Thurber's way with words will leave you boggle-eyed. This is the quintessential read-aloud book and the kids love it. On the second or third reading they'll be chanting along with sentences like these: "The brambles and the thorns grew thick and thicker in a ticking thicket of bickering crickets..." And Thurber goes hogwild in making up all kinds of words that somehow managed to portray what he want to get across. When he tells us that the duke slits open his victims from their guggles to their zatches, you may not know exactly what is a guggle and what is a zatch, but you get the idea. And when the Todal gleeps while devouring a victim, we know just what Thurber is talking about. (Try going "gleep" way at the back of your throat and you'll see what I mean.)

"The Thirteen Clocks" is full of dark humor and the illustrations by Marc Simont are right in character -- dark, haunting and yet comical at the same time. The book is a great mix of a good story, good characters, good writing, and just plain good fun.


Whimsical   March 9, 2002
 11 out of 12 found this review helpful

This is a cute, very short fantasy book full of a weird mix of prose and poetry. The back of my old paperback proclaims "Everyone has always wanted to love a princess/Everyone has always wanted to be a prince/Everyone has always wanted the wicked duke to be punished/Everyone has always wanted to live happily ever after." While I've never wanted to love a princess or be a prince, I am always entranced by the characters.

It follows a mysterious young man who wishes to marry the beautiful Princess Saralinda. But Saralinda is kept in a castle without time, by a sinister Duke who claims to be her uncle. The young man (whom we find is a prince himself, Zorn of Zorna) is given an impossible task, and his only ally is the bizarre Golux, "the only Golux in the world, and not a mere Device." Together they venture through a shadowy world of jewel-weeping women, things without heads, and mediocre witches...

The storyline and plotting are straightforward, without detours or side-quests. Characters go from point A to point B without wandering off to do things. Zorn and Saralinda are a fairly ordinary prince and princess, and the Duke rolls and revels in his sheer badness; it's the Golux who really makes this tale. The son of a mediocre witch and an alcoholic wizard, he is quirky and sometimes gets things wrong.

The prose is sprinkled through with poetry, as often a sentence will fall into rhyme, without benefit of stanzas. Thurber's description of things is casual: he doesn't dwell forever on weird things, but treats them as part of the experience.

This is a wonderful book, well worth the hunt it will take to find it.


On guard, you musty sofa!   September 23, 2003
 10 out of 10 found this review helpful

In summary form, "The Thirteen Clocks" will almost certainly come across as a clever but fairly conventional fairy tale, populated by amusing variants of the archetypal beautiful princess, wicked Duke, and poor-hero-who-isn't-what-he-seems. This is unfortunate, because while all of these characters are great fun, the real hero of this little book is the English language. Few authors are as skilled as Thurber when it comes to playing with words, and in "The Thirteen Clocks," verbal gems pop out of almost every page. Moreover, when it comes to making up new words for comedic or literary effect, only Lewis Carroll's "Jabberwocky" does it better - you'll not find "guggle" or "zatch" in an anatomy textbook, but in the context of the tale, their meaning is both perfectly clear and perfectly hilarious (also perfectly clean - this is definitely an all-ages book). I'd offer more examples, but that would deprive you of the joy of discovering them for yourself - and not even a Todal in full gleep could make me do that.


Killing time; or thirteen frozen clocks   April 20, 2008
 10 out of 10 found this review helpful

James Thurber went to Bermuda to finish a book, and wrote The Thirteen Clocks instead. He says it was escapism and self-indulgence. If so, the world needs more self-indulgence, because this book is pure fun. It's a simple fairy tale, a book to be shared with a child. The water-color illustrations by Mark Simont are a perfect enhancement to the mood of the story.

The tale opens with an evil Duke in a gloomy castle--a Duke who is always cold. "We all have flaws," he says, "and mine is being wicked." (p. 114) The castle has thirteen clocks, all frozen at ten minutes to five. The lovely Princess Saralinda, "warm in every wind and weather," is the only warm thing in the castle and the Duke (her so-called uncle, though actually her kidnapper) purposefully thwarts all her suitors with tasks impossible to perform. When they have failed, he slits them from guggle to zatch and feeds them to the geese.

The Thirteen Clocks is built of standard fairy tale elements. A wandering minstrel who is really the youngest son of a king falls in love with Princess Saralinda and accepts a seemingly impossible test to win her hand. Assisted by a magical creature called Golux, he sets off to fulfill the test. Their progress is threatened by a number of unsavory characters; the Todal, for example, an agent of the devil sent to punish evil-doers for having done less evil than they should. Needless to say, all turns out well in the end.

The story itself may be standard, but the telling of it is typical Thurber wordplay. The Thirteen Clocks is not exactly poetry, but it begs to be read aloud for the rhythm, rhyme and alliteration. A particularly hectic passage from page 73 illustrates:

"The brambles and the thorns grew thick and thicker in a ticking thicket of bickering crickets. Farther along and stronger, bonged the gongs of a throng of frogs, green and vivid on their lily pads."

