with their fourth effort "With Teeth," and once again Trent Reznor has made an outstanding album.
Although the album has a sense of urgency, "With Teeth" is not as angry or intense as "Pretty Hate Machine," (1989) or "The Downward Spiral" (1994). Overall, I think the actual songs on "With Teeth" sound most similar to those on "The Fragile" (1999). Unlike "The Fragile," however, there are not any instrumentals. "With Teeth" gets more to-the-point. Although I personally loved the long instrumentals on "The Fragile," fans who thought the album was too self-indulgent or long, may be more pleased with the format of "With Teeth."
One additional difference between "The Fragile" and "With Teeth" is the welcome addition of drummer Dave Grohl on several of the tracks. His playing gives the album more of a live, organic feel, and gives the sound a shot in the arm. Unfortunately, what tracks he plays on are not listed on the CD case and there is no booklet. However, you'll know when you hear him.
I liked "With Teeth" after the first listen. However, much like "The Fragile" this is definitely an album that grows on you with repeated plays. There's a lot going on in all of the songs-subtle things, solos, guitars and keyboards-things that you might not pick up on the first couple times. It definitely gets better with repeated plays. Like all Nine Inch Nails albums, each song is meticulously and painstakingly crafted, there is no filler.
The themes of "With Teeth" are similar to those on past NIN albums-loneliness, rage, fear, nihilism-but Reznor sounds less bleak, more confident, if only slightly so.
The album starts out with the rather sluggish "All the Love in the World," which has an almost claustrophobic feel. It sort of grinds itself along, and gives way to a satisfying buildup and sublime finale when the piano kicks in towards the end.
"You Know What You Are?" sounds frantic, and is intensified by the pounding drums.
"The Collector" has a really cool, almost funky bass line. It has a great groove and the chorus is really melodic. It's very infectious.
"The Hand that Feeds" was a good pick as the first single, as it is pretty representative of the album as a whole. This mid-tempo industrial rocker is very catchy.
The slow-paced "Love is Not Enough" is one of the album's more rock orientated songs, when the guitars kick in. The verse sort of rolls along, and then explodes into the chorus. The keyboard solo toward the end is a nice touch.
I think "Everyday is Exactly the Same" would be a good choice for the next single. It has a very cool, low-key industrial background. It reminds me somewhat of "That's What I Get" from "Pretty Hate Machine." The song is especially beautiful when the piano kicks in.
The album's title track "With Teeth" takes a few listens to get into. It starts out rather sluggish and claustrophobic...and then...you can hardly hear anything, as Trent Reznor whispers the words over a faint piano...it's very melancholy...and then it gets back to where it started, only now it is more intense.
"Only" has a bit of retro feel; it sort of sounds like something Gary Numan or Devo might do. It has a lot of synths going on and is very interesting. It's really catchy and I think a potential single.
The fast paced "Getting Smaller" is effective and keeps up the momentum.
The pacing of "Sunspots" is what makes the song really work. It starts out slow, builds up, intensifies, slows down again, builds up, intensifies, it keeps the listener intrigued. The keyboards and guitars are subtly added in and sort of creep up on you-it's a cool effect.
The distorted "The Line Begins to Blur" is mid-paced, but intense. It transforms and becomes hauntingly melodic. The guitar solo, while not technically brilliant, is really catchy and part of the song's highlight.
"Beside You in Time" keeps going on-and-off, like when you turn a radio off-and-on-this creates a really cool throbbing effect. The song actually sounds like it's throbbing. The throbbing gets more and more intense as the song rolls along.
The closing "Right Where it Belongs" is beautifully eerie. The piano and the underwhelming vocals really give the song a nice effect. The song builds up and gets more intense; but the song, and the album, go out with a whimper rather than a bang (not that that's a bad thing).
Again, this album takes a few listens to really appreciate. It gets better and better with successive plays. "With Teeth" is an album to be relished with repeated listens.
If you've never liked Nine Inch Nails, this album probably won't win you over. If you disliked "The Fragile," you also probably won't like this album. If you disliked "The Fragile" because of its long instrumentals, but liked the actual songs, you will probably like this to. Most NIN fans in general should be pleased with "With Teeth."
Trent Reznor: Renewed. May 3, 2005
18 out of 25 found this review helpful
After a 6 year excrutiatingly long wait since The Fragile in 1999, Trent Reznor is back and better than ever in 2005. For a man who's been in the music business for over 10 years, and dubbed the God of industrial, Trent never fails to impress fans with his angst-driven, yet in most cases, beautifully haunting music. From the classic upbeat Pretty Hate Machine, to the heavy hitting yet euphoric The Fragile, Nine Inch Nails has always seemed to cover just about every scrap of ground that one could cover, in the world of Industrial-Rock. With Teeth is somewhat of an exception though. Trent's new album seems like 5 steps backwards, covering what already was, but improving upon it with new material, and an actual live band backing up his vocals. That's right, Trent is no longer a one-man band, he actually has a live band backing up most of the songs on this new release. With Teeth, the former "Bleedthrough", is a 13 track regression, that covers what already has been in terms of sound, and a tad bit of new sound to add to the flavor of the album. With Teeth is an extremely adverse album, that goes from hard hitting, to upbeat, to melodic, and repeats the cycle numerous times.
