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| Puccini: La Boheme (Live from the Met) | 
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| Actors: Angela Gheorghiu, Ainhoa Arteta, Ramon Vargas, Ludovic Tezier, Quinn Kelsey
Studio: EMI Classics
Category: DVD
List Price: $24.98
Buy New: $15.44
You Save: $9.54 (38%)
New (27) Used (6) from $15.44
Avg. Customer Rating:  8 reviews
Sales Rank: 5744
Format: Classical, Color, Dvd-video, Ntsc
Languages: Italian (Original Language), Italian (Unknown), Italian (Subtitled), German (Subtitled), English (Subtitled), French (Subtitled), Spanish (Subtitled)
Rating: NR (Not Rated)
Number Of Items: 1
Running Time: 120
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.1 x 5.4 x 0.6
EAN: 5099921741791
ASIN: B001DHE9KG
Theatrical Release Date: 2008
Release Date: September 16, 2008
Availability: Usually ships in 1-2 business days
Condition: DVD is NTSC REGION 0. Established company with many years experience in the Music and DVD industry. Please allow 10-14 days for delivery.
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| Editorial Reviews:
Amazon.com
Franco Zeffirelli's production of La Boheme is a perennial favorite at New York's Metropolitan Opera and it retains its power in this 2008 performance. Its large-scale settings and especially an Act II set that looks as if half the 1890's Paris Latin Quarter has been beamed direct to the MET. It's been criticized as an over-the-top spectacle, but as well as bringing breath-taking realism to the stage, it's bursting with energy and directorial flair. The individuals making up the large crowds milling in front of the Cafe Momus each have some little stage business to do, giving the audience the feeling of participating in the onstage street festival. Zeffirelli's detailed directing even extends to the snow-filled Act III, where shadowy figures walk across the background hill in the distance while the principals are up front. While Zeffirelli's conception tends to scant the opera's intimate scenes in the theatre, on DVD those scenes make heightened impact. TV director Gary Halvorson's establishing shots show a cutaway of the bohemians' little garret precariously poised atop a sharply raked house, but he soon cuts to closeups of the playing space and the singers, creating a sense of warm interplay of personalities unavailable to the theatre audience. The MET provides a luxurious cast to complement the sumptuous setting. Tenor Ramon Vargas is an excellent Rodolfo, singing with passion, imaginative phrasing, and coloring his beautiful lyric voice to fit the text. Mimi is Angela Gheorghiu, always a stellar singing actress. Here she sings with a sensitivity to match her Rodolfo, exquisitely coloring her voice, as in her Mi chiamano Mimi, where she thins her voice at the start and then opens it out to bloom when she sings of the approach of spring. As an actress, she's best after the first Act, when she abandons the coy, girlish tics that seem out of place. In the last Act, she's profoundly moving in the death scene, as is Vargas, who is touching in his portrayal of Rodolfo's desperation and sense of loss. Baritone Ludovic Tezier's Marcello is well sung, as is soprano Ainhoa Arteta's Musetta, the latter delivering a sparkling Quando me'n vo' in the Cafe Momus scene. Rodolfo's pals, Oren Gradus as Colline and Quinn Kelsey as Schaunard, are excellent, and veteran bass Paul Plishka contributes some nice comic turns as Benoit and Alcindoro. --Dan Davis La Boheme is an all-regions disc in 16:9 ratio. Sound options include PCM Stereo and DTS 5.1 Surround. Sung in Italian, subtitles include English, French, German, Italian and Spanish. Extras include backstage interviews by Renee Fleming and a short tribute, "Zeffirelli at the Met."
Product Description
The Metropolitan Opera's acclaimed Live in High-Definition series, which projects live performances into theaters across the globe, has met with unprecedented critical and commercial success and has made opera convenient and affordable to millions of viewers worldwide. Now, EMI Classics is proud to collaborate with The Met to release 6 new DVDs made from these broadcast performances.
Puccini's immortal classic of love and loss, with Franco Zeffirelli's sumptuous, iconic production and Nicola Luisotti's expressive conducting. Angela Gheorghiu, the leading Puccini soprano of our time, reprises the role of Mimi, while tenor Ramon Vargas gives a sensitive reading of Rodolfo. All these forces combine for a truly definitive performance of this beloved opera!
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| Customer Reviews: Read 3 more reviews...
 One small quibble: Gheorghiu's Mimi October 9, 2008
17 out of 19 found this review helpful
This is one of the better DVD releases of the Met's recent enormously popular live HD moviecasts. The cast sings well, the production is one of Franco Zefferelli's less tacky creations, and La Boheme remains one of the singer-proof operas. Puccini's music is so affecting that even rather average singers can make the experience moving.
