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| Fragile Things: Short Fictions and Wonders (P.S.) | 
 enlarge | Author: Neil Gaiman
Publisher: Harper Perennial
Category: Book
List Price: $14.95
Buy Used: $4.78
You Save: $10.17 (68%)
New (44) Used (25) from $4.78
Avg. Customer Rating:  51 reviews
Sales Rank: 29512
Media: Paperback
Number Of Items: 1
Pages: 416
Shipping Weight (lbs): 0.7
Dimensions (in): 7.9 x 5.1 x 1.1
ISBN: 0061252026
Dewey Decimal Number: 823.914
EAN: 9780061252020
ASIN: 0061252026
Publication Date: October 1, 2007
Availability: Usually ships in 1-2 business days
Condition: Standard used condition.
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Product Description
A mysterious circus terrifies an audience for one extraordinary performance before disappearing into the night. . . . In a Hugo Award-winning story, a great detective must solve a most unsettling royal murder in a strangely altered Victorian England. . . . Two teenage boys crash a party and meet the girls of their dreams—and nightmares. . . . These marvelous creations and more showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.
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| Customer Reviews: Read 46 more reviews...
 Typical Gaiman -- which is a very good thing. September 29, 2006
84 out of 89 found this review helpful
This collection contains exactly the sort of stories that one would expect Neil Gaiman to write -- brilliant, original, imaginative fantasy tales that occasionally make tentative steps across the border into Horror(but never quite cross over). Fantasy, but lyric fantasy, not epic, and grounded in our reality -- there are no hobbits here, and almost all these tales concern fantasy elements that seem to have somehow brushed up against our reality, rather than the reverse.
If you like Neil Gaiman's other works, you'll like these stories; if you don't, you probably won't; if you don't know whether you do or not, but you're interested enough to read Amazon reviews, then this collection provides a magnificent place to start.
I will focus on the flaws, not because the collection is flawed, or because any of these flaws are significant in comparison with the compelling and powerful strengths of the stories, but because the stories are so good that a list of their virtues would become boring ("this story is the best story about this thing since Neil Gaiman's last story about this thing.")
1) Some, most, or perhaps all of these stories have appeared in prior publications; I believe "The Facts in the Case of the Departure of Miss Finch" and "Fifteen Painted Cards from a Vampire Tarot" were in some editions of Smoke and Mirrors, "A Study in Emerald" was available for a long time (if it isn't still) on Neil Gaiman's website, "Harlequin Valentine" has been available as a small illustrated hardcover for a long time now, etc. If you're enough of a Neil Gaiman fan to have tracked down all those disparate stories, though, in all those disparate places, this single volume will probably be a marked convenience.
2) There are stories in here that are unsettling, but none that I would classify as actually *scary* -- the sort of horror, if it can be called horror, that becomes more frightening the more imaginative you are, the way a particularly startling pattern of shadows might terrify a child but have no effect whatsoever on a more rationally-minded adult. Long time readers of Gaiman won't consider this a flaw, but rather a virtue - subtlety is far rarer in fiction these days, and far more difficult to achieve, than simple raw horror - but I mention it as a caveat to the virgin.
3) I personally felt that some of the outside references in the stories fell a bit flat, and a few of the stories fell a bit short of Gaiman's best work. The reworking of Beowulf here ("The Monarch of the Glen") was not as effective as his earlier "Bay Wolf", and felt a bit like a pastiche of Gaiman's other characters, plus Grendel. On the other hand, "The Problem of Susan" may be the most effective and disturbing reworking of a children's story since Gaiman's own "Snow, Glass, Apples" in _Smoke and Mirrors_, and "A Study in Emerald" is simultaneously one of the best Lovecraft pastiches and one of the best Sherlock Holmes pastiche I've ever seen.
The following stories are contained in this collection:
1)An introduction where Gaiman details some background on each of the stories, and includes a short-short story on its own as well (titled "The Mapmaker")
2)A Study in Emerald
3)The Fairy Reel (poem)
4)October in the Chair
5)The Hidden Chamber
6)Forbidden Brides of the Faceless Slaves in the Secret House of the Night of Dread Desire
7)The Flints of Memory Lane
8)Closing Time
9)Going Wodwo (poem)
10)Bitter Grounds
11)Other People
12)Keepsakes and Treasures
13)Good Boys Deserve Favors
14)The Facts in the Case of the Departure of Miss Finch
15)Strange Little Girls
16)Harlequin Valentine
17)Locks
18)The Problem of Susan
19)Instructions
20)How Do You Think It Feels?
21)My Life
22)Fifteen Painted Cards from a Vampire Tarot
23)Feeders and Eaters
24)Diseasemaker's Croup
25)In the End
26)Goliath
27)Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma and Louisville, Kentucky
28)How to Talk to Girls at Parties
29)The Day the Saucers Came
30)Sunbird
31)Inventing Aladdin
32)The Monarch of the Glen
 Mix of the fantastic and the mundane October 19, 2006
31 out of 40 found this review helpful
Neil Gaiman weaves the threads of fairy tales, mythology and archetypes throughout his fiction, which, combined with a writing style that's simple and adorned with elegant turns of phrases, has made him one of the leading figures in fantastic fiction. "Fragile Things," his collection of short stories and poems, contains excellent stories about desire and loss, a few wonderful riffs on genre fiction, a bunch of middling stories and poems and a few bones for Gaiman completists and Tori Amos fans.
