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| That Lonesome Song | 
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| Artist: Jamey Johnson
Label: Mercury Nashville
Category: Music
List Price: $13.98
Buy New: $3.79
You Save: $10.19 (73%)
New (44) Used (12) from $1.89
Avg. Customer Rating:  27 reviews
Sales Rank: 97
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 001123702
UPC: 602517687707
EAN: 0602517687707
ASIN: B0019FAKCS
Release Date: August 5, 2008
Availability: Usually ships in 1-2 business days
Condition: j-new, sealed. small hole in back of case.
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| Tracks:
| • | Released | | • | High Cost Of Living | | • | Sending An Angel To Hell | | • | Place Out On The Ocean | | • | Mowin' Down The Roses | | • | The Door Is Always Open | | • | Mary Go Round | | • | In Color | | • | When The Last Cowboy's Gone | | • | That Lonesome Song | | • | Dreaming My Dreams With You | | • | Women | | • | Stars In Alabama | | • | Between Jennings And Jones |
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| Editorial Reviews:
Amazon.com
The final cut on That Lonesome Song?kind of a concept album meets musical manifesto?is titled "Between Jennings and Jones," which is where Jamey Johnson finds himself shelved in the CD racks, and also how he describes his sound. Actually, there's way more Jennings than Jones, with two cuts covered from Waylon's classic Dreaming My Dreams (the title track and "The Door Is Always Open"), another paying tribute to him by name ("The Last Cowboy") and several others borrowing liberally from his sound. Yet in terms of both concept and sound, the bare-bones intimacy of this bittersweet divorce album remind more of Willie Nelson's Phases and Stages (at least side one, the man's side), with the opening "High Cost of Living" ("ain’t nothing like the cost of living high") setting the "Bloody Mary Morning" tone, extended by the sad country waltz of "Angel" and continuing through the down-and-out epiphany of the title track. Only the comparatively lightweight novelty of "Women" indicates that this is the same guy who wrote "Honky Tonk Badonkadonk" for Trace Adkins. --Don McLeese
Album Description
He could be basking in his songwriting accolades, but Jamey Johnson remains a restlessly creative maverick. Jamey is the co-writer of the CMA and ACM 2007 Song of the Year "Give It Away," recorded by George Strait. Trace Adkins, George Jones and Joe Nichols have also recorded his songs. But instead of sitting at home counting his royalty checks, Jamey Johnson recorded more than 40 songs during the past year. Not content with providing hits for others, the singer-songwriter has a powerful drive to sing, record and perform. "Writing is not enough for me," says this intense artist. "I did not come here to just be a writer. I live to play....I'm not here to take a stab at it. I am going to DO it." Following a deep period of isolation and introspection, Jamey Johnson entered the recording studio in April 2007. Within months, Jamey emerged with That Lonesome Song, a collection of extraordinary compositions that is equally noteworthy for its lyrical craftsmanship and its strikingly original sound. The first single from the album is "In Color" and is available in the Amazon MP3 store.
Album Description
Following a deep period of introspection, Jamey Johnson entered the recording studio in April 2007 and emerged with That Lonesome Song, a collection of extraordinary compositions that is equally noteworthy for its lyrical craftsmanship and its strikingly original sound. Jamey is the co-writer of the CMA and ACM 2007 Song of the Year 'Give It Away,' recorded by George Strait. Trace Adkins and George Jones have also recorded his songs but Jamey is not content with just providing hits for others, this singer and songwriter has a powerful drive to sing, record and perform.
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| Customer Reviews: Read 22 more reviews...
 THE RESURRECTION OF COUNTRY! August 7, 2008
10 out of 10 found this review helpful
Jamey Johnson proves that country can still have a soul with "That Lonesome Song". The instruments and vocals are crisp and clear giving the recording a welcome live feel. The songs are influenced by greats like Waylon, but with songwriting and originality that make them fresh and exciting. "In Color" is an expertly crafted song, one of the best in a long, long time. No cookie-cutter, manufactured songs in this bunch. I also noticed that Jamey must not be watching today's country stars because he forgot to style his hair and dress like he just jumped out of a boy band. Oh well, guess he'll just have to rely on his music!
