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| Encanto | 
 enlarge | Artist: Sergio Mendes
Label: Concord Records
Category: Music
List Price: $18.98
Buy New: $7.13
You Save: $11.85 (62%)
New (44) Used (16) from $6.41
Avg. Customer Rating:  16 reviews
Sales Rank: 2240
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 30278
UPC: 888072302785
EAN: 0888072302785
ASIN: B0012RLWSY
Release Date: June 10, 2008
Availability: Usually ships in 1-2 business days
Condition: Brand New! Factory Sealed!
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| Customer Reviews:
 a review for Brasil '66 fans June 25, 2008
2 out of 4 found this review helpful
It's been around 40 years since Mendes reached an artistic and commercial peak with several classic albums that successfully mixed bossa nova, jazz, and pop music. Those albums still sound fresh today, thanks to the terrific songs, latin rhythms and some sparkling arrangements. Since then, Mendes has experimented with mixing his Brazilian sound with folk rock, funk, dance music, hip hop, and on "Encanto," some r&b. As someone who prefers the work he did with Brasil '66 to anything more recent, to my ears the album is pleasant though generally forgettable with the exception of a few wonderful tracks.
Unsurprisingly the best tracks are those with strong melodies by Antonio Carlos Jobim, in particular "Somewhere in the Hills" and "Dreamer," both of which are direct descendants of the sound of Brasil '66. "Dreamer" includes both Herb Alpert and Lani Hall, who sounds remarkably like she did when she was fronting Brasil '66. This is a genuinely stunning track and easily the best on the album. Natalie Cole sings "Somewhere in the Hills" which is appropriately jazzy and is one of Jobim's strongest melodies. Other Jobim tracks include "Waters of March" which Mendes has covered several times in the past. It's a singer's song, and sounds a little rhythmically stiff here, as it has in his previous efforts. "Morning in Rio" is also good, with a more Brazilian styled melody and a nice trombone solo.
The rest of the CD is listenable, but not such that I ever want to hear most of it again. "The Look of Love" is an unnecessary remake of a good song. What made the original great was a sensational big band arrangement which has been dropped in favor of a hip hop arrangement. I liked the Brazilian styled funk of "Odo-ya" and the mellow "Catavento" with Mendes' wife on lead vocals. On the other hand, "Funky Bahia" and "Lugar Comum," the latter of which features an Italian rapper doing a little snippet of "Volare," are disposable pop/hip hop songs.
If I could get into Mendes' head, I would try to convince him do an album of Jobim and Marcos Valle songs with Herb Alpert and Lani Hall and a small jazz/bossa combo. It might not sell a million copies, but it would be an artistic triumph. If you're an unreconstructed fan of Brasil '66 as I am, I can recommend this with reservations. You might be better off just downloading a handful of tracks. But "Dreamer" should not be missed.
A Step Up from "Timeless" September 18, 2008
2 out of 2 found this review helpful
"Timeless", released in 2006, was a welcome return for Sergio Mendes. I hadn't really followed him much since his album a full ten years before that one titled "Oceano". He used an approach similar to the Oceano and "Brasileiro" albums of the 90's. That is, utilize the talents of some of the budding new talents of the time and put out a nice quality album. On Timeless, he produced the album with Will-I-Am of the black eyed peas, and had a similar approach but more hip-hop/R&B influenced, rather than contemporary as the older 90's albums. I think the key to enjoying this and "Timeless" is to take them as they are. A melding of different musical styles and cultures. It's not like his old music from circa' the 70's. I think some people might be surprised how big R&B and rap and hip-hop are in Brasil; at least in the cities... a lot of my friends in the interior like forro, pagode, etc. but even then like hip-hop, etc.
This one stacks up nicely. In fact, I liked this one better than "Timeless". One of my main criticisms of Timeless was that it felt like I didn't always feel enough of Sergio's influence, if that makes sense. But here you can definitely hear more of Sergio's unique sound and production work which makes it feel so Brazilian. I liked the beat to "Waters of March", sung in English by Ledisi. "Oda-Ya" was funky enough, featuring Carlinhos Brown, a super producer in Brasil whom Sergio actually featured in his old "Brasileiro" cd, and was a part of Tribalistas. For some reason the rhythm reminds me a bit of Jairzinho. I also really dug "Somewhere in the Hills", sung by Natalie Cole. An Antonio Carlos Jobim staple, she did a very nice job. "Dreamer", featuring Herb Alpert and Brasil 66 member Lani Hall was also very beautiful. Another top song on this album was "Catavento". Simply beautiful, featuring Gracinha on vocals, and Toninho Horta on guitar. For good measure there's also a healthy dosage of cuica. Wonderful rhodes as expected and a very nice, easy bossa in some parts. More than maybe any of the other songs on this album, it's the closest to her features on "Oceano" or "Brasileiro". they have a near magical musical connection, Sergio and Gracinha.
There were other very good songs too, like "Acode" with the very talented (and Goooossssstosa Vanessa Da mata) and "Y Vamos Ya" featuring Colombian icon Juanes. It's a very nice album. There's much less hip-hop/rap in this, and it goes down much smoother. But I understand this might be a downer to some, and to be honest the one song I didn't really care much for was the rendition of "The Look of Love". Otherwise, I certainly recommend this. Classy guests all around bsides the artists mentioned. Even Joao Donato appears! Especially if you were similar to me with the last album and wanted a few more songs like "Timeless" and "Samba Da Bencao" or "Consolacao" for example. A nice job by Sergio and will-i-am, who I think hit on the concept a bit more here with less samples, etc. If you do get this and like it, check out Timeless and you might also like Sergio's "Brasileiro" album from 1992 as well. For another artist, check out Marcos Valle too.
In a year where we sadly lost a legend (Dorival Caymmi), it's wonderful to hear a new album from Sergio Mendes.
 Incredible Album July 27, 2008
1 out of 2 found this review helpful
I haven't listened to S.M. since the 60's. This is a fantastic collection and I can't stop listening to it; even my teenagers are hooked. The Look of Love includes one of the lowest, deepest bass lines I have ever heard (in a real song)...it rattles your gut. Highly recommended...I don't know anyone that wouldn't enjoy this music. Totally infectious.
VERY NICE....BUT NOT QUITE AS NICE AS TIMELESS July 31, 2008
1 out of 2 found this review helpful
Sergio and Will.I.Am back at it again. This album has a much stronger Brazilian backdrop than Timeless did; and the organization, content and structure of the album are a little more mature. Featured artists such as Natalie Cole, Herb Alpert, and Ledisi show the maturity and growth in assembly and production. The album is one that can definitely be played through with continuity and will be overly enjoyed. I would give the album 4 Stars. In analyzing my rating, please be aware that I am disposed to comparing this album with Timeless and I am just a bigger fan of Timeless.
Ok CD but not the quality of music from Sergio Mendes August 18, 2008
1 out of 1 found this review helpful
I've been a hugh fan of Sergio Mendes for the last 25 years and pretty much all CD's are really great except for maybe a few.
And this one for me is one that fell in the category of average to below average for someone like Sergio Mendes.
You might be a little disappointed if what you have in mind is the smooth jazzy bossanova type of music typical from Sergio Mendes.
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