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| Evil Urges | 
 enlarge | Artist: My Morning Jacket
Label: Ato Records / Red
Category: Music
List Price: $13.98
Buy Used: $6.09
You Save: $7.89 (56%)
New (46) Used (23) from $6.09
Avg. Customer Rating:  83 reviews
Sales Rank: 692
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.1
Dimensions (in): 5.3 x 5 x 0.3
MPN: 21626
UPC: 880882162627
EAN: 0880882162627
ASIN: B0017PB5TW
Release Date: June 10, 2008
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
 I'm all for mixing things up but.... June 12, 2008
7 out of 8 found this review helpful
Geeesh. It's one thing to call this "experimental", but why mess with the most distinctive thing about this band - Jim James' voice? And did they have to also go in what I only can refer to as a retro-pop direction for most of the album? To me it's not a very "experimental" move to travel down roads that were worn out in previous decades (disco, country rock, 80's dance pop), but it's not necessarily a bad thing either. If you are going to travel down those roads though you should do it without losing what makes you stand out in the first place, and sadly, upon initial listenings, that seems to be what MMJ have done here. I've been a fan since "It Still Moves", and, like some other reviewers, I felt that "Z" was the best album of 2005. I had really high hopes for this album and I'm still hoping it will grow on me, thus the optimistic 3 star rating. However, it's not looking good when a great band releases a song that is so overwhelmingly irritating that it forces me to get up and hit the skip button. "Highly Suspicious" is that song. As for the rest of the album, it's not really that it's bad, just not as immediately outstanding as some of their earlier material. I guess my point in even bothering to review this album at all is that you should beware of people that refer to this release as "ground breaking" or "experimental". It may be breaking different ground for MMJ as a band, but there isn't anything here that you haven't heard before, and better too, either by them or other artists. A bit disappointing for a band as good as this.
 Angry after listening! July 8, 2008
7 out of 11 found this review helpful
I looked forward to this album, I counted the days! I am a huge fan. I have tickets to their show at Red Rocks with the Black Keys! I felt like I was robbed of $13 after listening! I think it was a joke, I don't think those guys could have honestly made that bad of an album! One of the worst I have ever listened to!!
 Best album since 2002's Yoshimi, maybe. June 10, 2008
5 out of 7 found this review helpful
This album is amazing on so many different levels, and because of the well-crafted exploration of so many different styles and genres I have to give this my nod for album of the year(so far), and the best thing I've heard since 02's Yoshimi Battles the Pink Robots. In some ways, this album might be even better because of the interesting blend of different styles of music, but yet there is still an overall universal message of connectivity, and like Yoshimi, it is a beautiful adventure.
It might take a few listens for a lot of people to see how cohesive this album actually is, but after a few spins I found that the songs, as different as they are from one another, somehow come together to form one majestic, fearless album. Like all of their other albums, the lyrics are also special in the sense that there can be multiple meanings to almost every line, so every person can take something from it and connect it to their own reality.
Let me suggest that you play this album properly before you try to dismiss it. Play it as loud as possible to get the full effect of all the sounds and perfect percussion. There is a lot going on in this album, and it is made only for those who want to be challenged. I've heard a lot of fans say they were disappointed after their first listen, but then came acceptance and then after several listens the glory of this album was finally revealed. I personally skipped most of these stages by getting really high before my first listen and it came together a bit quicker. Either way, there should be a very indepth investigation of this album before making any judgements.
It is highly suspicious at first, but after a while, you'll be amazed.
I've Completely Changed My Mind July 7, 2008
5 out of 6 found this review helpful
Music that appeals to me right away I lose interest in faster than music that grows over time. When I first heard "Evil Urges" I hated it. Now after two weeks of steady listening I love it. When I got over my anger for Highly Suspicious I realized how many amazing moments are on this disc. It has a definite classic rock sound. Jim James sounds great as usual. Stop all the camparisons to "Z" and the incredible "At Dawn", judge it on it's own. If you have not given it a fair chance please do, it's worth it.
My Morning Jacket crafts their strongest album to date September 4, 2008
5 out of 6 found this review helpful
I've had this album for a couple weeks now, and I can't stop listening to it. I'm finding that it has a lot more staying power for me than most albums seem to, due in large part to the narrative strain that runs through it as much as the genre-blending music itself. Obviously everyone who listens to an album like this will have a somewhat different response to it, but here are some my initial impressions of it:
The first song plays like a mission statement for the album, offering the fairly typical secularist ethical perspective that what some call "evil urges" are really perfectly natural and simply "a part of the human way", that "ain't evil if (they) ain't hurting anybody". The narrator (who seems to be an older version of the narrator of the next few songs, as if he's looking back on his childhood) is strident about his decision to "love whoever I want, just whenever I can" and offers some pluralist hippie jargon about "no racial boundary lines, no social subdivisions". Not their most imaginative song, but not terrible either- 3 out of 5 stars.