JAMEY JOHNSON SAVES US FROM "POP COUNTRY"!!!! August 5, 2008
8 out of 9 found this review helpful
This is the real deal. If you like Waylon Jennings, George Jones, Hank Williams Jr., Johnny Cash, and Johnny Paycheck then this CD is for you. If you like the Nashville "puppets" like Taylor Swift and all of the other robots swallowing up todays radio then you might want to avoid this one because this is REAL COUNTRY music. There is so much pedal steel guitar on this album that I had to open up a cold beer on the first song! This CD was recorded straight through so it makes you feel like you are in the recording studio with the band. It's unfortunate that Jamey Johnson only gets about a months worth of airplay and then dissappears, but "In Color" is hanging around and the video is being played a lot on CMT, but then they play a Sugarland video and I change the channel. Well I just finished the CD and my twelve pack so excuse me while I hit repeat and open a new case of beer. This CD is too good to put away now!
The country album of the year. August 6, 2008
8 out of 8 found this review helpful
Jamey Johnson is a study in contrasts. This applies to his entire life, but I won't bother talking about that--just one listen to this album, you'll understand (with phrases like "the high cost of living ain't nothing like the cost of living high," Johnson is more than up-front about who he is and where he comes from). I'm talking strictly about his music. A little song he cro-wrote ("Honky Tonk Badonkadonk," maybe you've heard of it) became a huge smash hit. Same with a tune that won Song of the Year ("Give It Away"). Yet Johnson himself has flown under the radar, despite making two solid albums (three, if you count the version of THAT LONESOME SONG that was distributed solely through his website a year ago). Also, not a single one of his songs is halfway as commercially appealing as "Badonkadonk;" his songs are fiddle-and-steel outlaw tunes, strongly in the vein of Waylon Jennings.
Speaking of Waylon...Johnson channels Waylon here, in a way that is not at all exploitative, and is entirely heartfelt immitation. After all, the two songs Johnson didn't write are Waylon covers; and try listening to the title track and not think of Waylon's baritone gracing it. Johnson also owes a lot to the other greats--Kristofferson, Jones, Haggard, Cash, Coe, Paycheck, etc.--yet he's firmly his own artist. And I stress that last word--"artist." Like the afore-mentioned legends, Johnson has taken country music and transformed it into something that is--in my own humble opinion, being a budding songwriter myself, influenced by the same artists Johnson worships--almost timeless. He questions his own morality (as well as mortality, but the former is oh-so-much-more interesting, especially set to a steel guitar), he questions his beliefs, he questions everything...and fails to find many answers, as most of us do. It's tough, at times, listening to music that is so...human.
There are no cliches here. A couple tracks come close--especially "Stars in Alabama"--but Johnson knows how to reign in a tune and keep it down-to-earth. Even the beach song here, "A Place on the Ocean," is far from cliche--Johnson, sitting on the beach, sitting in a "mansion with a view,", bemoans "all that I can think about is you," going on to declare: "I hope I'm sane by the time I'm done." He sings of the pitfalls in life; he sings of the good deeds done poorly. He sings of life--as he's lived it, as others have lived it. Ladies and gentlemen, let me state it bluntly: this is REAL country music. This is no pop/radio child's play; this is the real deal, and that means there'll be some tears and a whole hell of a lot of heartache before you're through. Pick up Jamey Johnson's THAT LONESOME SONG to experience what country music was intended to be.
Awesome!!! August 22, 2008
4 out of 4 found this review helpful
Absolutely 100% true blue gut-wrenching country music. This is what music (should) be all about regardless of the genre. His first album is great, this one is real. Although the styles are polar opposite, this album puts me in mind of the Dixie Chicks, Long way round album. These people aren't just singing about life anymore - their life is in their songs.
Jamey Johnson is an awesome artist, regardless of what he sings, but in this album his songs come to life in a way that no one can deny. Life has grabbed him by the throat and his songs and voice are filtered through the pain and heartache he obviously has been through and this album is the result. Fantastic and cannot be recommended highly enough
This album is exactly why I love country music and you cannot EVER get better than that.
An Old Throwback To the Outlaw Years August 9, 2008
2 out of 2 found this review helpful
When I first heard "The Lonesome Song" it really reminded me of the old Hank Jr. records from the late 70's and early 80's particularly "New South", and "Habits Old and New". It also reminded me of Waylon's albums "Honky Tonk Heroes" and "Dreaming My Dreams" (which he covered the title track and "The Door is Always Open"). Jamey penned most of the tunes on this album and his lyrics are honest and to the point like his outlaw heroes used to sing about. I was very surprised to see such a twangy traditional country record put out by a big name label in Nashville. You usually have to go to Texas to hear good country music. Most folks have forgetten about the old guys of the past but for those who haven't this album is very refreshing and maybe Jamey Johnson will turn some new fans onto outlaw country.Check this guy out, I didn't know who he was til a few days ago.
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