Fortunately this La Boheme has assembled a cast that is far from average. I saw the production in its opening night with the same cast. I found both Vargas and Gheorghiu's voice to be a tad small for the large cavernous Met, but one cannot argue with the beauty of their voices. Gheorghiu's voice in particular has a dusky, husky, fragile sounding timbre that gives us the illusion of a consumptive. Her snow-white skin and dark black hair also adds to the appearance of someone who has been sick for quite awhile, although for my money no one was ever able to look as believably consumptive as Teresa Stratas in the earlier Met video with Jose Carreras. She has some unusual phrasing during "Si mi chiamano Mimi" -- she seems determined to take the aria at a slower pace than the conductor, and she also eschews the traditional portamenti. Vargas's voice is bright, ardent, and he's a sensitive musician. He hits the high C in "Che gelida manina" delicately and if his voice is a bit too small and lyric for the role he still always sounds beautiful. Ainhoa Arteta makes no particular impression as Musetta but she is much better than the screechy, over-the-hill Scotto in the Stratas/Carreras video.
Dramatically, this Boheme does not work as well. Ramon Vargas is another in a long line of pleasantly plump and somewhat phlegmatic Rodolfos. (Caruso, Bjoerling, Tucker, Pavarotti all were way too plump to be entirely believable as a starving poet.) But he makes Rodolfo sweet and likable, which is more crucial than looks. More problematic is Angela Gheorghiu's Mimi. Her stage persona has a certain hardness, and she makes Mimi a rather aggressive pursuer of Rodolfo. She says backstage that Mimi "is not innocent" but she goes too far in the other direction, in my opinion. The minute she enters the garret, swaying her hips knowingly and with a somewhat smug smile, you know that this Mimi probably blew out her candle on purpose to meet Rodolfo. There is no reason Mimi should be a wilting innocent flower (after all, she does supposedly run off with a rich count, and early reviews of La Boheme upbraided Puccini for celebrating loose morals), but to make her so openly seductive kind of ruins the charm of the opening scene between Rodolfo and Mimi. At its best, it suggests two young people falling in love unexpectedly. These complaints are mostly in the first two acts. By the third act, Gheorghiu's Mimi has turned believably tragic. She is less fussy, and content to let her voice and the music speak for itself. The Act 3 quartet is very affecting.
So in other words, another worthy addition to the Boheme video collection. Of the videos I have I love the Australian Opera production, and the Scotto/Pavarotti video. But as usual, Puccini's opera is the real winner. There is a reason why audiences all over the world never tire of this simple story of boy meets girl, boy loses girl. It's a perfect opera.
Note: to respond to the review above, I did attend opening night but I also watched the moviecast. This review is I guess based on a mix of my own memories of opening night AND the moviecast.
 It doesn't get any better than this! September 28, 2008
16 out of 23 found this review helpful
I believe I own a copy of every commercial CD recording of "La Boheme," as well as several DVDs of live performances and this DVD is BY FAR my favorite. I even saw the Zeffirelli production at the Met live with Gheorghiu and Alagna the afternoon after they got married, but even that did not move me as this did. A performance that, after all this time and exposure to the opera, can leave me in tears is a rarity, and I was sobbing at the end of this video.
Every one of the six principals is magnificent, singing and acting gloriously. At first, I was concerned that the extremely expansive tempi Maestro Luisotti employs would enervate the production. But, while the tempo for "Mi chiamano Mimi," combined with the close-ups in HD of Angela Gheorghiu performing in the gigantic Metropolitan Opera House, does elicit some silent movie actress-like facial expressions and gestures from her, on the whole, these tempi allow each of the singers to bring a greater variety of coloration to their tones than one usually hears, which in turn only enhances the dramatic impact. For example, I usually find "O Mimi tu piu non torni" to be a pretty, but somewhat annoying, diversion before the drama of the final act commences. BUt under Maestro Luisotti and with the beautiful and sensitive singing of Ramon Vargas and Ludovic Tezier, it becomes one of the most moving moments of the opera. In fact, I was in tears throughout the final act. Every characters emotions were heartfelt and never schmaltzy or overheated.
Also with respect to coloration, Ms. Gheorghiu produced some of the darkest tones I have ever heard in "Donde lieta usci." While others have made this a pretty and nostalgic aria, Ms. Gheorghiu with subtlety rips out your heart just as Mimi's has been torn from her.
As I said, I saw this production with Ms. Gheorghiu and her brand new husband in the lead roles, but I didn't feel the love between Mimi and Rodolfo as I felt it between her and Mr Vargas. His performance matched hers in its unique combination of subtlety and intensity. And to top it all off, they both sang with some of the most beautiful lines and tones ever brought to this music.
For newcomers and aficionados alike, this DVD is an ESSENTIAL component of any opera lovers collection.