The gulf between the stories can be described by comparing two of them: "October in the Chair" and "Good Boys Deserve Favors." Dedicated to Ray Bradbury, "October" reinvents Bradbury's wonderful mingling of the fantastic with the bitter reality of childhood. The personifications of the months of the year gather to tell stories, and October ("his beard was all colors, a grove of trees in autumn, deep brown and fire-orange and wine-red, an untrimmed tangle across the lower half of his face") describes the short, bitter life of Runt, a boy who's bullied by his elder twin brothers and pitied by his parents. He runs away from home and, on the edge of town, by an abandoned farmhouse, befriends the ghost of a boy. It's a sad tale, with a sad ending that could also be thought of as a happy ending.
"Good Boys" is a nicely written story about another boy, at public school, who takes up the double bass because he has to learn an instrument, and he likes the notion of a small boy playing a big instrument. He neglects his lessons, preferring to read, and then one day, while not practicing, he's visited by adults who ask him to play. He simply plays, and plays beautifully. Later, he accidentally breaks the bass, but the repairs have drained it of whatever magic it held. He transfers to another school and stops playing the bass ("The thought of changing to a new instrument seemed vaguely disloyal, while the dusty black bass that sat in a cupboard in my new school's music rooms seemed to have taken a dislike to me."). Puberty hits, and that's the end of it.
"Good Boys" may be a simple story about a block-headed student who encounters a magic that leaves him unmarked. Gaiman's men in several stories share that indifference. Bizarre things happen to people they to encounter (the waspish guest in "The Facts in the Case of the Departure of Miss Finch") or barely know (the long-ago co-worker encountered again in the gruesome "Feeders and Eaters"), and their response is a blank stare followed by a "well, that was interesting." It's English understatement bordering on ennui.
Gaiman mentions in his introduction writing stories "told in the first person and were slices of lives," so "Good Boys" may be meant to start and end without really going anywhere.
In my nastier moments, I'd think that he had the germ of a better story and couldn't be buggered to finish it.
"Fragile Things" contains some excellent stories as well. Fans of "American Gods" will appreciate Shadow's return in the novella "The Monarch of the Glen." "A Study in Emerald" crosses Sherlock Holmes with H.P. Lovecraft and the result is rarely encountered after generations of Holmes pastiches: a clever tale that's worthy of Alan Moore. "Goliath" is a better "Matrix" story than most of the films. "Harlequin Valentine" and "How Do You Think It Feels?" are memorably twisted love stories and "Keepsakes and Treasures" a surprisingly nasty tale to those who've forgotten "Sandman" stories like "24 Hours."
The better Gaiman tales are inhabited by the human heart, with all its passion and pain. His stories are better when his people bleed.
 Disappointing November 6, 2006
13 out of 18 found this review helpful
Given the devotion that Gaiman seems to inspire in his fans, I'm probably going to upset a few people by saying that taken as a whole I found this collection underwhelming.
The short story format is notoriously difficult to do well and I'm not sure if it really works here. He's too good a writer not to have pulled off a few gems but most of the stuff either feels like filler (the poems and the Tori Amos CD liner notes in particular) or not quite worked out.
I wanted to like it, really...
Wonderful and Entrancing October 16, 2006
7 out of 9 found this review helpful
You could probably spend hours hunting down these various stories online. Why do that when this book collects some of Neil Gaiman's best work in one easy-to-find source? Filled with award-winning shorts this book is awesome to say the least. It is worth it solely for the American God's story involving Shadow, but this book contains many more enchanting, enticing and otherwise delicious stories ready to be devoured. If you haven't read Neil's work - you should. I have yet to find an author who matches his prose style and dreamy quality of writing (no pun intended). Terribly unique as an author, Neil Gaiman continues to delight in this book. You won't be disappointed with Fragile Things.
 Enh. December 6, 2006
7 out of 23 found this review helpful
I like the review by the guy who hasn't read the book yet but gives it 5 stars. Nice.
Most of the stories and all of the poems feel thin and tossed off. Sure, there are a few gems here (Sunbird, A Study in Emerald), but the rest leave me saying, "So what. Big deal. That's the pay off? Whatever."
In particular, stories like Closing Time. OK...and...? Let's leave things all vauge and mystersious!!! Ooooooh. Sorry, just too many like that. Blah. Yeah, I get the whole let-the-reader-do-the-calculus-in-their-head approach, but most of these one-trick-pony stories add up to less than zero. Like the one where the kid sees a creepy ghost. That's it.
I think the tissue book cover will wear very poorly. Yeah, fragile, I get it. Better cover it in mylar or something.
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