The quest complete, time unfrozen and the Princess won, the ecstatic couple ride toward the harbor. "The Princess Saralinda thought she saw, as people often think they see, on clear and windless days, the distant shining shores of Ever After. Your guess is quite as good as mine (there are a lot of things that shine) but I have always thought she did, and I will always think so."

I think so too, and if it takes a charming little book to remind me, then count me in.

Linda Bulger, 2008


Watch Out For the Todal, by Rory Haglund   November 13, 2007
 9 out of 10 found this review helpful

Watch out for the Todal

James Thurber's The Thirteen Clocks is a delightful tale for people of all ages. I was first introduced to this seemingly conventional story at age five when my father read it to me as a pleasant bedtime story. It was not until I could read for myself that I began to notice what sets this story apart from so many other children's stories--its characters and great dialogue. Even re-reading it now, as a college student, I immensely enjoy its refreshing humor. Thurber uses a simple storyline, poetic devices, and clever characterization to make The Thirteen Clocks enjoyable to any and all ears.

The Thirteen Clocks is enjoyable for kids of all ages (meaning grown-ups as well) because it follows the basic and familiar "prince saves princess" storyline. Prince Zorn of Zorna must win the hand of Princess Saralinda by bringing back a thousand jewels to her uncle in "six and sixty days" (32). Though it seems that six and sixty days are not ample time for him to complete such a task, Zorn of Zorna miraculously succeeds. This follows the plot of most classic fairy tales I can think of (excluding Rumplestiltzkin and Beauty & the Beast). There are so many prince-princess stories because every child (and deep down, every adult, too) wants to be a prince or princess. There is something appealing to human nature about glory, fame, wealth, beauty, and general happiness, all of which are presented as direct benefits of being royalty. Also, everyone loves a happy ending where justice is served--the good guys win and the bad guys suffer. The Thirteen Clocks does indeed include a happy ending of this nature. Not only is the story simple enough, but it is also relatively short (my copy is seventy pages with fairly large text) and includes pictures. Bedtime stories are, by nature, short stories. When parents concede to read just "one more bedtime story," they do not want it to take all night. Furthermore, it is simply easier to understand a story when you sit down and read the entire thing at once. Children admittedly have short attention spans. The rest of us adults do too, but we pretend to have a more mature mind, especially when it comes to paying attention. The Thirteen Clocks appeals to everyone, young and old because it is a familiar and somewhat simple tale.

All audiences can also appreciate The Thirteen Clocks for its musical language as seen by the poetic devices of rhyme and rhythm. In the beginning of the story, Prince Zorn of Zorna disguises himself as a minstrel and sings of various things whose mention are forbidden by the evil Duke. A villager tells the Prince that one of the Duke's spies will "die because to name your sins, he'll have to mention mittens. I leave at once for other lands, since I have mentioned mittens...You'll never live to wed his niece. You'll only die to feed his geese" (17). The rhyme combined with the absolute hilarity of this statement amuses the reader and is rhythmically pleasing. Smaller children may not catch or understand the substance of this passage completely, but they will enjoy hearing the rhyme scheme (AAABB) and rhythm pattern (8-7, 8-7). Literary enthusiasts will take note and admire the patterns evident in Thurber's writing. Another great example of Thurber's amusing and rhyming style is, "'It's odd,' the Golux muttered to himself. 'I could have sworn that she had died. This is the only time my stomach ever lied'" (54). Here again, Thurber amuses his audience by using this constant pattern of rhyme and rhythm. Humans love to find patterns--it brings sense and order to the sometimes chaotic world we live in. By creating this literary and somewhat musical pattern, Thurber's tale appeals to both the young and old.

The Thirteen Clocks is appealing because its characters, the likes of which have never been seen before in literature, add excitement and flavor to this familiar story. There are three truly out-of-the ordinary characters--the Golux, who is "always on hand when people are in peril" (18), Hagga, the weeper of jewels; and the unpleasant Todal. Of these, the Todal is the most outrageous character. The Todal is "made of lip," "looks like a blob of gulp," and "smells of old, unopened rooms" (36, 29). This creature is "waiting for the Duke to fail in some endeavour such as setting you a task that you can do" and is "an agent of the devil, sent to punish evil-doers for having done less evil than they should" (29, 30). There is no monster as quirky, interesting, and terrifying as the Todal in real life or in a book. By presenting his readers with such bizarre characters, Thurber appeals to their sense of humor, as well as to their sense of terror. The creativity and flair for language possessed by Thurber are most obvious in the descriptions of his characters. This sets his tale apart from others with similar, but seemingly less lively stories. More than anything else, The Thirteen Clocks is enjoyable because of its uniqueness in characterization.

This truly wonderful and shockingly good fairy tale is full of enough excitement and goodness to be appropriate for a bedtime story. Yet Thurber's true talent lies in his creative and imaginative abilities which allow for readers and listeners alike to enjoy this book. It is set apart from other fairy tales by its clever use of words and unparalleled characters. Buy this book (though I would suggest the hardcover edition with colored illustrations) or run to your local library before the Todal gulps you!