"Overacting and Slow Tempi Take Their Toll" September 28, 2008
14 out of 22 found this review helpful
For my money, the star of this performance is Ramon Vargas. He can act with the kind of restraint Hamlet rightly recommends for all times to any players, and he is in glorious voice throughout. Angela Gheorghiu possesses an indisputably gorgeous voice, and her employment of middle and high registers here is beyond criticism. She seems, though, to have developed a mannerism, a gummy holding on to vowels in the final syllables of low notes at the end of phrases which are unnecessarily ugly rather than dramatic. Also, she tends to annoyingly overact. Her Mimi has more characterization than most, it's true, and her aggressiveness in going after her chubby Rodolfo, rather than portraying the usual passive-aggressive consumptive heroine is not the problem. What is problematic is her combining of disparates. At her entrance, she's already half dead. After a sip of wine, she's Sieglinde stumbled into Paris. The conception, along with the silent-movie emoting, is sadly contradictory. She deserved a better stage director.
The conducting of this performance seems to my ears excessively slow, with the consequence that famous moments lack any memorableness. Like a bandmaster, the conductor bows to his singers rather than to Puccini's genius.
The rest of the cast is adequate, but hardly representative of the Met casting from strength. All in all, a good performance, but hardly a great or memorable one.
A BOHEME to treasure !! Is it Rodolfo's or Mimi's Boheme ? October 13, 2008
7 out of 9 found this review helpful
Britten - Peter Grimes (The Metropolitan Opera HD Live Series)
This DVD is a recording of the performance of La Boheme at the Met on April 5/2008 which was transmitted in HD worldwide. The first night was on 3/29th with the same cast, and the reviews in NY papers and the one here by Ivy Lin were based on the the opening night performance, not the one used on this disc. I attended the opening and agree with most of Ms. Lin's observations, i.e.: Vargas ' voice being "lyric,bright,ardent" hitting
the high C in Che Gelida Manina "delicately"; Gheorghiu's aggressiveness and sluttishness, and her being out of sync in her Act1 aria. I do not agree with her claim that Vargas was too chubby and phlegmatic to be a believable Rodolfo, but I tend to agree with her comments about the Mimi. I cannot blame Ms. Lin because I myself found Ms.Gheorghiu to be trying hard to appear too romantic and taken with her man. She practically mauled him at the Cafe Momus with her exuberance. I did not attend the April 5th performance but I listened to the PBS radio broadcast and saw the moviecast of the event,and was very happy with the positive changes and improvement over the opening night performance. The excessive touching, smooching and other distractions were toned down, and the musical matters went on smoothly.
This disc has outstanding video and audio worthy of the Met's 50-yr old classic Zeffirelli production with an ideal casting of Angela Gheorghiu and Ramon Vargas in the principal roles, supported by a fine mix of veterans and newcomers to the Met. Everyone in this line up is gifted with enormous talent, rich voice and fine musicality. The conductor is a young but highly talented Italian who certainly knows his Puccini, and one who knows how to accommodate his singers' ideas without sacrificing the integrity of the music. True, he used some rubatos and expansive tempos here and there but always to enhance rather than diminish the musical and dramatic values. He supported his singers sensitively and the orchestera responded beautifully.
For some time, I was hoping the two singers would be cast together in any opera, not just Boheme, because I always believe that their voices are a perfect match in size, coloration, expressiveness and range. Plus, they possess truly beautiful voices, musical intelligence, innate musicality and elegant singing style. All of these qualities are evident on this disc. What I was not sure about was their chemistry together. Having seen the close-up of their facial expressions and subtle dramatic expressions, the total commitment and involvement throughut the opera by both artists and even split-second reactions, I do not know of any pair that could match such chemistry. Just incredible! They seem to inspire each other. Now I can understand why Gheorghiu, in Acts1&2, tried to convince everyone including the audience, her man and herself that she was REALLY in love with him. She was going to use this bit of realism to help her go through her slow death in Acts3&4 with searing intensity and poignancy. And Vargas responded with such convincing sincerity that one cannot help but feel for the unfortunate lovers.Gheorghiu has been acclaimed for her acting, in addition to her singing, throughout her career, but it's hard to tell who the better actor is of the two here.
How about the singing ? Stunning, mesmerizing, magical, heartbreaking, ethereal. Stunning was Vargas when he discarded his lyric, bright-toned Che Gelida Manina on opening night and used his burnished, dark-hued spinto of late while preserving his customary warmth and sweetness. Mesmerizing was Gheorghiu in her Act1 aria with the movement of a graceful ballerina. Magical was the expansive Soave Fanciulla with Vargas visibly stunned at the sight of the radiant, beautiful Mimi bathed in moonlight and ushering in the sweeping splendor of this music with his magnificent sound. Heartbreaking was Mimi's farewell to the love of her life. Ethereal was Vargas' "alla stagion dei fior ", ethereal as the snow flakes falling on the lovers at the end of Act3.
So, whose BOHEME is this ? Is it Mimi's or Rodolfo's ? Buy this DVD and find out. Enjoy the quest for the answer.
Good addition to any Boheme collection. October 8, 2008
3 out of 7 found this review helpful
This is a lavish productuion worthy of The Met. Both Angela Georghiu and Ramon Vargas perform extremely well. The cafe scene especially was highly entertaining. Musetta gave of her best. The friends sang amusingly and playfully. Do not hesitate - you will enjoy.
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