The second song is somewhat reminiscent of Z's "It Beats 4 You"- it conjures up an air of intense intimacy, so much so that the narrator (presumably a young child) says, "I can tell by the way you're smiling- I'm smiling too! I can see myself in you." This line definitely relates to mother-mirroring, and the song as a whole is largely about a young child's intense need for his mother to be near him at all times- 4.5 stars
Song 3 appears at first to be somewhat inscrutable lyrically- it's hard to tell what Jim James is saying through his weird falsetto whine, and even if you read the lyrics from the booklet you have to wonder what the hell he's talking about in lines like "peanut butter pudding surprise!". The title and jagged guitar suggest a sense of growing paranoia, and the mention of "daddy" who's "got you home alone, solving your crimes" is significant when compared with the mother figure of the previous song. It would not be unreasonable to presume that this song is representative of the young boy's first encounter with the prohibiting superego and that it's the father who is highly suspicious of the son, but to me the song is more about a child growing to mistrust and resent his parents for keeping him "wastin' time home alone, dotting (his) i's" 2.5 stars
`I'm Amazed" is obviously the big lead single, and as the most traditional song on the album there's a natural tendency to mistrust it. But I actually think that it succeeds quite well at what it sets out to do- cast the growing child in a light of amazement at the immensity, strangeness and violence of the world around him, and feeling `disrupted' by it. He wonders "where is the justice?", lamenting the "love we rejecting" and "what we accept in its place". It's hardly the best song on the album, but still better than most bands could pull off on their best day with a sweet riff and an unusual construction in which the verse actually takes the form of a chorus hook. 4.5 stars
The gorgeous 5th song is made even more gorgeous what sounds like either chimes or reverbed electric piano adding an airiness to the song's already spacious construction. It plays like the sound of acceptance and gratitude of a child for a parent after the child has seen what the world has to offer and can finally look at all the things the parent does with an adult sense of appreciation, 5 stars
The 6th song strolls along with a pace consistent with its lyrics about walking one leg at a time and breathing in your own air. This is like the child finally going out into the world and looking for "eyes that hypnotize" (something seductive) and feeling the glare of the "demon eyes watching" (something menacing). 3.5 stars
Song 7, appropriately titled `2 halves', continues on the growing up theme of the 5th and 6th songs; it's about recognizing, as you get older, the fact that what you really want is the best of everything for yourself, and that in reality you're not always going to get everything out of life that you want. In the first verse, the narrator mocks his own naivete, reminding himself that it wasn't all that long ago that he was 17- acting, thinking and behaving as a 17 year old. The `two halves' title refers to the dual nature of fate, that for every winner there must be a loser, and for every success there must also be a failure. 4 stars
In the 8th song, the narrator finds his `eyes that hypnotize' in the form of a sexy librarian who he watches "through the bookcase- imagining a scene: you and I at dinner, spending time, then to sleep". It's a boy's fantasy, but an exceptionally innocent and clean one- rather than wanting to see her naked, he urges her to "take off those glasses and let your hair down for me". This is one of MMJ's best exercises in pure songwriting- there's no chorus to this song, with the verse left to provide the hook. It is reminiscent of some early Dylan songs, minus the cascade of metaphors maybe but great storytelling nonetheless. 5 stars
The 9th song finds the narrator idealizing his new squeeze as so many young people are prone to do, referring to her as a "glowing example of peace and glory" and half-begging her to "let me follow you". Musically, it's actually one of the least memorable songs on the album, but that's not really saying much on an album as full of memorable songs as this one. 3 stars
The 10th and 11th songs rock harder than any other song on the album, and work to great effect as a pallete cleanser in that way. In the 10th song, the barnstomping jolliness of the music fits with the relatively sparing lyrics about sapping the maximum amount of joy possible out of life, with the `aluminum park' probably referring to like a Disneyworld or Six Flags or some other man-made edifice of fun to that effect. 4 stars
The excellent 11th song is where the album starts to get more obtuse lyrically, as it begins a meditation on the nature of God and existence that basically carries through the last three songs. It seems to refer to the `remnants' of the crumbling empire of organized religion and suggest that "all souls, all faiths- always- we are one". This is what U2 would sound like if they were actually interesting. 4.5 stars
Song # 12 (Smokin' from Shootin') continues on the spiritual quest theme to some extent- the lyrics of the verses are kind of interesting in places but don't really offer any specific perspective on anything- the closest he comes to that is during the chorus when he suddenly goes all skeptical on you, questioning someone (sexy librarian?) as to whether their life was spent " running from something that isn't there?" 4 stars
The last song is probably my favorite on the album sonically, and lyrically it kind of brings the album full circle- the narrator ultimately seems to realize that he doesn't know any more about the Designer he hopes to meet than does the young child of the first "Touch Me I'm Going to Scream Part 1"- all he professes to know is that "this feeling (of being alive?) it is wonderful! Don't you ever turn it off!" I really could not imagine a better way to end this particular album myself. 5 stars
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