Almost every single track on this 2005 release has major replay value, and not a single song on the album, is bad nor doesn't belong. With Teeth has everything...melody for the lovers of melodic pieces, upbeat tracks for fans of Trent's early years, and hard hitting tracks for fans of disc 2 of The Fragile, and tracks such as "Burn", and "Starfu*kers, Inc." If With Teeth had to be compared to any release that Trent has put out, it'd have to be a cross between Broken and The Fragile, which in my own personal opinion, are 2 of Trent's best releases to date. So with that said, you already know you're going to be getting good music on this disc.
The subject mannor on With Teeth is for the most part, love-driven. The entire album is based on the ups and downs, of love. This may upset a few fans of Trent, as it may seem like a midlife-crisis that Trent should've kept to himself, and it may also please other fans of Trent, as...well...the music is just really really good, and you just can't argue with that. Lyrically, this album kind of sinks to a low, and really doesn't offer anything devastatingly amazing, but still finds a way to capture the listeners soul, and send it to a land of angst and euphoria. Also, at times, the album can be lyrically redundant, and extremely saddening. But knowing Trent, this is something a typical 5+ year long fan of Nine Inch Nails, needs to learn to expect, or even has learned to expect. Trent just loves to repeat the same things over and over, and With Teeth kind of proves this. There are even at times, With Teeth song titles in other songs on With Teeth. This may show a lack of creativity, but it's well worth it once you take a listen to it.
In the long run, With Teeth is going to be an album much debated amongst fans of Trent Reznor and Nine Inch Nails. Some will like it, and some won't. But don't let that stop you from atleast giving the cd a chance. I did, and it's now my 2nd favorite studio release the band (or therein lack of a band in most cases), has put out to date. The first obviously being The Fragile and probably always will be.
Standout tracks on With Teeth include the following:
"With Teeth", "Every Day is Exactly The Same", "Only", "Love is Not Enough", and "Right Where it Belongs."
Every other track on With Teeth is also quite good, but the above mentioned, are standout tracks, and really showcase the best of With Teeth in a nutshell, especially if you're looking to hear Trent go backwards and cover past classic styles.
The title track "With Teeth", has a dark vibe to it, some decent lyrics, and even a soft spot at about 3 minutes into the song where it goes silent, and Trent breaks out a piano and says, "I cannot go through this again." It's the most beautiful part in the entire song. This sounds somewhat like a song inspired from RIGHT of The Fragile. Which was a great era of Trent, and possibly the best.
The second standout track, "Every Day is Exactly The Same", showcases alot of what we really, really loved about the The Fragile era of Trent. It reminds me alot of, "We're in This Together" from LEFT of The Fragile. Not quite sure how, but it just does. It has some of the best lyrical content on With Teeth as well. The song for the most part, even full part, is fully melodic. But believe me when I say this, this track, is by far the 2nd best song on the cd and simply cannot be skipped.
The third standout track, "Only", is somewhat of a return to the roots of Trent Reznor...somewhat. It's an extremely upbeat song, with refrences to the classic that we all love, "Down in It" This song very well may be a sequel to it, infact. Furthermore, it has some of the most addicting lyrics ever, such as, "I just made you up, to hurt myself...and it worked...yes it did!"
The fourth standout track, "Love is Not Enough", is a return to the Broken era of Trent. The song can be MAJORLY and almost ACCURATELY compared to the Natural Born Killers track, "Burn." It has more than an 80% "Burn" vibe to it. The lyrical content, is dark...very dark and angry, with such passes as, "In your eyes is a place, worth remembering. For you to go and take this, and smash it apart...I've gone all this fu*king way, to wind up back at, back at the start!" It's a good song..don't skip it!
And lastly, the fifth standout track, "Right Where it Belongs", is a return to the The Downward Spiral era of Trent. The song is completely synth, and piano based. No drums, no guitars, nothing. Just a piano, and a synthesizer. This is *the best* song on the cd, because it has the best lyrics, such as, "You can live in this illusion, you can choose to believe. You keep looking but you can't find the words, now you're hiding in retreat." This song is a *prime* and promising for the future example of the talent that Trent has within himself, and this track just simply *must not* be skipped. You'll love it, I promise you that. Besides, it has kind of an "And all that could have been/Hurt" vibe to it. And those are 2 great songs from both The Downward Spiral and Still.
Notice that all of the standout tracks make good examples of past Trent eras? This is why I picked them. If you're really wanting to hear Trent revert back to what was good in the purist fan's mind, listen to those tracks, and if they can't change your mind or atleast make you like the album a little in terms of it sounding even a tad bit like older more enjoyable Trent, then With Teeth has failed you and you should just really take this in, as a new era of Trent. A new clean slate to call an era of Nine Inch Nails in terms of sound. Even if you hate it.
To sum up this review,
With Teeth is a great effort by Trent Reznor, and fans of the The Fragile and Broken eras of Nine Inch Nails, need not hesitate, and give this cd a chance. Like it or leave it, it's been made, and it's not going to leave untill it makes its impact on the select few fans who enjoy it.
Give With Teeth a chance, you won't regret it.
I hope this review has helped atleast a few of you people decide to buy this Trent Reznor masterpiece of a disc.
And as a bonus, I suggest picking up the UK import edition of With Teeth. It comes with 2 bonus tracks which include a 2nd cut of the track, "Right Where it Belongs", which sounds like an outtake from the Still EP, and the much coveted supposed "vinyl only" song, "Home." 15 Tracks in all, and no remixes. Just studio tracks.
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